{"title":"Jazz Vocal","description":"\u003cp\u003eNotre sélection de \u003cstrong\u003ejazz vocal\u003c\/strong\u003e : les plus grandes voix du jazz capturées en concert inédit. Ella Fitzgerald, Sarah Vaughan, Blossom Dearie, Astrud Gilberto, Maria Callas (opéra) – les voix légendaires du XXe siècle.\u003c\/p\u003e\u003cp\u003eDisponibles en vinyle 180g, CD, UHQCD audiophile, téléchargement HD et bandes analogiques 1\/4. Remastérisé depuis les bandes analogiques originales par notre procédé Phoenix™.\u003c\/p\u003e","products":[{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-cd","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them al\u003c\/span\u003el”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e \u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225470996642,"sku":"FON-1704027","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_03ad73ad-48c8-4548-887f-d93504fb612e.jpg?v=1715948236"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-double-vinyle","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! 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Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them\u003c\/span\u003e\u0026nbsp;all”.\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225472340130,"sku":"TLRE-FI61-32DI","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-FITZGERALD-2.jpg?v=1715948386"},{"product_id":"sarah-vaughan-live-at-laren-1975-cd","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFirst publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nCarl Schroeder, Piano\u003cbr\u003e\nBob Magnusson, Bass\u003cbr\u003e\nJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003e STEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225479581858,"sku":"FON-1604022","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD-2_52d74d65-42ca-402f-a4d5-0150774978cf.jpg?v=1715947390"},{"product_id":"sarah-vaughan-live-at-laren-1975-double-vinyle","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eFirst publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. 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At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nCarl Schroeder, Piano\u003cbr\u003e\nBob Magnusson, Bass\u003cbr\u003e\nJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003e STEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225480204450,"sku":"TLRE-SV75-32DI","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-VAUGHAN.jpg?v=1715947431"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-double-cd","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings..\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e |STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e Johnny Veith, Piano\u003cbr\u003e Gus Mancuso, Bass\u003cbr\u003e Eddy Pucci, Drums|ENDGOLD|\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225480499362,"sku":"TLRE-VAUG69-38CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_84639675-4ae2-419f-b23e-947f1cd05e98.jpg?v=1715947556"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-double-vinyle","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. 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Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings\u003c\/span\u003e... \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nJohnny Veith, Piano\u003cbr\u003e\nGus Mancuso, Bass\u003cbr\u003e\nEddy Pucci, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e 2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225481416866,"sku":"TLRE-VAUG69-38LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Vaughan69-MockupFront.jpg?v=1715899573"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966-double-cd","title":"STAN GETZ \u0026 ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE CD","description":"\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Gary Burton, vibraphone|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Chuck Israels, bass|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Roy Haynes, drums|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage STEREO ℗ 1966 RBB\u003c\/p\u003e\n\u003cp\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225483251874,"sku":"TLRE-GETZ66-38CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1948b849-f184-4886-b4e6-548df92657cb.jpg?v=1715880377"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966-double-vinyle","title":"STAN GETZ \u0026amp; ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies\u0026nbsp;|ENDTITLEGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr\u003e\u003cbr\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Gary Burton, vibraphone|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Chuck Israels, bass|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Roy Haynes, drums|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage\u003cbr\u003e STEREO ℗ 1966 RBB\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e33 rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Electroplating: United-Kingdom\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1st Limited-Edition\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 3000 copies\u003cbr\u003eNew Tip-on Gatefold printed in Italy\u003cbr\u003ePressed by Simon Garcia, Marciac, France\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225483808930,"sku":"TLRE-GETZ66-38LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront.jpg?v=1715875011"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966","title":"STAN GETZ \u0026 ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD||STARTGOLD|Gary Burton, vibraphone|ENDGOLD||STARTGOLD|Chuck Israels, bass|ENDGOLD||STARTGOLD|Roy Haynes, drums|ENDGOLD||STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage\u003c\/p\u003e\n\u003cp\u003eSTEREO ℗ 1966 RBB\u003c\/p\u003e\n\u003cp\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484038306,"sku":"TLR-2104038-HD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GETZ.jpg?v=1715949146"},{"product_id":"lucia-di-lammermoor-berlin-1955","title":"MARIA CALLAS - LUCIA DI LAMMERMOOR • BERLIN 1955 - 3-VINYL BOX SET","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e|STARTTITLEGOLD|5000 copies|ENDTITLEGOLD|\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn May 2022, while we were working in the archives of the Rundfunk Berlin-Brandenburg (RBB), we came across the original tapes of this mythical recording made in 1955. It was certainly one of the most significant testimonies of the lyric art of the twentieth century:\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLucia di Lammermoor\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, recorded during the performance of 29 September 1955 at the Städtische Oper Berlin, with a cast that included Di Stefano, Panerai, Karajan and Callas.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDespite the fact that the first forty seconds of the first tape had deteriorated, when we listened to the minutes of the recording that followed, we heard timbres with a richness and a dynamic that bore no comparison to other recordings that have been known until the present.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt took four months of painstaking work to restore all the brilliance to the orchestra, to the Scala choir and to the legendary voices of this poignant slice of history and of music.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe wanted to be able to release our first vinyl edition of the opera in a limited number of 5,000 on the occasion of the centenary of the birth of Maria Callas.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKevin Gray made the cutting and the three records were pressed in our very own workshop in the south of France, MWP, to our usual stringent standards.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe are very grateful to the RBB for their trust in us. We would also like to thank the Callas Foundation, which safeguards and promotes Callas’s legacy, and especially Tom Volf, for their help, as well as for the photographs they provided.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrédéric D'Oria-Nicolas\u003cbr data-mce-fragment=\"1\"\u003eFounder and Director of The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI have a very personal connection with Callas’s Lucia, for it is the first recording I heard of hers, more precisely the mad scene; hearing Callas’s voice and interpretation was like falling in love at first sight. This live recording is a wonderful example of what it felt like to hear Callas on stage, in a performance that became legendary.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaria Callas said she “hated” recording for commercial (studio) releases and used to say that only live performances could convey her artistry in its full spectrum. In the later years of her life, she would collect her own pirate recordings and would often listen to performances such as this one. The best account of that comes from Robert Sutherland, her pianist during the last tour of concerts in 1973-74, who recalled the evenings spent at Callas’s apartment at Avenue Georges Mandel:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“We listened to a pirate recording of the Berlin Lucia. She remembered how Karajan angered the soloists by repeating the sextet without warning them. As we listened to the encore she said ‘You can hear how angry I was! And I still had the mad scene to sing! I told him afterwards at dinner that he dare not do that again on me or there would be trouble!’ We listened to the mad scene, an amazing performance. She was visibly impressed. ‘I don’t now how I did it. I just don’t know how - and to think that I wept after that performance because I thought I was so far off my aim.’ I had difficulty in expressing my reaction. Such a combination of controlled technical brilliance and artistic imagination was astounding. I attempted it with, ‘It’s marvellous singing…’ ‘Marvellous? Marvellous?’ She pulled herself up in the sofa. ‘It isn’t marvellous, it’s bloody miraculous!’”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBack at that time, pirate recordings circulated among avid admirers in the form of homemade LP’s, such as those released by the BJR label which is probably the one that Callas was listening to that night with Robert Sutherland. Today, however, we have to commend Frédéric D’Oria-Nicolas and The Lost Recordings for retrieving the original tapes in Berlin and meticulously restoring them to a quality of sound which surpasses any previous release, thus providing us with the most authentic rendition of that historical performance. Therefore it was only natural for the Callas Foundation to be associated with this publication, providing texts and images to illustrate the booklet and honour the memory of Maria Callas through this magnificent edition celebrating her 100th anniversary.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTom Volf\u003cbr data-mce-fragment=\"1\"\u003ePresident of the Maria Callas Foundation\u003c\/span\u003e\u003cbr\u003e \u003c!-- CALLAS: LUCIA DI LAMMERMOOR--\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Maria Callas, Lucia|ENDGOLD|\u003cbr\u003e|STARTGOLD|Giuseppe Di Stefano, Edgardo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Rolando Panerai, Enrico|ENDGOLD|\u003cbr\u003e|STARTGOLD|Nicola Zaccaria, Raimondo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Giuseppe Zampieri, Arturo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Luisa Villa, Alisa|ENDGOLD|\u003cbr\u003e|STARTGOLD|Mario Carlin, Normanno|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Coro del Teatro alla Scala, Milan|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|RIAS Symphonie-Orchester|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Herbert von Karajan, Chef d'Orchestre|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul class=\"tracklist_band_single_product\"\u003e\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 29.IX.1955 at the Städtische Oper Berlin, Germany\u003cbr\u003e\u003cbr\u003e MONO © 1955 RBB\u003cbr\u003e Remastered ℗ \u0026amp; © 2023 THE LOST RECORDINGS\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1st hand-numbered edition, limited to 5000 copies\u003c\/span\u003e\u003cbr\u003e No vinyl r\u003cspan data-mce-fragment=\"1\"\u003eepress will be done\u003c\/span\u003e\u003cbr\u003e Remastered from original analog tapes\u003cbr\u003e 40 page booklet\u003cbr\u003e facsimile of \u003cspan data-mce-fragment=\"1\"\u003ethe performance program\u003c\/span\u003e\u003cbr\u003e Printed in Italy\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003ePressed at\u003c\/span\u003e Marciac Workshop Pressings, France\u003cbr\u003e 33 rpm \u003cspan data-mce-fragment=\"1\"\u003eLacquer-cuts:\u003c\/span\u003e Kevin Gray\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eElectroplating: Marciac Workshop Pressing\u003c\/span\u003es\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e180g triple-vinyl boxset\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e Photos: © Maria Callas Foundation\u003cbr\u003e Texts: Anna Svenbro, Tom Volf, John Ardoin, Maria Callas, Robert Jacobson.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT DOWNLOAD CARD OF THE ALBUM IS INCLUDED WITH THE BOXSET.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46515763413338,"sku":"TLR-2303047V","price":228.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/WhatsAppImage2023-05-15at19.09.16_36523168-6736-4a42-8764-5af4c5c4e99c.jpg?v=1715893320"},{"product_id":"maria-callas-lucia-di-lammermoor-berlin-1955-telechargement-hd","title":"MARIA CALLAS - LUCIA DI LAMMERMOOR • BERLIN 1955 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eIn May 2022, while working in the RBB archives, we discovered the original tapes of this legendary 1955 recording - undoubtedly one of the most important operatic testimonies of the 20th century:\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLucia di Lammermoor\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, recorded in concert on September 29, 1955 at the Städtische Oper Berlin, featuring Di Stefano, Panerai, von Karajan and Callas.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlthough we note that the first few bars of Tape No. 1 have deteriorated, the minutes that follow reveal a richness of timbre and dynamics incomparable with the editions known to date.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFour months of painstaking work were necessary to restore the full brilliance of the orchestra, the La Scala Chorus and the legendary voices of this moving piece of history and music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe were delighted to be able to present our first vinyl edition, limited to 5,000 copies, to mark the centenary of Maria Callas' birth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe would like to thank the RBB for its confidence, and the Maria Callas Endowment Fund and Mr. Tom Volf for their support and the photos accompanying the booklet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-align: right; display: block;\"\u003eFrédéric D'Oria-Nicolas\u003cbr data-mce-fragment=\"1\"\u003eFounder and Director of The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaria Callas declared that she \"hated\" studios, and that only concert recordings could convey the full extent of her talent. During the last years of her life, she collected her own concert recordings (often pirate recordings) and listened to them. The best account comes from Robert Sutherland - her pianist, during Callas' last tour in 1973-74. This is how he recalls evenings spent in Maria Callas's Paris apartment on Avenue Georges Mandel:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"We listened to a pirate recording of Berlin's\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLucia\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. She remembered how Karajan had enraged the soloists by drinking the sextet during the performance, without warning them. As we listened to the second version they had given, she said: \"You can hear how angry I was! And I still had the air of madness to sing! At the dinner afterwards, I told Karajan that he'd never do it again, or he'd be in trouble!\" Then came the aria in question - a prodigious interpretation. She was clearly impressed herself. \"I don't know how I did it. I just don't know how - and to think I cried after my performance because I thought I was so far from my ideal.\" I struggled to find the right words: such a combination of technical mastery and artistic imagination was simply genius. I tried myself with a \"That's wonderful...\" \"Wonderful? Wonderful?\" she retorted, straightening up on the sofa - \"It's not wonderful, it's simply miraculous!\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn those days, pirate recordings circulated among passionate admirers in the form of more or less hand-crafted LPs, such as those issued by the BJR label, which is probably the one Callas was listening to that evening with Robert Sutherland. Today, however, we must congratulate Frédéric D'Oria-Nicolas and The Lost Recordings for having tracked down the original tapes in Berlin and meticulously restored them to a sound quality that surpasses all previous versions, giving us the most authentic interpretation of this piece of history. It is therefore only natural that the Maria Callas Endowment Fund should be associated with this publication, providing texts and images to illustrate the booklet and honor the memory of Maria Callas through this magnificent edition celebrating her 100th birthday.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-align: right; display: block;\"\u003eTom Volf\u003cbr data-mce-fragment=\"1\"\u003ePresident of the Maria Callas Endowment Fund\u003c\/span\u003e\u003c\/span\u003e\u003c!-- CALLAS: LUCIA DI LAMMERMOOR--\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cp class=\"subdescription\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e|STARTGOLD|Maria Callas, Lucia|ENDGOLD|\u003cbr\u003e|STARTGOLD|Giuseppe Di Stefano, Edgardo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Rolando Panerai, Enrico|ENDGOLD|\u003cbr\u003e|STARTGOLD|Nicola Zaccaria, Raimondo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Giuseppe Zampieri, Arturo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Luisa Villa, Alisa|ENDGOLD|\u003cbr\u003e|STARTGOLD|Mario Carlin, Normanno|ENDGOLD|\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Coro del Teatro alla Scala, Milan|ENDGOLD|\u003cbr\u003e\u003cbr\u003e|STARTGOLD|RIAS Symphonie-Orchester|ENDGOLD|\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Herbert von Karajan, Chef d'Orchestre|ENDGOLD|\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 29.IX.1955 at Städtische Oper Berlin, Germany\u003cbr\u003e\u003cbr\u003e MONO © 1955 RBB\u003cbr\u003e Remastered ℗ \u0026amp; © 2023 THE LOST RECORDINGS\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003eRemastered from the original analog tapes\u003cbr\u003e Booklet in English 80 pages\u003cbr\u003e Photos: © Maria Callas Foundation\u003cbr\u003e Texts: Anna Svenbro, Tom Volf, John Ardoin, Maria Callas, Robert Jacobson.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46844169159002,"sku":"TLR-2303047HD","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-CALLAS2.jpg?v=1715897337"},{"product_id":"maria-callas-lucia-di-lammermoor-berlin-1955-uhqcd","title":"MARIA CALLAS - LUCIA DI LAMMERMOOR • BERLIN 1955 - UHQCD BOX","description":"\u003cp style=\"text-align: left;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn May 2022, while working in the RBB archives, we discovered the original tapes of this legendary 1955 recording - undoubtedly one of the most important operatic testimonies of the 20th century:\u0026nbsp;\u003ci data-mce-fragment=\"1\"\u003eLucia di Lammermoor\u003c\/i\u003e, recorded in concert on September 29, 1955 at the Städtische Oper Berlin, featuring Di Stefano, Panerai, von Karajan and Callas.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough we note that the first few bars of Tape No. 1 have deteriorated, the minutes that follow reveal a richness of timbre and dynamics incomparable with the editions known to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFour months of painstaking work were necessary to restore the full brilliance of the orchestra, the La Scala Chorus and the legendary voices of this moving piece of history and music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe were delighted to be able to present our first vinyl edition, limited to 5,000 copies, to mark the centenary of Maria Callas' birth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe would like to thank the RBB for its confidence, and the Maria Callas Endowment Fund and Mr. Tom Volf for their support and the photos accompanying the booklet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-align: right; display: block;\"\u003eFrédéric D'Oria-Nicolas\u003cbr data-mce-fragment=\"1\"\u003eFounder and Director of The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMaria Callas declared that she \"hated\" studios, and that only concert recordings could convey the full extent of her talent. During the last years of her life, she collected her own concert recordings (often pirate recordings) and listened to them. The best account comes from Robert Sutherland - her pianist, during Callas' last tour in 1973-74. This is how he recalls evenings spent in Maria Callas's Paris apartment on Avenue Georges Mandel:\u003cbr data-mce-fragment=\"1\"\u003e\"We listened to a pirate recording of Berlin's\u0026nbsp;\u003ci data-mce-fragment=\"1\"\u003eLucia\u003c\/i\u003e. She remembered how Karajan had enraged the soloists by drinking the sextet during the performance, without warning them. As we listened to the second version they had given, she said: \"You can hear how angry I was! And I still had the air of madness to sing! At the dinner afterwards, I told Karajan that he'd never do it again, or he'd be in trouble!\" Then came the aria in question - a prodigious interpretation. She was clearly impressed herself. \"I don't know how I did it. I just don't know how - and to think I cried after my performance because I thought I was so far from my ideal.\" I struggled to find the right words: such a combination of technical mastery and artistic imagination was simply genius. I tried myself with a \"That's wonderful...\" \"Wonderful? Wonderful?\" she retorted, straightening up on the sofa - \"It's not wonderful, it's simply miraculous!\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn those days, pirate recordings circulated among passionate admirers in the form of more or less hand-crafted LPs, such as those issued by the BJR label, which is probably the one Callas was listening to that evening with Robert Sutherland. Today, however, we must congratulate Frédéric D'Oria-Nicolas and The Lost Recordings for having tracked down the original tapes in Berlin and meticulously restored them to a sound quality that surpasses all previous versions, giving us the most authentic interpretation of this piece of history. It is therefore only natural that the Maria Callas Endowment Fund should be associated with this publication, providing texts and images to illustrate the booklet and honor the memory of Maria Callas through this magnificent edition celebrating her 100th birthday.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-align: right; display: block;\"\u003eTom Volf\u003cbr data-mce-fragment=\"1\"\u003ePresident of the Maria Callas Endowment Fund\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e|STARTGOLD|Maria Callas, Lucia|ENDGOLD|\u003cbr\u003e|STARTGOLD|Giuseppe Di Stefano, Edgardo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Rolando Panerai, Enrico|ENDGOLD|\u003cbr\u003e|STARTGOLD|Nicola Zaccaria, Raimondo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Giuseppe Zampieri, Arturo|ENDGOLD|\u003cbr\u003e|STARTGOLD|Luisa Villa, Alisa|ENDGOLD|\u003cbr\u003e|STARTGOLD|Mario Carlin, Normanno|ENDGOLD|\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Coro del Teatro alla Scala, Milan|ENDGOLD|\u003cbr\u003e\u003cbr\u003e|STARTGOLD|RIAS Symphonie-Orchester|ENDGOLD|\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Herbert von Karajan, Chef d'Orchestre|ENDGOLD|\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 29.IX.1955 at the Städtische Oper Berlin, Germany\u003cbr\u003e\u003cbr\u003e MONO © 1955 RBB\u003cbr\u003e Remastered ℗ \u0026amp; © 2023 THE LOST RECORDINGS\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e1st edition Double Book UHQCD\u003cbr\u003e Remastered from the original analog tapes\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eBooklet 80 pages\u003c\/span\u003e\u003cbr\u003e Pressed in Japan\u003cbr\u003e\u003cbr\u003e Photos: © Maria Callas Foundation\u003cbr\u003e Texts: Anna Svenbro, Tom Volf, John Ardoin, Maria Callas, Robert Jacobson.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46844282569050,"sku":"TLR-2303047","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD_FRONT_BACK_1-logo_d1d74fae-d745-422c-8417-8fb3abaa3a35.jpg?v=1730830571"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-2-reel-tapes","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - 2x REEL TAPES","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them all\"\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eDuration: 57min 32s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003e: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization curve: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46846347247962,"sku":"TLR-1704027-Tapes","price":548.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/TAPES-FITZGERALD-61.jpg?v=1715958949"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-reel-tapes","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - 2x REEL TAPES","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings\u003c\/span\u003e... \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nJohnny Veith, Piano\u003cbr\u003e\nGus Mancuso, Bass\u003cbr\u003e\nEddy Pucci, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRunning time\u003c\/span\u003e: 1h 23m 34s\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTape type\u003c\/span\u003e: RTM LPR90\u003cbr\u003e Format: 1\/4 inch - 2 channels - stereo\u003cbr\u003e Recording level: 320 nWb\/m\u003cbr\u003e Track separation: 0.75mm\u003cbr\u003e Recording speed: 38cm\/sec - 15 IPS\u003cbr\u003e Equalization curve: CCIR\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":46846419566938,"sku":"TLR-2004037-Tapes","price":548.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/TAPES-VAUGHAN-69.jpg?v=1715958980"},{"product_id":"ella-fitzgerald-live-in-east-berlin-1967-double-vinyle","title":"ELLA FITZGERALD - LIVE IN EAST BERLIN 1967 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies\u0026nbsp;|ENDTITLEGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Ella Fitzgerald – As in the good old days at the Savoy!”\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt all began with a coincidence and complicity between Ronald Trisch, the head of the East German music agency, and Horst Lippmann, the West Berlin representative of major American artists. In January 1967, Ella Fitzgerald toured Europe with Duke Ellington and his orchestra. After a concert in West Berlin, January 25 was a day off. They jumped at the chance to organize a somewhat adventurous \"detour\" for Ella to East Berlin. At 11 p.m. on Wednesday evening, 3,000 people flocked to the Friedrichstadt Palace. This appearance in East Berlin would be the only one of her career. No big orchestra behind her, but the 3 exceptional musicians of the Jimmy Jones Trio to accompany her.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis was a perilous affair. Karlheinz Drechsel, one of the organizers, and father of Ulf Drechsel, our correspondent in Germany, describes in his\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMemoirs\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an excessively nervous Ella when, after crossing Check Point Charlie, she finds herself backstage. Unusual anxieties haunt her thoughts\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor almost an hour and a half, she treated the audience to some twenty tracks from the other side of the wall, alternating timeless standards with the hits of the moment, from the Beatles to Nancy Sinatra...\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate into the night, before climbing back into her car, heading for West Berlin, exhausted but drunk with happiness, she confessed to Karlheinz Drechsel: \"It was like the good old days at the Savoy\u003c\/span\u003e! \". \u003cbr\u003e\u003cbr\u003e\u003c!-- FITZGERALD: LIVE IN EAST BERLIN 1967--\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e|STARTGOLD|Ella Fitzgerald, Vocals|ENDGOLD|\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cp\u003e|STARTGOLD|Jimmy Jones, Piano|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Bob Cranshaw Bass|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Sam Woodyard, Drums|ENDGOLD|\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"subdescription\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRef.: TLR-2304050V \u003cbr\u003eRecorded\u0026nbsp;at Fredrichstadt-Palast, East Berlin, German Democratic Republic, on 25.1.1967\u003cbr\u003e STEREO ℗ 1967 DRA, *MONO ℗ 1967 Private Collection\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2023 THE LOST RECORDINGS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePressed by Simon Garcia, Marciac\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e 33 rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e 1st numbered edition, 3000 copies\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":47266684010842,"sku":"TLR-2304050V","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Fitzgerald67-MockupFront.jpg?v=1715885009"},{"product_id":"ella-fitzgerald-live-in-east-berln-1967-uhqcd","title":"ELLA FITZGERALD - LIVE IN EAST BERLIN 1967 - DOUBLE UHQCD","description":"\u003cp\u003e\u003cstrong\u003e“Ella Fitzgerald – As in the good old days at the Savoy!”\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt all began with a coincidence and complicity between Ronald Trisch, the head of the East German music agency, and Horst Lippmann, the West Berlin representative of major American artists.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn January 1967, Ella Fitzgerald was on a European tour with Duke Ellington and his orchestra. After a concert in West Berlin, January 25 was a day off. They jumped at the chance to organize a somewhat adventurous \"detour\" for Ella to East Berlin. At 11 p.m. on Wednesday evening, 3,000 people flocked to the Friedrichstadt Palace. This appearance in East Berlin would be the only one of her career...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis was a perilous affair. Karlheinz Drechsel, one of the organizers, and father of Ulf Drechsel, our correspondent in Germany, describes in his\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMemoirs\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an excessively nervous Ella when, after crossing Check Point Charlie, she finds herself backstage.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor almost an hour and a half, she treated the audience to some twenty tracks from the other side of the wall, alternating timeless standards with the hits of the moment, from the Beatles to Nancy Sinatra...\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate that night, before getting back into her car, heading for West Berlin, exhausted but drunk with happiness, she confesses to Karlheinz Drechsel: \"It was just like the good old days at the Savoy\u003c\/span\u003e!\"\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e|STARTGOLD|Ella Fitzgerald, Vocals|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Jimmy Jones, Piano|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Bob Cranshaw Bass|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Sam Woodyard, Drums|ENDGOLD|\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRef.: TLR-2304050 \u003cbr\u003eRecorded\u0026nbsp;at Fredrichstadt-Palast, East Berlin, German Democratic Republic, on 25.1.1967\u003cbr\u003e STEREO ℗ 1967 DRA, *MONO ℗ 1967 Private Collection\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2023 THE LOST RECORDINGS from the original analogue tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1st edition Double Book UHQCD\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":47267897999706,"sku":"TLR-2304050","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD_FRONT_BACK_1-LogoHQCD-CARRE-5.jpg?v=1730830626"},{"product_id":"ella-fitzgerald-live-in-east-berlin-1967-telechargement-hd","title":"ELLA FITZGERALD - LIVE IN EAST BERLIN 1967 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003e“Ella Fitzgerald – As in the good old days at the Savoy!”\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt all began with a coincidence and complicity between Ronald Trisch, the head of the East German music agency, and Horst Lippmann, the West Berlin representative of major American artists. In January 1967, Ella Fitzgerald toured Europe with Duke Ellington and his orchestra. After a concert in West Berlin, January 25 was a day off. They jumped at the chance to organize a somewhat adventurous \"detour\" for Ella to East Berlin. At 11 p.m. on Wednesday evening, 3,000 people flocked to the Friedrichstadt Palace. This appearance in East Berlin would be the only one of her career.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis was a perilous affair. Karlheinz Drechsel, one of the organizers, and father of Ulf Drechsel, our correspondent in Germany, describes in his\u0026nbsp;\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMemoirs\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an excessively nervous Ella when, after crossing Check Point Charlie, she finds herself backstage.\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor almost an hour and a half, she treated the audience to some twenty tracks from the other side of the wall, alternating timeless standards with the hits of the moment, from the Beatles to Nancy Sinatra...\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate into the night, before climbing back into her car, heading for West Berlin, exhausted but drunk with happiness, she confessed to Karlheinz Drechsel: \"It was like the good old days at the Savoy\u003c\/span\u003e! \". \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e|STARTGOLD|Ella Fitzgerald, Vocals|ENDGOLD|\u003cbr\u003e|STARTGOLD|Jimmy Jones, Piano|ENDGOLD|\u003cbr\u003e|STARTGOLD|Bob Cranshaw Bass|ENDGOLD|\u003cbr\u003e|STARTGOLD|Sam Woodyard, Drums|ENDGOLD|\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003eRef.: TLR-2304050\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cp class=\"subdescription\"\u003eRecorded\u0026nbsp;at Fredrichstadt-Palast, East Berlin, German Democratic Republic, on 25.1.1967\u003cbr\u003e STEREO ℗ 1967 DRA, *MONO ℗ 1967 Private Collection\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2023 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":47688109359450,"sku":"TLRE-EF67-50DI","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-FITZGERALD.jpg?v=1715887928"},{"product_id":"maria-callas-lucia-di-lammermoor-berlin-1955-3x-reel-tapes","title":"MARIA CALLAS - LUCIA DI LAMMERMOOR • BERLIN 1955 - 3x REEL TAPES","description":"It was in May 2022, while we were working in the RBB archives, that we discover the original tapes of this legendary recording from 1955 – which is, without a doubt, one of the most important lyrical testimonies of the 20th century century: the \u003ci\u003eLucia di Lammermoor\u003c\/i\u003e , captured in concert, September 29, 1955 at the Städtische Oper Berlin, bringing together Di Stefano, Panerai, von Karajan and Callas.\u003cbr\u003e\u003cbr\u003e Although we note that the first measurements of the band n°1 have been deteriorated, the minutes which follow reveal a richness of timbres and dynamics incomparable with the editions known until this day.\u003cbr\u003e\u003cbr\u003e Four months of meticulous work were necessary to make all its brilliance to the orchestra, to the choir of La Scala and to the legendary voices of this moving piece of history and music.\u003cbr\u003e\u003cbr\u003e He was close to our hearts to be able to present to you our first vinyl edition limited to 5,000 copies on the occasion of the centenary of the birth of Maria Callas.\u003cbr\u003e\u003cbr\u003e We thank the RBB for its trust and the Maria Callas Endowment Fund as well and Mr. Tom Volf for their assistance and the photos that accompany the booklet. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"text-align: right; display: block;\"\u003eFrédéric D'Oria-Nicolas\u003cbr\u003e Founder and Director of The Lost Recordings\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Maria Callas declared that she \"hated\" the studios and that only the recordings of her concerts could demonstrate the extent of his talent. During the last years throughout her life, she collected her own concert recordings (often pirate recordings) and listened to them. The best story comes to us from Robert Sutherland – his pianist, during Callas' last tour in 1973-74. This is how he remembers the evenings spent in the apartment Parisian by Maria Callas, avenue Georges Mandel:\u003cbr\u003e “We listened to a pirate recording of the \u003ci\u003eLucia\u003c\/i\u003e from Berlin. She remembered how of which Karajan had provoked the anger of the soloists by violating the sextet during representation, without warning them. As we listened to the second version they had given, she said: \"You can hear how I was angry ! And I still looked crazy singing! During the dinner that followed, I told Karajan that he never does it again, otherwise he would be in trouble! » Then came the tune in question – an interpretation prodigious. She was obviously impressed herself. \"I don't know how I did it. I just don't know how - and to think I have cried after my performance because I thought I was so far from my ideal. \" I have had difficulty finding the right words: such a combination of mastery technique and artistic imagination was simply genius. I am tried with a “It’s wonderful…” “Wonderful? Wonderful ? » me she retorted, sitting up on the sofa – “Isn’t it wonderful, It’s simply miraculous! »\u003cbr\u003e\u003cbr\u003e At this time, the pirated recordings circulated among passionate admirers under the form of more or less artisanal LPs, like those published by the BJR label which is probably the one Callas was listening to that evening with Robert Sutherland. Today, however, we must congratulate Frédéric D'Oria-Nicolas and The Lost Recordings for finding the original tapes in Berlin and having them meticulously restored with sound quality that surpasses all previous versions, giving us the most authentic interpretation of this piece of history. It is therefore quite natural that the Endowment Fund Maria Callas was associated with this publication, providing texts and images to illustrate the booklet and honor the memory of Maria Callas at through this magnificent edition celebrating its 100th anniversary. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"text-align: right; display: block;\"\u003eTom Volf\u003cbr\u003e President of the Maria Callas Endowment Fund\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e|STARTGOLD|Maria Callas, Lucia|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Giuseppe Di Stefano, Edgardo|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Rolando Panerai, Enrico|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Nicola Zaccaria, Raimondo|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Giuseppe Zampieri, Arturo|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Luisa Villa, Alisa|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Mario Carlin, Normanno|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Coro del Teatro alla Scala, Milan|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|RIAS Symphonie-Orchester|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Herbert von Karajan, Conductor|ENDGOLD|\u003c\/div\u003e\u003cbr\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 29.IX.1955 at the Städtische Oper Berlin, Germany\u003cbr\u003e\u003cbr\u003e MONO © 1955 RBB\u003cbr\u003e Remastered ℗ \u0026amp; © 2023 THE LOST RECORDINGS\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Austria\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eDuration: 1h 59min 47s\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":47752770257242,"sku":"TLR-2303047-TAPES","price":648.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/TAPES-CALLAS.jpg?v=1715958926"},{"product_id":"american-folk-blues-festival-live-in-paris-1962-bremen-1963-double-vinyle","title":"AMERICAN FOLK BLUES FESTIVAL - LIVE IN PARIS 1962 • BREMEN 1963 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe blues, born in the cotton fields of the American South, emerged from makeshift instruments and simple harmonies rooted in African heritage. It captured the struggles, hopes, and fleeting joys of laborers enduring harsh conditions, with its hallmark \"blue note\" adding a unique dissonance to this evocative musical style.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eAs industrialization progressed, the blues migrated to urban centers like Chicago and New Orleans, evolving with modern instruments and expanding themes to reflect urban struggles, sensual nights, and existential despair. This period birthed many of the musicians who later formed the American Folk and Blues Festival (AFBF), an initiative started in 1950s Germany to introduce Europe to the genre and counter its reductive reputation as a precursor to jazz.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe Lost Recordings celebrates these legendary artists through restored performances from the 1962 Olympia in Paris and the 1963 Stadttheater in Bremen. Featured artists include John Lee Hooker, Memphis Slim, Sonny Terry, Brownie McGhee, T-Bone Walker, Helen Humes, and others, showcasing the depth and evolution of the blues.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eFrom intimate duos like Brownie McGhee and Sonny Terry’s harmonica-guitar interplay to T-Bone Walker’s electrifying group performances, each act demonstrates the genre's versatility and influence. John Lee Hooker’s solo mastery mesmerized audiences, while T-Bone Walker pioneered the electric guitar's place in blues, inspiring legends like B.B. King.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe album also highlights Sonny Boy Williamson, whose charismatic harmonica and profound sensitivity defined his performances. These concerts take listeners on a journey through the authentic sound of the blues, traversing America’s history and foreshadowing its transformative impact on global music.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Brownie McGhee, vocals \u0026amp; guitar|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Sonny Terry, vocals \u0026amp; harmonica|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Sonny Boy Williamson II, vocals \u0026amp; harmonica|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Helen Humes, vocals|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Willie Dixon, vocals \u0026amp; bass|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|John Lee Hooker, vocals|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|T-Bone Walker, guitar|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Memphis Slim, vocals \u0026amp; piano|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Davor Kajfes, piano|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Jump Jackson, drums|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Shakey Jake, vocals \u0026amp; harmonica|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Matt \" Guitar\" Murphy, guitar|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Bill Stepney, drums|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Sunnyland Slim, piano|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Hubert Sumlin, guitar|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Clifton James, drums|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eRef.: TLR-2504056V\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e33rpm Lacquer-cuts: Kevin Gray\u003cbr\u003ePhoto:\u0026nbsp;© Jean-Pierre Leloir\u003c\/span\u003e\u003cbr\u003e Recorded in Paris, France on 20.X.1962, at the Olympia\u003cbr\u003e * Recorded in Bremen, Germany on 10.X.1963, at the Stadttheater Bremerhaven\u003cbr\u003e ** Recorded in Paris, France on XX1964, at the Olympia\u003cbr\u003e MONO ℗ 1962, 1964 Europe 1\/SongMachine\u003cbr\u003e MONO ℗ 1963 OneGate\/Radio Bremen\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRemastered by ℗ \u0026amp; © 2025 THE LOST RECORDINGS\u003c\/span\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003ePhoenix Pressings TM\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e*A 16-bit album download card is included with the vinyl.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":50286225883482,"sku":"TLR-2504056V","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/LP-AFBF-4.jpg?v=1736776254"},{"product_id":"american-folk-blues-festival-live-in-paris-1962-bremen-1963-double-cd","title":"AMERICAN FOLK BLUES FESTIVAL - LIVE IN PARIS 1962 • BREMEN 1963 - DOUBLE UHQCD","description":"\u003cp\u003eThe blues, born in the cotton fields of the American South, emerged from makeshift instruments and simple harmonies rooted in African heritage. It captured the struggles, hopes, and fleeting joys of laborers enduring harsh conditions, with its hallmark \"blue note\" adding a unique dissonance to this evocative musical style.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eAs industrialization progressed, the blues migrated to urban centers like Chicago and New Orleans, evolving with modern instruments and expanding themes to reflect urban struggles, sensual nights, and existential despair. This period birthed many of the musicians who later formed the American Folk and Blues Festival (AFBF), an initiative started in 1950s Germany to introduce Europe to the genre and counter its reductive reputation as a precursor to jazz.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe Lost Recordings celebrates these legendary artists through restored performances from the 1962 Olympia in Paris and the 1963 Stadttheater in Bremen. 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Ella and music are one.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e|STARTGOLD|Ella Fitzgerald, vocals\u003cbr\u003eTommy Flanagan, piano\u003cbr\u003eLes Spann, guitar \u0026amp; flute\u003cbr\u003eJim Hughart, bass\u003cbr\u003eGus Johnson, drums\u003cbr\u003e\u003cbr\u003e*Ella Fitzgerald, vocals\u003cbr\u003eTommy Flanagan, piano\u003cbr\u003eKetter Betts, bass\u003cbr\u003eGus Johnson, drums|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Kulttuuritalo, Helsinki, Finland, on 1.IV.1963 and *23.III.1965\u003cbr\u003eMONO ℗ 1963 \u0026amp; 1965 YLE\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRestored by ℗ \u0026amp; © 2025 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRef.:TLR-2504064VS\u003cbr\u003e33rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e180g Triple Utimate Record®\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eLimited edition\u003c\/span\u003e : 500 copies\u003cbr\u003ePhotos: © Jean-Pierre Leloir\u003cbr\u003eTip-on Gatefold printed in Italy\u003cbr\u003ePhoenix Pressings\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e\u003cbr\u003e\u003cbr\u003e*A 16-bit album download card is included with the vinyl.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":52544471630170,"sku":"TLR-2504064VS","price":138.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Fitzgerald-Fondgris-Site-min.jpg?v=1761500554"},{"product_id":"ella-fitzgerald-live-in-helsinki-1963-1965-double-uhqcd","title":"ELLA FITZGERALD - LIVE IN HELSINKI 1963 • 1965 - DOUBLE UHQCD","description":"\u003cp\u003eIn 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not \u0026nbsp;been random. Norman Granz, her mentor, friend and producer had decided to leave the US and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\u003cbr\u003e\u003cbr\u003e\nRay Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond “sister”, Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\u003cbr\u003e\u003cbr\u003e\nIt took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella’s virtuosity – her vocal acrobatics – and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman’s stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\u003cbr\u003e\u003cbr\u003e\nAfter listening to these concerts, it is clear that \u0026nbsp;her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e|STARTGOLD|Ella Fitzgerald, vocals\u003cbr\u003eTommy Flanagan, piano\u003cbr\u003eLes Spann, guitar \u0026amp; flute\u003cbr\u003eJim Hughart, bass\u003cbr\u003eGus Johnson, drums\u003cbr\u003e\u003cbr\u003e*Ella Fitzgerald, vocals\u003cbr\u003eTommy Flanagan, piano\u003cbr\u003eKetter Betts, bass\u003cbr\u003eGus Johnson, drums|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Kulttuuritalo, Helsinki, Finland, on 1.IV.1963 and *23.III.1965\u003cbr\u003eMONO ℗ 1963 \u0026amp; 1965 YLE\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRestored by ℗ \u0026amp; © 2025 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRef.:TLR-2504064\u003cbr\u003ePhotos: © Jean-Pierre Leloir\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":53359406285146,"sku":"TLR-2504064","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/WhatsAppImage2026-01-18at04.05.13.jpg?v=1768721457"},{"product_id":"sarah-vaughan-live-at-laren-1975-sapphire-edition","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - SAPPHIRE EDITION®","description":"\u003cp\u003e|STARTTITLEGOLD| 1000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSapphire Edition®\u003c\/strong\u003e pushes the boundaries of audio media.\u003cbr\u003eIt is the pinnacle of our latest innovations in restoration and manufacturing processes, without any constraints or compromises, thus delivering \u003cstrong\u003ean unprecedented musical experience\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eAugust 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003eCarl Schroeder, Piano\u003cbr\u003eBob Magnusson, Bass\u003cbr\u003eJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003eSTEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRemastered by ℗ \u0026amp; © 2025 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRef.:TLR-2504022VS\u003cbr\u003e33rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e200g Double Ultimate Record®\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited Edition\u003c\/span\u003e: 1000 copies hand-numbered\u003cbr\u003ePhotos: © William P. Gottlieb\u003cbr\u003eTip-on Gatefold and deluxe boxes printed in Italy\u003cbr\u003ePressed and assembled in France\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e\u003cbr\u003e\u003cbr\u003e*A 16-bit download card is included with the vinyl album\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":53384602091866,"sku":"TLR-2504022VS","price":118.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Vaughan_FrontViewHR-Site.jpg?v=1768965775"}],"url":"https:\/\/thelostrecordings.store\/en\/collections\/categories-produits-vocal.oembed?page=2","provider":"The Lost Recordings","version":"1.0","type":"link"}