{"title":"Jazz Instrumental","description":"\u003cp\u003eDécouvrez notre sélection de \u003cstrong\u003ejazz instrumental\u003c\/strong\u003e : enregistrements inédits des plus grands instrumentistes du jazz réunis par The Lost Recordings. Saxophonistes, trompétistes, pianistes, contrebassistes et batteurs des âges d'or du jazz.\u003c\/p\u003e\u003cp\u003eMiles Davis, John Coltrane, Art Blakey, Bill Evans, Stan Getz, Dave Brubeck, Oscar Peterson, Thelonious Monk, Erroll Garner, Cannonball Adderley, Dizzy Gillespie, Duke Ellington : tous nos enregistrements de jazz instrumental restaurés depuis les bandes analogiques originales.\u003c\/p\u003e","products":[{"product_id":"art-blakey-live-in-scheveningen-1958-double-vinyle","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.\u003c\/span\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass\u003cbr\u003e|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnnumbered second edition\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225075421346,"sku":"TLRE-BLAK58-34LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1d694e29-7da6-4e84-950c-8e92b361b230.jpg?v=1715948465"},{"product_id":"art-blakey-live-in-scheveningen-1958-double-cd","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnnumbered second edition\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225096130722,"sku":"FON-1804034","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_a66aee61-f447-413c-aef3-7b87b3e8857f.jpg?v=1715948511"},{"product_id":"art-blakey-live-in-scheveningen-1958-telechargement-hd","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA from the original tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225126047906,"sku":"TLRE-BL58-32DI","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-BLAKEY.jpg?v=1715948562"},{"product_id":"bill-evans-trio-live-at-hilversum-1968-double-vinyle","title":"BILL EVANS TRIO - LIVE AT HILVERSUM 1968 - VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eWho is this man who quietly enters the small VARA studio in Hilversum on June 22, 1968? Bill Evans. He has the figure of Yves Saint-Laurent, slim, and that same \"pretend I'm not here\" attitude. Smiling behind him are Puerto Rican drummer Jack Dejohnettes and bassist Eddie Gomez, his constant touring companion for several years. A month ago, they won a historic Grammy Award in Montreux, a kind of coronation for Bill Evans that confirms him at the top of his art. Evans knows like no other how to give true colors to life. A musician out of any category, out of any caste, everyone feels that he is this genius jazz tailor to whom a generation of pianists will dedicate respect and admiration. This is the first publication of this historic recording\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Bill Evans, Piano\u003cbr\u003e\nEddie Gomez, Bass\u003cbr\u003e\nJack Dejohnette, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 900\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e in Hilversum, 22.VI.1968\u003cbr\u003e STEREO ℗ 1968 NOS\u003cbr\u003e Remastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003cbr\u003e Made and printed in Germany\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225129947298,"sku":"FON-1604024","price":58.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_c28c7c10-7609-4232-9bd2-a77aa1fde6c8.jpg?v=1715949246"},{"product_id":"bill-evans-trio-live-at-hilversum-1968-telechargement-hd","title":"BILL EVANS TRIO - LIVE AT HILVERSUM 1968 - HD DOWNLOAD","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWho is this man who quietly enters the small VARA studio in Hilversum on June 22, 1968? Bill Evans. He has the figure of Yves Saint-Laurent, slim, and that same \"pretend I'm not here\" attitude. Smiling behind him are Puerto Rican drummer Jack Dejohnettes and bassist Eddie Gomez, his constant touring companion for several years. A month ago, they won a historic Grammy Award in Montreux, a kind of coronation for Bill Evans that confirms him at the top of his art. Evans knows like no other how to give true colors to life. A musician out of any category, out of any caste, everyone feels that he is this genius jazz tailor to whom a generation of pianists will dedicate respect and admiration. This is the first publication of this historic\u003c\/span\u003e recording.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Bill Evans, Piano\u003cbr\u003e\nEddie Gomez, Bass\u003cbr\u003e\nJack Dejohnette, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 900\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e in Hilversum, 22.VI.1968\u003cbr\u003e STEREO ℗ 1968 NOS\u003cbr\u003e Remastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225136337058,"sku":"TLRE-EVAN68-32DI","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-EVANS.jpg?v=1715949181"},{"product_id":"blossom-dearie-the-lost-sessions-from-the-netherlands-double-vinyle","title":"BLOSSOM DEARIE - THE LOST SESSIONS FROM THE NETHERLANDS - VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eAmong the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song \"Raindrops Keep Falling On My Head\", which she magnifies, to Joni Mitchell's \"Both Sides Now\", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, \"Winchester in Apple Blossom Time\". Not forgetting her other personal works, as well as \"Bring All Your Love Along\", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverenc\u003c\/span\u003ee. \u003cbr\u003e\u003cbr\u003e|STARTGOLD|Blossom Dearie, Vocals \u0026amp; Piano\u003cbr\u003e\n*with the Metropole Orchestra|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eWith the kind authorisation of the Blossom Dearie Estate\u003cbr\u003e\u003cbr\u003e STEREO ℗ AVRO 1968, 1970, 1971, 1982\u003cbr\u003e STEREO ℗ TROS 1989\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd edition\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225167040674,"sku":"TLR-1804033V","price":52.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_6ef9641a-70f0-4b1c-b20a-471b1f30c690.jpg?v=1715927131"},{"product_id":"blossom-dearie-the-lost-sessions-from-the-netherlands-telechargement-hd","title":"BLOSSOM DEARIE - THE LOST SESSIONS FROM THE NETHERLANDS - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eAmong the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song \"Raindrops Keep Falling On My Head\", which she magnifies, to Joni Mitchell's \"Both Sides Now\", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, \"Winchester in Apple Blossom Time\". Not forgetting her other personal works, as well as \"Bring All Your Love Along\", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverenc\u003c\/span\u003ee.\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Blossom Dearie, Vocals \u0026amp; Piano\u003cbr\u003e\n*with the Metropole Orchestra|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eWith the kind authorisation of the Blossom Dearie Estate\u003cbr\u003e\u003cbr\u003e STEREO ℗ AVRO 1968, 1970, 1971, 1982\u003cbr\u003e STEREO ℗ TROS 1989\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225181294754,"sku":"TLRE-DE68-32LP","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-DEARIE.jpg?v=1715927254"},{"product_id":"blossom-dearie-the-lost-sessions-from-the-netherlands-cd","title":"BLOSSOM DEARIE - THE LOST SESSIONS FROM THE NETHERLANDS - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eAmong the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song \"Raindrops Keep Falling On My Head\", which she magnifies, to Joni Mitchell's \"Both Sides Now\", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, \"Winchester in Apple Blossom Time\". Not forgetting her other personal works, as well as \"Bring All Your Love Along\", of which we hear the first recorded version here. 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In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates \"Brother K\" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: \"The Blues\", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty:\u003c\/span\u003e “Yes Dizzy, you made it”.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Dizzie Gillespie, Trumpet and Vocals\u003cbr\u003e\nMike Longo, Piano\u003cbr\u003e\nAlexander Gafa, Guitar\u003cbr\u003e\nEarl May, Bass\u003cbr\u003e\nMickey Roker, Drums\u003cbr\u003e\nGuest Artist : Jon Faddis, Trumpet on tracks 9 and 10|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Singer Concert Hall\u003cbr\u003e Laren Jazz Festival, 25.VIII.1973\u003cbr\u003e STEREO ℗ 1973 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225416863906,"sku":"TLR-1704028V","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1a890342-fae8-4e6c-a4ad-0a48df2df6df.jpg?v=1715926956"},{"product_id":"dizzy-gillespie-live-at-singer-concert-hall-1973-cd","title":"DIZZY GILLESPIE - LIVE AT SINGER CONCERT HALL 1973 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFor Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates \"Brother K\" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: \"The Blues\", where he abandons his trumpet to unleash the full force and warmth of his voice. 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However, we leave with a certainty:\u003c\/span\u003e “Yes Dizzy, you made it”.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Dizzie Gillespie, Trumpet and Vocals\u003cbr\u003e\nMike Longo, Piano\u003cbr\u003e\nAlexander Gafa, Guitar\u003cbr\u003e\nEarl May, Bass\u003cbr\u003e\nMickey Roker, Drums\u003cbr\u003e\nGuest Artist : Jon Faddis, Trumpet on tracks 9 and 10|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Singer Concert Hall\u003cbr\u003e Laren Jazz Festival, 25.VIII.1973\u003cbr\u003e STEREO ℗ 1973 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e \u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225425711266,"sku":"FON-1704038","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_22224d61-0d37-478f-9894-8fde7992fd44.jpg?v=1715927020"},{"product_id":"dizzy-gillespie-live-at-singer-concert-hall-1973-telechargement-h","title":"DIZZY GILLESPIE - LIVE AT SINGER CONCERT HALL 1973 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFor Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates \"Brother K\" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: \"The Blues\", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty:\u003c\/span\u003e “Yes Dizzy, you made it”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Dizzie Gillespie, Trumpet and Vocals\u003cbr\u003e\nMike Longo, Piano\u003cbr\u003e\nAlexander Gafa, Guitar\u003cbr\u003e\nEarl May, Bass\u003cbr\u003e\nMickey Roker, Drums\u003cbr\u003e\nGuest Artist : Jon Faddis, Trumpet on tracks 9 and 10|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Singer Concert Hall\u003cbr\u003e Laren Jazz Festival, 25.VIII.1973\u003cbr\u003e STEREO ℗ 1973 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225429643426,"sku":"TLRE-DI73-32DI","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GILLESPIE.jpg?v=1715927075"},{"product_id":"duke-ellington-live-at-the-berlin-jazz-festival-1969-1973-cd","title":"DUKE ELLINGTON - LIVE AT THE BERLIN JAZZ FESTIVAL 1969•1973 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn 8 November 1969, on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra is at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sort of rattle, the Duke launched 'La plus Belle Africaine'. A baroque but perfectly mastered mixture of sunny colours captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launches into a furious \"El Gato\" which shakes the audience with its creaking, deliberate deconstruction and evokes the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of \"I Can't Get Started\", just before the 43-second parenthesis of \"Caravan\", which is a mischievous link to the flamboyant \"Satin Doll\" that masterfully punctuates this concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten \"Rocky\" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney - and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the Blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in \"Tap Dance\". The magic works. The success is total.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: \"there are only two kinds of music: good and bad\". 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His orchestra is at the orders, adorned with a gleaming section of which some have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. The legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a kind of rattle, the Duke launches \"La plus Belle Africaine\". A baroque but perfectly mastered mixture of sunny colors captured during a tour in Dakar, launched on the solo saxophone and then taken up with flashes of inventiveness by all or part of the orchestra. The tone is set. Cat Anderson launches into a furious \"El Gato\" that shakes the audience with its squeaks, its voluntary deconstructions and evokes the revolutionary, fragmentary and unfinished gestures of a Thelonious Monk or a Cecil Taylor. A studied contrast with the gentle continuation of \"I Can't Get Started\", just before the 43-second parenthesis of \"Caravan\", set as a mischievous link to the flamboyant \"Satin Doll\" which masterfully punctuates this concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1973, a few months before his death, Duke returned to Berlin in a formation organized on the basis of his trio (Joe Benjamin on double bass and Quinten \"Rocky\" White Jr. on drums), joined by Harold Johnson on trumpet, clarinetist and baritone saxophonist Harry Carney - and by his long-time sidekick, tenor saxophonist Paul Gonsalves. Duke Ellington gives a central place to his piano, making it both the driving force of the ensemble and its harmonic and rhythmic framework.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this Blues that opens the concert, we hear some Debussy. This is followed by \"Take the A train\". The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how much the Duke knew how to draw with sagacity from the audacious harmonies of his contemporaries. And then he dares everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in \"Tap Dance\". The magic works. The success is total.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, in the harmonic sources of all the musics and which make so relevant the formula which he liked: \"there are only two kinds of music: the good and the bad\". We have had the extreme privilege of resurrecting the best\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nDuke Ellington, Piano\u003cbr\u003e\nJoe Benjamin, Bass\u003cbr\u003e\nQuinten \"Rocky\" White Jr., Drums\u003cbr\u003e\nHarold \"Money\" Johnson, Trumpet\u003cbr\u003e\nPaul Gonsalves, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\n\u003cbr\u003e\n*Duke Ellington, Piano, Leader\u003cbr\u003e\nAnd his Orchestra, Featuring:\u003cbr\u003e\nCat Anderson, Cootie Williams, Mercer Ellington, Trumpet\u003cbr\u003e\nHarold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\nRufus Jones, Drums|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Berlin Philharmonic\u003cbr\u003e Berliner Jazztage, 2.XI.1973\u003cbr\u003e STEREO ℗ 1973 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded at the Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 8.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e 180g Single 33rpm vinyl album\u003cbr\u003e 2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225469882530,"sku":"TLR-2204041V","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_67e3c1f3-b14c-405a-ad71-d481f2895747.jpg?v=1715927352"},{"product_id":"duke-ellington-live-at-the-berlin-jazz-festival-1969-1973-telechargement","title":"DUKE ELLINGTON - LIVE AT THE BERLIN JAZZ FESTIVAL 1969•1973 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn 8 November 1969, on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra is at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sort of rattle, the Duke launched 'La plus Belle Africaine'. A baroque but perfectly mastered mixture of sunny colours captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launches into a furious \"El Gato\" which shakes the audience with its creaking, deliberate deconstruction and evokes the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of \"I Can't Get Started\", just before the 43-second parenthesis of \"Caravan\", which is a mischievous link to the flamboyant \"Satin Doll\" that masterfully punctuates this concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten \"Rocky\" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney - and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the Blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in \"Tap Dance\". The magic works. The success is total.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: \"there are only two kinds of music: good and bad\". We have had the extreme privilege of resurrecting the better one\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nDuke Ellington, Piano\u003cbr\u003e\nJoe Benjamin, Bass\u003cbr\u003e\nQuinten \"Rocky\" White Jr., Drums\u003cbr\u003e\nHarold \"Money\" Johnson, Trumpet\u003cbr\u003e\nPaul Gonsalves, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\n\u003cbr\u003e\n*Duke Ellington, Piano, Leader\u003cbr\u003e\nAnd his Orchestra, Featuring:\u003cbr\u003e\nCat Anderson, Cootie Williams, Mercer Ellington, Trumpet\u003cbr\u003e\nHarold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\nRufus Jones, Drums|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Berlin Philharmonic\u003cbr\u003e Berliner Jazztage, 2.XI.1973\u003cbr\u003e STEREO ℗ 1973 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded at the Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 8.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225470046370,"sku":"TLR-2204041-HD","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-ELLINGTON.jpg?v=1715927428"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-cd","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them al\u003c\/span\u003el”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e \u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225470996642,"sku":"FON-1704027","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_03ad73ad-48c8-4548-887f-d93504fb612e.jpg?v=1715948236"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-double-vinyle","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them al\u003c\/span\u003el”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnnumbered second edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eDOWNLOAD OF THE DOUBLE ALBUM AVAILABLE IN 24BIT FORMAT.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225471586466,"sku":"TLR-1704027V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_f547a8c0-84f7-43fd-82f0-43a69b14c977.jpg?v=1715948179"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them\u003c\/span\u003e\u0026nbsp;all”.\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225472340130,"sku":"TLRE-FI61-32DI","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-FITZGERALD-2.jpg?v=1715948386"},{"product_id":"oscar-peterson-trio-live-at-the-concertgebouw-1961-cd","title":"OSCAR PETERSON TRIO - LIVE AT THE CONCERTGEBOUW 1961 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as \"the Ineffable\". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Oscar Peterson, Piano\u003cbr\u003e\nRay Brown, Bass\u003cbr\u003e\nEd Thigpen, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam\u003cbr\u003e 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e Remastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225477288098,"sku":"FON-1604023","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_c782ccc6-af18-4592-987e-0619c27a548f.jpg?v=1715927776"},{"product_id":"oscar-peterson-trio-live-at-the-concertgebouw-1961-double-vinyle","title":"OSCAR PETERSON TRIO - LIVE AT THE CONCERTGEBOUW 1961 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as \"the Ineffable\". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Oscar Peterson, Piano\u003cbr\u003e\nRay Brown, Bass\u003cbr\u003e\nEd Thigpen, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam\u003cbr\u003e 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e Remastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225477779618,"sku":"TLR-1604023V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_991af648-b95f-4af3-9419-1fcac1a12d21.jpg?v=1715927749"},{"product_id":"oscar-peterson-trio-live-at-the-concertgebouw-1961","title":"OSCAR PETERSON TRIO - LIVE AT THE CONCERTGEBOUW 1961 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as \"the Ineffable\". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... 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August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nCarl Schroeder, Piano\u003cbr\u003e\nBob Magnusson, Bass\u003cbr\u003e\nJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003e STEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225479581858,"sku":"FON-1604022","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD-2_52d74d65-42ca-402f-a4d5-0150774978cf.jpg?v=1715947390"},{"product_id":"sarah-vaughan-live-at-laren-1975-double-vinyle","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eFirst publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. 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In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings..\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e |STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e Johnny Veith, Piano\u003cbr\u003e Gus Mancuso, Bass\u003cbr\u003e Eddy Pucci, Drums|ENDGOLD|\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225480499362,"sku":"TLRE-VAUG69-38CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_84639675-4ae2-419f-b23e-947f1cd05e98.jpg?v=1715947556"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-double-vinyle","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings\u003c\/span\u003e... \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nJohnny Veith, Piano\u003cbr\u003e\nGus Mancuso, Bass\u003cbr\u003e\nEddy Pucci, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e 2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225481416866,"sku":"TLRE-VAUG69-38LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Vaughan69-MockupFront.jpg?v=1715899573"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. 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How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Gary Burton, vibraphone|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Chuck Israels, bass|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Roy Haynes, drums|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage STEREO ℗ 1966 RBB\u003c\/p\u003e\n\u003cp\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225483251874,"sku":"TLRE-GETZ66-38CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1948b849-f184-4886-b4e6-548df92657cb.jpg?v=1715880377"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966-double-vinyle","title":"STAN GETZ \u0026amp; ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies\u0026nbsp;|ENDTITLEGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr\u003e\u003cbr\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Gary Burton, vibraphone|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Chuck Israels, bass|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Roy Haynes, drums|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage\u003cbr\u003e STEREO ℗ 1966 RBB\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e33 rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Electroplating: United-Kingdom\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1st Limited-Edition\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 3000 copies\u003cbr\u003eNew Tip-on Gatefold printed in Italy\u003cbr\u003ePressed by Simon Garcia, Marciac, France\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225483808930,"sku":"TLRE-GETZ66-38LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront.jpg?v=1715875011"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966","title":"STAN GETZ \u0026 ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD||STARTGOLD|Gary Burton, vibraphone|ENDGOLD||STARTGOLD|Chuck Israels, bass|ENDGOLD||STARTGOLD|Roy Haynes, drums|ENDGOLD||STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage\u003c\/p\u003e\n\u003cp\u003eSTEREO ℗ 1966 RBB\u003c\/p\u003e\n\u003cp\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484038306,"sku":"TLR-2104038-HD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GETZ.jpg?v=1715949146"},{"product_id":"thelonious-monk-live-in-rotterdam-1967-double-cd","title":"THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two \"classics\" \"Ruby, My Dear\" and \"Blue Monk\", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of \"Hackensack\", the brass gets carried away in the middle of \"We See\"; they answer each other by swirling in the dizzying \"Oska\". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: \"Blue Monk\", all classical restraint\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Thelonius Monk, Piano\u003cbr\u003e\nCharlie Rouse, Tenor Sax\u003cbr\u003e\nLarry Gales, Bass\u003cbr\u003e\nBen Riley, Drums\u003cbr\u003e\n\u003cbr\u003e\nGuests :\u003cbr\u003e\nClark Terry, Trumpet\u003cbr\u003e\nRay Copeland, Trumpet\u003cbr\u003e\nJimmy Cleveland, Trombone\u003cbr\u003e\nPhil Woods, Alto Sax\u003cbr\u003e\nJohnny Griffin, Tenor Sax|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e R\u003cspan data-mce-fragment=\"1\"\u003eecorded at\u003c\/span\u003e\u0026nbsp;De Doelen, Rotterdam, 28.X.1967\u003cbr\u003e STEREO ℗ 1967 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e : 999\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484497058,"sku":"FON-1704029","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_c3271f35-290a-46f5-a9b1-07611ec2dbca.jpg?v=1715948769"},{"product_id":"thelonious-monk-live-in-rotterdam-1967-double-vinyle","title":"THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two \"classics\" \"Ruby, My Dear\" and \"Blue Monk\", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of \"Hackensack\", the brass gets carried away in the middle of \"We See\"; they answer each other by swirling in the dizzying \"Oska\". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: \"Blue Monk\", all classical restraint\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Thelonius Monk, Piano\u003cbr\u003e\nCharlie Rouse, Tenor Sax\u003cbr\u003e\nLarry Gales, Bass\u003cbr\u003e\nBen Riley, Drums\u003cbr\u003e\n\u003cbr\u003e\nGuests :\u003cbr\u003e\nClark Terry, Trumpet\u003cbr\u003e\nRay Copeland, Trumpet\u003cbr\u003e\nJimmy Cleveland, Trombone\u003cbr\u003e\nPhil Woods, Alto Sax\u003cbr\u003e\nJohnny Griffin, Tenor Sax|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e R\u003cspan data-mce-fragment=\"1\"\u003eecorded at\u003c\/span\u003e De Doelen, Rotterdam, 28.X.1967\u003cbr\u003e STEREO ℗ 1967 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e : 999\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484988578,"sku":"FON-1704029","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_0e071872-da4b-4764-bcf0-f332b0793006.jpg?v=1759776601"},{"product_id":"thelonious-monk-live-in-rotterdam-1967-telechargement","title":"THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. 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Finally they close: \"Blue Monk\", all classical restraint\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Thelonius Monk, Piano\u003cbr\u003e\nCharlie Rouse, Tenor Sax\u003cbr\u003e\nLarry Gales, Bass\u003cbr\u003e\nBen Riley, Drums\u003cbr\u003e\n\u003cbr\u003e\nGuests :\u003cbr\u003e\nClark Terry, Trumpet\u003cbr\u003e\nRay Copeland, Trumpet\u003cbr\u003e\nJimmy Cleveland, Trombone\u003cbr\u003e\nPhil Woods, Alto Sax\u003cbr\u003e\nJohnny Griffin, Tenor Sax|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e R\u003cspan data-mce-fragment=\"1\"\u003eecorded at\u003c\/span\u003e De Doelen, Rotterdam, 28.X.1967\u003cbr\u003e STEREO ℗ 1967 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225485611170,"sku":"TLRE-MO67-32LP","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-MONK.jpg?v=1715948824"},{"product_id":"dave-brubeck-quartet-debut-in-the-netherlands-1958","title":"DAVE BRUBECK QUARTET - DEBUT IN THE NETHERLANDS 1958 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 2000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDave Brubeck Quartet - Europe, here we come!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePicture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of “Two Part Contention”. The piano came in, sounding out a counter-melody that revealed Brubeck’s classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, “Someday, My Prince Will Come” introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, “These Foolish Things”, by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving – if proof were needed – his consummate skills in harmonic phrasing. The saxophone then announced the theme of “One Moment Worth Years”. Eugene, who liked to be called “the Senator”, seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with “For All We Know” –\u0026nbsp;to thunderous applause. It was now Joe’s turn to take the limelight. When he played “Watusi Drums”, the audience discovered an exceptional drummer who had started out as a virtuoso violinist: fifteen years previously, he had been playing Mendelssohn’s Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro’s heights and switched to drums. The band went on to play “The Wright Groove”, a short piece written by Eugene. The concert concluded with “The Duke”, a tribute to Ellington, and then a superb rendition of “Take the A-Train”, a 1940s classic and the hallmark piece of Ellington’s orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album “Time Out” a year later.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in\u0026nbsp;this exceptional quartet’s timeless art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe concert inaugurated a triumphant career in Europe. 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Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThat winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePicture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of “Two Part Contention”. The piano came in, sounding out a counter-melody that revealed Brubeck’s classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, “Someday, My Prince Will Come” introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, “These Foolish Things”, by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving – if proof were needed – his consummate skills in harmonic phrasing. The saxophone then announced the theme of “One Moment Worth Years”. Eugene, who liked to be called “the Senator”, seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with “For All We Know” –\u0026nbsp;to thunderous applause. It was now Joe’s turn to take the limelight. When he played “Watusi Drums”, the audience discovered an exceptional drummer who had started out as a virtuoso violinist: fifteen years previously, he had been playing Mendelssohn’s Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro’s heights and switched to drums. The band went on to play “The Wright Groove”, a short piece written by Eugene. The concert concluded with “The Duke”, a tribute to Ellington, and then a superb rendition of “Take the A-Train”, a 1940s classic and the hallmark piece of Ellington’s orchestra, played here in a whirlwind of energy and innovative rhythms.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in\u0026nbsp;this exceptional quartet’s timeless art.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, The Netherlands on 26.II.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e 1st publication\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42780282028194,"sku":"TLR-2204043","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_b1973592-ab83-459f-b084-f4fc6a8dc56c.jpg?v=1715899252"},{"product_id":"dave-brubeck-quartet-debut-in-the-netherlands-1958-telechargement-hd","title":"DAVE BRUBECK QUARTET - DEBUT IN THE NETHERLANDS 1958 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003eDave Brubeck Quartet - Europe, here we come!\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThat winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePicture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of “Two Part Contention”. The piano came in, sounding out a counter-melody that revealed Brubeck’s classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, “Someday, My Prince Will Come” introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, “These Foolish Things”, by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving – if proof were needed – his consummate skills in harmonic phrasing. The saxophone then announced the theme of “One Moment Worth Years”. Eugene, who liked to be called “the Senator”, seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with “For All We Know” –\u0026nbsp;to thunderous applause. It was now Joe’s turn to take the limelight. When he played “Watusi Drums”, the audience discovered an exceptional drummer who had started out as a virtuoso violinist: fifteen years previously, he had been playing Mendelssohn’s Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro’s heights and switched to drums. The band went on to play “The Wright Groove”, a short piece written by Eugene. The concert concluded with “The Duke”, a tribute to Ellington, and then a superb rendition of “Take the A-Train”, a 1940s classic and the hallmark piece of Ellington’s orchestra, played here in a whirlwind of energy and innovative rhythms.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in\u0026nbsp;this exceptional quartet’s timeless art.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians\u003c\/span\u003e.\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, The Netherlands on 26.II.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e 1st publication\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42780289302690,"sku":"TLRE-BR58-43DI","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-BRUBECK.jpg?v=1715899300"},{"product_id":"philipp-catherine-nicolas-fiszman-live-at-the-berlin-jazzbuhne-festival-1982","title":"PHILIP CATHERINE \u0026 NICOLAS FISZMAN - LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982 - VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 2000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003e\u003cstrong\u003eCheck point Catherine\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e“\u003cspan data-mce-fragment=\"1\"\u003eIn the afternoon we performed in a rather austere theatre in East Berlin. Then I remember we crossed Checkpoint Charlie that evening to play in a club in West Berlin. The atmosphere was completely different. I felt as though we were living in a black and white spy movie.” Nicolas Fiszman recalls that chaotic day of 13 June 1982. Two outstanding guitarists, Philip Catherine and Nicolas Fiszman, who at the time was only seventeen years old, were taken from one side of Berlin to the other in pouring rain to perform to unlikely audiences. At both concerts, they played the same programme of seven pieces written by Philip, with the exception of “Crystal Bells”, composed by Charlie Mariano. The pair were not master and student. Rather, Philip remembers Nicolas like a young brother he might have taken to the beach. After the 1960s, Philip became a major figure on the jazz scene, working with the greatest: Charles Mingus, Chet Baker, Stéphane Grapelli, Dexter Gordon, to name only a few. Nicolas has played with Charles Aznavour, Vanessa Paradis, Francis Cabrel and Eric Serra, and travels the world with Sting.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn that gloomy afternoon, the two guitarists, alone on stage, decided to brighten up the morosity that reigned. The pieces they played bore titles such as “Janet”, “Babel” and “Petit Nicolas”. It is hard to believe that this varied, well-constructed, polyphonic music was not entirely written down on paper. Philip says, “Nothing is written from beginning to end. I compose the themes and some harmonic bridges. Then we have a chord chart … and that’s it.” The foundations are written; inspiration, taste, fantasy and friendship do the rest.\u0026nbsp;We feel as though we are taking a nonchalant walk through Rio or Miami. The concert is punctuated by thunderous applause.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor these brief minutes in that year 1982, the East Berliners were able to fly over their tightly closed borders.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe are privileged to\u0026nbsp;have unearthed\u0026nbsp;this unique concert where two outstanding artists bring together two cultures to create an intense blaze of happiness\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\n\u003cp\u003e|STARTGOLD|Philip Catherine, Guitar\u003cbr\u003e\nNicolas Fiszman, Guitar \u0026amp; Bass\u003cbr\u003e\nWith the kind authorization of the artists|ENDGOLD|\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Volksbühne, Berlin Jazzbühne Festival, Democratic Republic of Germany, 13.VI.1982\u003cbr\u003e STEREO ℗ 1982 DRA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered from the original analog tapes by ℗ \u0026amp; © 2023 THE LOST RECORDINGS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e33 rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g vinyl pressed at Optimal Media, Germany\u003cbr\u003e New tip-on gatefold printed in Italy\u003cbr\u003e 1st edition limited to 2000 copies, \u003cspan data-mce-fragment=\"1\"\u003ehand numbered\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42871677288610,"sku":"TLR-2204044V","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_5b7a99cb-003f-4738-9e4e-8090b2dc1222.jpg?v=1715898782"},{"product_id":"philip-catherine-nicolas-fiszman-live-at-the-berlin-jazzbuhne-festival-1982-cd","title":"PHILIP CATHERINE \u0026 NICOLAS FISZMAN - LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982 - CD","description":"\u003cstrong\u003eCheck point Catherine\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e“\u003cspan data-mce-fragment=\"1\"\u003eIn the afternoon we performed in a rather austere theatre in East Berlin. Then I remember we crossed Checkpoint Charlie that evening to play in a club in West Berlin. The atmosphere was completely different. I felt as though we were living in a black and white spy movie.” Nicolas Fiszman recalls that chaotic day of 13 June 1982. Two outstanding guitarists, Philip Catherine and Nicolas Fiszman, who at the time was only seventeen years old, were taken from one side of Berlin to the other in pouring rain to perform to unlikely audiences. At both concerts, they played the same programme of seven pieces written by Philip, with the exception of “Crystal Bells”, composed by Charlie Mariano. The pair were not master and student. Rather, Philip remembers Nicolas like a young brother he might have taken to the beach. After the 1960s, Philip became a major figure on the jazz scene, working with the greatest: Charles Mingus, Chet Baker, Stéphane Grapelli, Dexter Gordon, to name only a few. Nicolas has played with Charles Aznavour, Vanessa Paradis, Francis Cabrel and Eric Serra, and travels the world with Sting.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn that gloomy afternoon, the two guitarists, alone on stage, decided to brighten up the morosity that reigned. The pieces they played bore titles such as “Janet”, “Babel” and “Petit Nicolas”. It is hard to believe that this varied, well-constructed, polyphonic music was not entirely written down on paper. Philip says, “Nothing is written from beginning to end. I compose the themes and some harmonic bridges. Then we have a chord chart … and that’s it.” The foundations are written; inspiration, taste, fantasy and friendship do the rest.\u0026nbsp;We feel as though we are taking a nonchalant walk through Rio or Miami. The concert is punctuated by thunderous applause.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor these brief minutes in that year 1982, the East Berliners were able to fly over their tightly closed borders.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe are privileged to\u0026nbsp;have unearthed\u0026nbsp;this unique concert where two outstanding artists bring together two cultures to create an intense blaze of happiness\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Philip Catherine, Guitar\u003cbr\u003e\nNicolas Fiszman, Guitar \u0026amp; Bass\u003cbr\u003e\nWith the kind authorization of the artists|ENDGOLD|\u003c\/p\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Volksbühne, Berlin Jazzbühne Festival, Democratic Republic of Germany, 13.VI.1982\u003cbr\u003e STEREO ℗ 1982 DRA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2023 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e 1st release\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42873271287970,"sku":"TLR-2204044","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD-3.jpg?v=1715898974"},{"product_id":"philip-catherine-nicolas-fiszman-live-at-the-berlin-jazzbuhne-festival-1982-hd-download","title":"PHILIP CATHERINE \u0026 NICOLAS FISZMAN - LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003eCheck point Catherine\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e“\u003cspan data-mce-fragment=\"1\"\u003eIn the afternoon we performed in a rather austere theatre in East Berlin. Then I remember we crossed Checkpoint Charlie that evening to play in a club in West Berlin. The atmosphere was completely different. I felt as though we were living in a black and white spy movie.” Nicolas Fiszman recalls that chaotic day of 13 June 1982. Two outstanding guitarists, Philip Catherine and Nicolas Fiszman, who at the time was only seventeen years old, were taken from one side of Berlin to the other in pouring rain to perform to unlikely audiences. At both concerts, they played the same programme of seven pieces written by Philip, with the exception of “Crystal Bells”, composed by Charlie Mariano. The pair were not master and student. Rather, Philip remembers Nicolas like a young brother he might have taken to the beach. After the 1960s, Philip became a major figure on the jazz scene, working with the greatest: Charles Mingus, Chet Baker, Stéphane Grapelli, Dexter Gordon, to name only a few. Nicolas has played with Charles Aznavour, Vanessa Paradis, Francis Cabrel and Eric Serra, and travels the world with Sting.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn that gloomy afternoon, the two guitarists, alone on stage, decided to brighten up the morosity that reigned. The pieces they played bore titles such as “Janet”, “Babel” and “Petit Nicolas”. It is hard to believe that this varied, well-constructed, polyphonic music was not entirely written down on paper. Philip says, “Nothing is written from beginning to end. I compose the themes and some harmonic bridges. Then we have a chord chart … and that’s it.” The foundations are written; inspiration, taste, fantasy and friendship do the rest.\u0026nbsp;We feel as though we are taking a nonchalant walk through Rio or Miami. The concert is punctuated by thunderous applause.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor these brief minutes in that year 1982, the East Berliners were able to fly over their tightly closed borders.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe are privileged to\u0026nbsp;have unearthed\u0026nbsp;this unique concert where two outstanding artists bring together two cultures to create an intense blaze of happiness\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Philip Catherine, Guitar\u003cbr\u003e\nNicolas Fiszman, Guitar \u0026amp; Bass\u003cbr\u003e\nWith the kind permission of the artists|ENDGOLD|\u003c\/p\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Volksbühne, Berlin Jazzbühne Festival, Democratic Republic of Germany, 13.VI.1982\u003cbr\u003e STEREO ℗ 1982 DRA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2023 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e 1st publication\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42906693370018,"sku":"TLR-2204044-HD","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-CATHERINE.jpg?v=1715899051"},{"product_id":"erroll-garner-the-unreleased-berlin-studio-recording-1967-vinyl","title":"ERROLL GARNER - THE UNRELEASED BERLIN STUDIO RECORDING 1967 - VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eErroll Garner - A heavenly sense of magic\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eErroll Garner was revered by both his peers, who ranked him among the foremost of the purest, most spontaneous geniuses that jazz has ever given us, and the general public, who intuitively recognized him as one of the magicians of the golden age, along with Duke Ellington, Count Basie and Ella Fitzgerald, whose gifts could transform the suffering and humiliation of Afro-American life into the rhythm and outpouring of joy rather than anger and resentment. Forty-five years after his death, Garner, with his dazzling style that made such a radical break from existing trends, remains an enigma in the history of twentieth-century popular music. He is still unique and cannot be pinned down.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGarner was born in Pittsburgh, Pennsylvania in 1921. It was the birthplace of a slew of major pianists, including Earl Hines, Ahmad Jamal and Billy Strayhorn, each of whom profoundly influenced the aesthetic directions taken by classical jazz. Entirely self-taught and gifted with an extraordinary ear, Garner created a style all of his own very early on, synthesizing the contributions of the masters of stride piano (James P. Johnson, Fats Waller) and of the swing period (Earl Hines, Art Tatum). Yet he remained so attuned to the evolution of modernity that in 1947, hardly had he settled in New York than the king of bebop, Charlie Parker, personally invited him to join in a session. The performance has since become a legend.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInfluenced by the tradition of the big swing bands and basing his improvisations chiefly on the melody, Garner liked to use the keyboard as if it were an orchestra. He always retained his distance with the intellectualism and formalism of bebop. Concentrating on his own work, he preferred to keep to the sidelines of the turbulent musical changes of the time, finessing his atypical yet timeless art of the trio that culminated with the worldwide success of his live album “Concert by the Sea” in 1955.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOnly a few weeks before this innovative album was recorded, Garner was in a Berlin recording studio at the helm of his new group comprising Ike Isaaks on bass, Jimmy Smith on drums and Jose Mangual on bongos for a brief, inspired session that somehow remained unpublished until today. In a laid-back atmosphere, they play an entrancing yet familiar repertoire of both timeless standards (Autumn Leaves, The Shadow of Your Smile, Blue Moon and These Foolish Things) and two original themes, including his favourite composition, Misty. The pianist is superbly accompanied by a rhythmic section that is elegant, minimalist and effervescent, and delivers the simple quintessence of his poetry almost as if by accident. Garner, his all-time signature an unmatched sense of ease, delivers his fluid, light style rich in new motifs, new phrases and digressions. He displays his gift of constantly reinventing the music in the present moment; the spontaneity is unreserved. The melodies are bewitching, the rhythms unbridled, and the baroque ornamentations flow from his piano as if it were a bottomless cornucopia. Today there is no equivalent to this music, imbued with joie de vivre whose exuberance often resonates with paradoxical modesty and refinement.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese tapes, rescued from oblivion and immortalizing Garner’s supreme talent, make an indispensable addition to every jazz lover’s library.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nErroll Garner, Piano\u003cbr\u003e\nJose Mangual, Bongos\u003cbr\u003e\nIke Isaacs, Bass\u003cbr\u003e\nJimmie Smith, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eat RBB Studio III\u003c\/span\u003e, Berlin, on 2.XI.1967\u003cbr\u003e STEREO ℗ 1967 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered by © 2023 THE LOST RECORDINGS from the original analog tapes\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e45 rpm Lacquer-cuts: Kevin Gra\u003c\/span\u003e\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e1st edition, hand-numbered: 3000 copies\u003c\/span\u003e\u003cbr\u003e New Tip-on gatefold printed in Italy\u003cbr\u003e Pressed by Marciac Workshop Pressings, France \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":43092640301218,"sku":"TLR-2304048V","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_b18407f6-14ff-4331-9ae5-96eecf177743.jpg?v=1716214590"},{"product_id":"donald-byrd-dexter-gordon-the-berlin-session-1963-vinyle","title":"DONALD BYRD \u0026 DEXTER GORDON - THE BERLIN STUDIO SESSION 1963 - VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eDonald Byrd \u0026amp; Dexter Gordon\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy 1963, Dexter Gordon and Donald Byrd had become two of the leading lights of the Blue Note label, a gleaming showcase and an experimental laboratory for the evolutions and revolutions taking place in the small world of Afro-American jazz stemming from hard bop. Curiously, however, it was not until the autumn of that year that the two musicians made a recording together.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDexter Gordon had been recognized since the mid-1940s as a major stylist of the tenor saxophone and for having created the perfect synthesis of Lester Young’s laid-back rhythm and Coleman Hawkins’ sensuality by way of the then-flourishing bepob style (the two were the historical fathers of the instrument). Gordon subsequently went through a long purgatory of numerous, chronic addictions, but by the autumn of 1963 he had emerged from the ordeal and was experiencing a creative renaissance. Working with a new generation of musicians, he had regained his enthusiasm, his inspiration and his charisma.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDonald Byrd’s talents were revealed in 1955 when he stood in for Clifford Brown to play with Art Blakey’s Jazz Messengers. Since then, he had been the much sought-after partner of the greatest musicians, including John Coltrane, Sonny Rollins, Thelonius Monk and Jackie McLean. He was considered one of the most gifted young trumpetists of his generation, as well as an original composer. Drawing on his personal universe with its subtle modernity, he strived to renew the language of hard bop using modality and bold orchestral experiments.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDespite the ten-year age difference between Gordon and Byrd, despite their vastly dissimilar backgrounds, strivings and motivations, it was abundantly clear that both musicians made music rooted in the most genuine tradition. There was no valid reason for them not yet to have made a recording together.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe short Berlin session on 14 November 1963 put the situation right, thanks to the initiative of Herb Geller, an American alto saxophonist and arranger, who had been living in Berlin for several months and who played in the RIAS Big Band (the group supported by Radio in the American Sector). Geller was well-known in the jazz community. His saxophone style was fluid and lyrical, a synthesis of those of Benny Carter and Charlie Parker. He also partnered with Chet Baker, Quincy Jones and Shorty Rogers, and made fine arrangements with the major orchestras of Claude Thornhill and Billy May. He was a respected representative of West Coast jazz, and it would be no exaggeration to say that the carefully-prepared recording session bore the imprint of his aesthetic bent.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith Geller at the helm, the two special guests performed as part of a septet that featured a smooth mix of experienced American musicians, such as drummer Joe Harris, and talented young European soloists, including trombonist Ake Persson, who had caught the eye of Quincy Jones and Stan Getz, and was also a member of the RIAS Big Band at the time. The band leader demonstrated his orchestration, adding suave, elegant arrangements to a handful of varied compositions – the standards, “Fly Me to the Moon” and “Blue Orchids” – as well as his own “An Air for the Heir” and the original theme “The Dexter Byrd”, thereby ensuring they were both the medium and the showcase of the encounter between the top saxophonist and the top trumpetist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe session was a fine one in itself. Each musician displayed a sample of his improvisational talents in his own style and in the context. But it went beyond the preliminaries of allowing them the pleasure of getting to know and appreciate each other. There was another happy outcome: Gordon, obviously enchanted by the playing of his young colleague, invited him a few months later to play on their one and only shared record on the Blue Note label: the sparkling One Flight Up.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Donald Byrd, Trumpet\u003cbr\u003e\nDexter Gordon, Tenor sax\u003cbr\u003e\nHerb Geller, Alto sax\u003cbr\u003e\nAke Persson, Trombone\u003cbr\u003e\nHeinz Kitschenberg, Guitar\u003cbr\u003e\nJürgen Ehlers, Bass\u003cbr\u003e\nJoe Harris, Drums|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eat RBB Studio III\u003c\/span\u003e, Berlin, on 14.X.1963\u003cbr\u003e MONO ℗ 1963 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered by © 2023 THE LOST RECORDINGS from the original analog tapes\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e45 rpm Lacquer-cuts: Kevin Gray\u003c\/span\u003e\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e1st edition, hand-numbered: 3000 copies\u003c\/span\u003e\u003cbr\u003e New Tip-on gatefold printed in Italy\u003cbr\u003e Pressed by Marciac Workshop Pressings, France \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":43092874035362,"sku":"TLR-2304049V","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_0fb6c161-90b3-41e4-99ec-1adb44725162.jpg?v=1715898521"},{"product_id":"erroll-garner-the-unreleased-berlin-studio-recording-1967-telechargement-hd","title":"ERROLL GARNER - THE UNRELEASED BERLIN STUDIO RECORDING 1967 - HD DOWNLOAD","description":"\u003cstrong\u003eErroll Garner - A heavenly sense of magic\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eErroll Garner was revered by both his peers, who ranked him among the foremost of the purest, most spontaneous geniuses that jazz has ever given us, and the general public, who intuitively recognized him as one of the magicians of the golden age, along with Duke Ellington, Count Basie and Ella Fitzgerald, whose gifts could transform the suffering and humiliation of Afro-American life into the rhythm and outpouring of joy rather than anger and resentment. Forty-five years after his death, Garner, with his dazzling style that made such a radical break from existing trends, remains an enigma in the history of twentieth-century popular music. He is still unique and cannot be pinned down.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGarner was born in Pittsburgh, Pennsylvania in 1921. It was the birthplace of a slew of major pianists, including Earl Hines, Ahmad Jamal and Billy Strayhorn, each of whom profoundly influenced the aesthetic directions taken by classical jazz. Entirely self-taught and gifted with an extraordinary ear, Garner created a style all of his own very early on, synthesizing the contributions of the masters of stride piano (James P. Johnson, Fats Waller) and of the swing period (Earl Hines, Art Tatum). Yet he remained so attuned to the evolution of modernity that in 1947, hardly had he settled in New York than the king of bebop, Charlie Parker, personally invited him to join in a session. The performance has since become a legend.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInfluenced by the tradition of the big swing bands and basing his improvisations chiefly on the melody, Garner liked to use the keyboard as if it were an orchestra. He always retained his distance with the intellectualism and formalism of bebop. Concentrating on his own work, he preferred to keep to the sidelines of the turbulent musical changes of the time, finessing his atypical yet timeless art of the trio that culminated with the worldwide success of his live album “Concert by the Sea” in 1955.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOnly a few weeks before this innovative album was recorded, Garner was in a Berlin recording studio at the helm of his new group comprising Ike Isaaks on bass, Jimmy Smith on drums and Jose Mangual on bongos for a brief, inspired session that somehow remained unpublished until today. In a laid-back atmosphere, they play an entrancing yet familiar repertoire of both timeless standards (Autumn Leaves, The Shadow of Your Smile, Blue Moon and These Foolish Things) and two original themes, including his favourite composition, Misty. The pianist is superbly accompanied by a rhythmic section that is elegant, minimalist and effervescent, and delivers the simple quintessence of his poetry almost as if by accident. Garner, his all-time signature an unmatched sense of ease, delivers his fluid, light style rich in new motifs, new phrases and digressions. He displays his gift of constantly reinventing the music in the present moment; the spontaneity is unreserved. The melodies are bewitching, the rhythms unbridled, and the baroque ornamentations flow from his piano as if it were a bottomless cornucopia. Today there is no equivalent to this music, imbued with joie de vivre whose exuberance often resonates with paradoxical modesty and refinement.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese tapes, rescued from oblivion and immortalizing Garner’s supreme talent, make an indispensable addition to every jazz lover’s library\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nErroll Garner, Piano\u003cbr\u003e\nJose Mangual, Bongos\u003cbr\u003e\nIke Isaacs, Bass\u003cbr\u003e\nJimmie Smith, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eat RBB Studio III\u003c\/span\u003e, Berlin, on 2.XI.1967\u003cbr\u003e STEREO ℗ 1967 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered by © 2023 THE LOST RECORDINGS from the original analog tapes\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46749777232218,"sku":"TLR-GA67-48DI","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GARNER.jpg?v=1716297469"},{"product_id":"donald-byrd-dexter-gordon-the-berlin-studio-session-1963-telechargement-hd","title":"DONALD BYRD \u0026 DEXTER GORDON - THE BERLIN STUDIO SESSION 1963 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003eDonald Byrd \u0026amp; Dexter Gordon\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy 1963, Dexter Gordon and Donald Byrd had become two of the leading lights of the Blue Note label, a gleaming showcase and an experimental laboratory for the evolutions and revolutions taking place in the small world of Afro-American jazz stemming from hard bop. Curiously, however, it was not until the autumn of that year that the two musicians made a recording together.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDexter Gordon had been recognized since the mid-1940s as a major stylist of the tenor saxophone and for having created the perfect synthesis of Lester Young’s laid-back rhythm and Coleman Hawkins’ sensuality by way of the then-flourishing bepob style (the two were the historical fathers of the instrument). Gordon subsequently went through a long purgatory of numerous, chronic addictions, but by the autumn of 1963 he had emerged from the ordeal and was experiencing a creative renaissance. Working with a new generation of musicians, he had regained his enthusiasm, his inspiration and his charisma.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDonald Byrd’s talents were revealed in 1955 when he stood in for Clifford Brown to play with Art Blakey’s Jazz Messengers. Since then, he had been the much sought-after partner of the greatest musicians, including John Coltrane, Sonny Rollins, Thelonius Monk and Jackie McLean. He was considered one of the most gifted young trumpetists of his generation, as well as an original composer. Drawing on his personal universe with its subtle modernity, he strived to renew the language of hard bop using modality and bold orchestral experiments.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDespite the ten-year age difference between Gordon and Byrd, despite their vastly dissimilar backgrounds, strivings and motivations, it was abundantly clear that both musicians made music rooted in the most genuine tradition. There was no valid reason for them not yet to have made a recording together.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe short Berlin session on 14 November 1963 put the situation right, thanks to the initiative of Herb Geller, an American alto saxophonist and arranger, who had been living in Berlin for several months and who played in the RIAS Big Band (the group supported by Radio in the American Sector). Geller was well-known in the jazz community. His saxophone style was fluid and lyrical, a synthesis of those of Benny Carter and Charlie Parker. He also partnered with Chet Baker, Quincy Jones and Shorty Rogers, and made fine arrangements with the major orchestras of Claude Thornhill and Billy May. He was a respected representative of West Coast jazz, and it would be no exaggeration to say that the carefully-prepared recording session bore the imprint of his aesthetic bent.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith Geller at the helm, the two special guests performed as part of a septet that featured a smooth mix of experienced American musicians, such as drummer Joe Harris, and talented young European soloists, including trombonist Ake Persson, who had caught the eye of Quincy Jones and Stan Getz, and was also a member of the RIAS Big Band at the time. The band leader demonstrated his orchestration, adding suave, elegant arrangements to a handful of varied compositions – the standards, “Fly Me to the Moon” and “Blue Orchids” – as well as his own “An Air for the Heir” and the original theme “The Dexter Byrd”, thereby ensuring they were both the medium and the showcase of the encounter between the top saxophonist and the top trumpetist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe session was a fine one in itself. Each musician displayed a sample of his improvisational talents in his own style and in the context. But it went beyond the preliminaries of allowing them the pleasure of getting to know and appreciate each other. There was another happy outcome: Gordon, obviously enchanted by the playing of his young colleague, invited him a few months later to play on their one and only shared record on the Blue Note label: the sparkling One Flight Up. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Donald Byrd, Trumpet\u003cbr\u003e Dexter Gordon, Tenor sax\u003cbr\u003e Herb Geller, Alto sax\u003cbr\u003e Ake Persson, Trombone\u003cbr\u003e Heinz Kitschenberg, Guitar\u003cbr\u003e Jürgen Ehlers, Bass\u003cbr\u003e Joe Harris, Drums|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRecorded\u0026nbsp;\u003cspan data-mce-fragment=\"1\"\u003eat RBB Studio III, Berlin, 14.X.1963\u003c\/span\u003e\u003cbr\u003e MONO ℗ 1963 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered by © 2023 THE LOST RECORDINGS from the original analog tapes\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46749796761946,"sku":"TLR-BY63-49DI","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GORDON.jpg?v=1715898566"},{"product_id":"art-blakey-live-in-scheveningen-1958-reel-tapes","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - 2x REEL TAPES","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass\u003cbr\u003e|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u0026nbsp;\u003c\/span\u003eat the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlaying time\u003c\/span\u003e: 1h 19m 52s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003ee: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46845047472474,"sku":"TLR-1804034-Tapes","price":548.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/REEL-TAPE-BLAKEY-2.jpg?v=1715948585"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-2-reel-tapes","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - 2x REEL TAPES","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them all\"\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eDuration: 57min 32s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003e: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization curve: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46846347247962,"sku":"TLR-1704027-Tapes","price":548.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/TAPES-FITZGERALD-61.jpg?v=1715958949"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-reel-tapes","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - 2x REEL TAPES","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings\u003c\/span\u003e... \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nJohnny Veith, Piano\u003cbr\u003e\nGus Mancuso, Bass\u003cbr\u003e\nEddy Pucci, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRunning time\u003c\/span\u003e: 1h 23m 34s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003e: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization curve: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46846419566938,"sku":"TLR-2004037-Tapes","price":548.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/TAPES-VAUGHAN-69.jpg?v=1715958980"},{"product_id":"dave-brubeck-live-at-the-kurhaus-1967-reel-tapes","title":"DAVE BRUBECK - LIVE AT THE KURHAUS 1967 - 2x REEL TAPES","description":"\u003cspan data-mce-fragment=\"1\"\u003eAt the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in Europe\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at Kurhaus, Scheveningen, 24.X.1967\u003cbr\u003e STEREO ℗ 1967 KRO\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003cbr data-mce-fragment=\"1\"\u003e Made and printed in Austria\u003cbr\u003e \u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRunning time\u003c\/span\u003e: 1h 7m 19s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003e: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization curve: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46846451843418,"sku":"TLR-1704025-Tapes","price":548.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/REEL-TAPE-BRUBECK-1.jpg?v=1715927623"},{"product_id":"bill-evans-live-at-hilversum-1968-reel-tape","title":"BILL EVANS - LIVE AT HILVERSUM 1968 - 1x REEL TAPE","description":"\u003cspan data-mce-fragment=\"1\"\u003eWho is this man who quietly enters the small VARA studio in Hilversum on June 22, 1968? Bill Evans. He has the figure of Yves Saint-Laurent, slim, and that same \"pretend I'm not here\" attitude. Smiling behind him are Puerto Rican drummer Jack Dejohnettes and bassist Eddie Gomez, his constant touring companion for several years. A month ago, they won a historic Grammy Award in Montreux, a kind of coronation for Bill Evans that confirms him at the top of his art. Evans knows like no other how to give true colors to life. A musician out of any category, out of any caste, everyone feels that he is this genius jazz tailor to whom a generation of pianists will dedicate respect and admiration. This is the first publication of this historic recording\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Bill Evans, Piano\u003cbr\u003e\nEddie Gomez, Bass\u003cbr\u003e\nJack Dejohnette, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 900\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u0026nbsp;\u003c\/span\u003ein Hilversum, 22.VI.1968\u003cbr\u003e STEREO ℗ 1968 NOS\u003cbr\u003e Remastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRunning time\u003c\/span\u003e: 46m 52s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003e: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization curve: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46846814290266,"sku":"TLR-1604024-TAPE","price":438.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/REEL-TAPE-EVANS-1.jpg?v=1715949280"}],"url":"https:\/\/thelostrecordings.store\/en\/collections\/categorie-produits-instrumental-jazz.oembed?page=3","provider":"The Lost Recordings","version":"1.0","type":"link"}