{"title":"Store","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eFree delivery for purchases over €70.\u003c\/strong\u003e\u003cbr\u003e Shipping within 24 hours.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eEach recording is available in the format:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVinyl with a download card for 16-bit files in AIFF format\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCD Digipack\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltra-HD 24-bit 176.4 kHz\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"art-blakey-live-in-scheveningen-1958-double-vinyle","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.\u003c\/span\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass\u003cbr\u003e|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnnumbered second edition\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225075421346,"sku":"TLRE-BLAK58-34LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1d694e29-7da6-4e84-950c-8e92b361b230.jpg?v=1715948465"},{"product_id":"art-blakey-live-in-scheveningen-1958-double-cd","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnnumbered second edition\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225096130722,"sku":"FON-1804034","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_a66aee61-f447-413c-aef3-7b87b3e8857f.jpg?v=1715948511"},{"product_id":"art-blakey-live-in-scheveningen-1958-telechargement-hd","title":"ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say \"I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself\", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic \"Moanin'\" and saxophonist Benny Golson the famous \"Along Came Betty\", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Art Blakey, Drums\u003cbr\u003e\nLee Morgan, Trumpet\u003cbr\u003e\nBenny Golson, Tenor Saxophone\u003cbr\u003e\nBobby Timmons, Piano\u003cbr\u003e\nJymie Merritt, Bass|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA from the original tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225126047906,"sku":"TLRE-BL58-32DI","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-BLAKEY.jpg?v=1715948562"},{"product_id":"bill-evans-trio-live-at-hilversum-1968-double-vinyle","title":"BILL EVANS TRIO - LIVE AT HILVERSUM 1968 - VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eWho is this man who quietly enters the small VARA studio in Hilversum on June 22, 1968? Bill Evans. He has the figure of Yves Saint-Laurent, slim, and that same \"pretend I'm not here\" attitude. Smiling behind him are Puerto Rican drummer Jack Dejohnettes and bassist Eddie Gomez, his constant touring companion for several years. A month ago, they won a historic Grammy Award in Montreux, a kind of coronation for Bill Evans that confirms him at the top of his art. Evans knows like no other how to give true colors to life. A musician out of any category, out of any caste, everyone feels that he is this genius jazz tailor to whom a generation of pianists will dedicate respect and admiration. This is the first publication of this historic recording\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Bill Evans, Piano\u003cbr\u003e\nEddie Gomez, Bass\u003cbr\u003e\nJack Dejohnette, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 900\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e in Hilversum, 22.VI.1968\u003cbr\u003e STEREO ℗ 1968 NOS\u003cbr\u003e Remastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003cbr\u003e Made and printed in Germany\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225129947298,"sku":"FON-1604024","price":58.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_c28c7c10-7609-4232-9bd2-a77aa1fde6c8.jpg?v=1715949246"},{"product_id":"bill-evans-trio-live-at-hilversum-1968-telechargement-hd","title":"BILL EVANS TRIO - LIVE AT HILVERSUM 1968 - HD DOWNLOAD","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWho is this man who quietly enters the small VARA studio in Hilversum on June 22, 1968? Bill Evans. He has the figure of Yves Saint-Laurent, slim, and that same \"pretend I'm not here\" attitude. Smiling behind him are Puerto Rican drummer Jack Dejohnettes and bassist Eddie Gomez, his constant touring companion for several years. A month ago, they won a historic Grammy Award in Montreux, a kind of coronation for Bill Evans that confirms him at the top of his art. Evans knows like no other how to give true colors to life. A musician out of any category, out of any caste, everyone feels that he is this genius jazz tailor to whom a generation of pianists will dedicate respect and admiration. This is the first publication of this historic\u003c\/span\u003e recording.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Bill Evans, Piano\u003cbr\u003e\nEddie Gomez, Bass\u003cbr\u003e\nJack Dejohnette, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 900\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e in Hilversum, 22.VI.1968\u003cbr\u003e STEREO ℗ 1968 NOS\u003cbr\u003e Remastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225136337058,"sku":"TLRE-EVAN68-32DI","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-EVANS.jpg?v=1715949181"},{"product_id":"andre-navarra-the-cello-coffret-6cd","title":"ANDRÉ NAVARRA - The Cello - 6CD BOX SET","description":"\u003cspan data-mce-fragment=\"1\"\u003eFondamenta is launching the Phoenix Collection as a tribute to the great cellist André Navarra on the occasion of his 30th birthday. the 30th anniversary of his death. Accompanied by his son, our teams have travelled throughout Europe in search of the original original tapes - many of which were still unpublished or abandoned - in order to draw up the artistic testament of one of the cellists and founders of the great French cello tradition. Each of the tapes has been carefully restored using the Phoenix Mastering process that we have been developing over several years, one of the one of the stages of which is based on Devialet technologies. The result is a unique 6-disc boxed set, featuring The result is a unique 6-disc boxed set of all the great cello concertos in unprecedented sound quality\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|André Navarra, cello\u003cbr\u003e\nCharles Munch, conductor\u003cbr\u003e\nKarel Ancerl, conductor\u003cbr\u003e\nSir John Barbirolli, conductor\u003cbr\u003e\nPierre Dervaux, conductor\u003cbr\u003e\nTibor Varga, conductor\u003cbr\u003e\nRudolf Schwarz, conductor\u003cbr\u003e\nMartin Turnovsky, conductor\u003cbr\u003e|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225149771938,"sku":"FON-1603021","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD2.jpg?v=1715948924"},{"product_id":"andre-navarra-the-cello-telechargement-hd","title":"ANDRÉ NAVARRA - The Cello - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFondamenta is launching the Phoenix Collection as a tribute to the great cellist André Navarra on the occasion of his 30th birthday. the 30th anniversary of his death. Accompanied by his son, our teams have travelled throughout Europe in search of the original original tapes - many of which were still unpublished or abandoned - in order to draw up the artistic testament of one of the cellists and founders of the great French cello tradition. Each of the tapes has been carefully restored using the Phoenix Mastering process that we have been developing over several years, one of the one of the stages of which is based on Devialet technologies. The result is a unique 6-disc boxed set, featuring The result is a unique 6-disc boxed set of all the great cello concertos in unprecedented sound quality\u003c\/span\u003e. \u003c!-- Navarra : The Cello --\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\n\u003cp class=\"subdescription\"\u003e\u003cstrong\u003e24bit\/176.4kHz AIFF audio files. 64 pages pdf Booklet included.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003eCD1\u003c\/p\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eCamille Saint-Saëns Concerto in A minor for Cello and Orchestra, Op. 33, No. 1\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line with-audio\"\u003e\n\u003cdiv class=\"play-pause\"\u003e\u003c\/div\u003e\n\u003cli\u003eAllegro non troppo \u003caudio\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Navarra-16bit-FR4Y21622001.mp3?v=1611492342\"\u003e\u003c\/audio\u003e\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegretto con moto\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eTempo Primo\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eLalo: Concerto in D minor for Cello and Orchestra\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003ePrelude: Lento – Allegro maestoso\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eIntermezzo: Andantino con moto – Allegro presto\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eIntroduction: Andante – Rondo: Allegro vivace\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003eCD2\u003c\/p\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eBrahms: Concerto in A minor for Violin, Cello and Orchestra, Op. 102\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAndante\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line with-audio\"\u003e\n\u003cdiv class=\"play-pause\"\u003e\u003c\/div\u003e\n\u003cli\u003ePerennial non troppo \u003caudio\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Navarra-16bit-FR4Y21622009.mp3?v=1611492342\"\u003e\u003c\/audio\u003e\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eKodály: Duo in D minor for Violin and Cello, Op. 7\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro serioso, non troppo\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAdagio\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eMaestoso and largamente, ma non troppo lento\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003eCD3\u003c\/p\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eProkofiev: Symphony-Concerto in E minor for Cello and Orchestra, Op. 125\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAndante\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAndante con moto – Allegretto – Allegro marcato\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eBloch: Schelomo, Hebrew Rhapsody for Cello and Orchestra\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003eCD4\u003c\/p\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eKhachaturian: Concerto in E minor for Cello and Orchestra\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAndante sostenuto\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro [a batteta]\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line with-audio\"\u003e\n\u003cdiv class=\"play-pause\"\u003e\u003c\/div\u003e\n\u003cli\u003eBruch: Kol Nidrei for Cello and Orchestra, Op. 47 \u003caudio\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Navarra-16bit-FR4Y21622020.mp3?v=1611492342\"\u003e\u003c\/audio\u003e\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eMartinů: Concertino in C minor for Cello, Winds, Percussion and Piano, H. 143\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003eCD5\u003c\/p\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eElgar: Concerto in E minor for Cello and Orchestra, Op. 85\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAdagio – Moderato\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eLento – Allegro molto\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAdagio\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line with-audio\"\u003e\n\u003cdiv class=\"play-pause\"\u003e\u003c\/div\u003e\n\u003cli\u003eAllegro, my non troppo \u003caudio\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Navarra-16bit-FR4Y21622025.mp3?v=1611492342\"\u003e\u003c\/audio\u003e\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eBach: Concerto in A major for Cello, Strings and Basso continuo, Wq. 172\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line with-audio\"\u003e\n\u003cdiv class=\"play-pause\"\u003e\u003c\/div\u003e\n\u003cli\u003eAllegro \u003caudio\u003e\n\u003csource type=\"audio\/mpeg\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Navarra-16bit-FR4Y21622026.mp3?v=1611492342\"\u003e\u003c\/audio\u003e\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eLargo con sordini, mesto\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro assai, mesto\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"tracklist_title_single_product\"\u003eCD6\u003c\/p\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eDvořák: Concerto in B minor for Cello and Orchestra, Op. 104\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eAdagio, my non troppo\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eFinale: Allegro moderato – Andante – Allegro vivo\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\u003cbr\u003e\n\u003cli\u003eIntroduction BBC\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tracklist-line tracklist-line-underlist\"\u003e\n\u003cli\u003eSchumann: Concerto in A minor for Cello and Orchestra, Op. 129\u003c\/li\u003e\n\u003cdiv class=\"tracklist_wrapper\"\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eNicht zu schnell\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eLangsam\u003c\/li\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tracklist-line\"\u003e\n\u003cli\u003eSehr lebhaft\u003c\/li\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cul class=\"tracklist_band_single_product\"\u003e\n\u003cli\u003eAndré Navarra, Cello\u003c\/li\u003e\n\u003cli\u003eJosed Suk, Violin\u003c\/li\u003e\n\u003cli\u003eCharles Munch, Conductor\u003c\/li\u003e\n\u003cli\u003eKarel Ančerl, Conductor\u003c\/li\u003e\n\u003cli\u003ePierre Dervaux, Conductor\u003c\/li\u003e\n\u003cli\u003eMartin Turnovsky, Conductor\u003c\/li\u003e\n\u003cli\u003eSir John Barbirolli, Conductor\u003c\/li\u003e\n\u003cli\u003eTibor Varga, Conductor\u003c\/li\u003e\n\u003cli\u003eRudolf Schwarz, Conductor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225151082658,"sku":"TLRE-NAVABX-32DI","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-NAVARRA.jpg?v=1715948957"},{"product_id":"blossom-dearie-the-lost-sessions-from-the-netherlands-double-vinyle","title":"BLOSSOM DEARIE - THE LOST SESSIONS FROM THE NETHERLANDS - VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eAmong the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song \"Raindrops Keep Falling On My Head\", which she magnifies, to Joni Mitchell's \"Both Sides Now\", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, \"Winchester in Apple Blossom Time\". Not forgetting her other personal works, as well as \"Bring All Your Love Along\", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverenc\u003c\/span\u003ee. \u003cbr\u003e\u003cbr\u003e|STARTGOLD|Blossom Dearie, Vocals \u0026amp; Piano\u003cbr\u003e\n*with the Metropole Orchestra|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eWith the kind authorisation of the Blossom Dearie Estate\u003cbr\u003e\u003cbr\u003e STEREO ℗ AVRO 1968, 1970, 1971, 1982\u003cbr\u003e STEREO ℗ TROS 1989\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd edition\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225167040674,"sku":"TLR-1804033V","price":52.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_6ef9641a-70f0-4b1c-b20a-471b1f30c690.jpg?v=1715927131"},{"product_id":"blossom-dearie-the-lost-sessions-from-the-netherlands-telechargement-hd","title":"BLOSSOM DEARIE - THE LOST SESSIONS FROM THE NETHERLANDS - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eAmong the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song \"Raindrops Keep Falling On My Head\", which she magnifies, to Joni Mitchell's \"Both Sides Now\", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, \"Winchester in Apple Blossom Time\". Not forgetting her other personal works, as well as \"Bring All Your Love Along\", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate reverenc\u003c\/span\u003ee.\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Blossom Dearie, Vocals \u0026amp; Piano\u003cbr\u003e\n*with the Metropole Orchestra|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eWith the kind authorisation of the Blossom Dearie Estate\u003cbr\u003e\u003cbr\u003e STEREO ℗ AVRO 1968, 1970, 1971, 1982\u003cbr\u003e STEREO ℗ TROS 1989\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225181294754,"sku":"TLRE-DE68-32LP","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-DEARIE.jpg?v=1715927254"},{"product_id":"blossom-dearie-the-lost-sessions-from-the-netherlands-cd","title":"BLOSSOM DEARIE - THE LOST SESSIONS FROM THE NETHERLANDS - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eAmong the great moments in the career of Blossom Dearie, an exceptional singer and pianist, are the concerts she gave and recorded in the Netherlands between 1968 and 1989, of which we have a faithful reflection here, thanks in particular to a fine recording. She dominates all instrumental formats, from solo to the large Metropole Orchestra, and all repertoires, from the film song \"Raindrops Keep Falling On My Head\", which she magnifies, to Joni Mitchell's \"Both Sides Now\", which she renews with intelligence, not forgetting a masterpiece for which she is responsible, \"Winchester in Apple Blossom Time\". Not forgetting her other personal works, as well as \"Bring All Your Love Along\", of which we hear the first recorded version here. Blossom's sublime farewell, eternal spring, in the form of a delicate\u003c\/span\u003e reverence. \u003cbr\u003e\u003cbr\u003e|STARTGOLD|Blossom Dearie, Vocals \u0026amp; Piano\u003cbr\u003e\n*with the Metropole Orchestra|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eCourtesy of Blossom Dearie Estate\u003cbr\u003e\u003cbr\u003e STEREO ℗ AVRO 1968, 1970, 1971, 1982\u003cbr\u003e STEREO ℗ TROS 1989\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e : 999\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225188733090,"sku":"FON-1804033","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD-1.jpg?v=1715927222"},{"product_id":"claudio-arrau-the-unreleased-beethoven-recital-1959-cd","title":"CLAUDIO ARRAU - THE UNRELEASED BEETHOVEN RECITAL 1959 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Lost Recordings has rediscovered the master tapes of this double recital in the Berlin radio archives. The label thus offers the world premiere of this Beethoven recital by the great Claudio Arrau, recorded on 12 March 1959 at the Hochschule für Muzik in Berlin. An exceptional document.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the prestigious Hochschule für Musik in Berlin on 12 March 1959, Claudio Arrau, at the age of 56, was an artist at the height of his fame and in the fullness of his pianistic and intellectual qualities.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRarely better than in these solitary piano pieces, inextricably intertwining sentimental confession, wandering mystical reverie and constant concern for form, has Beethoven put \"on stage and in sound\" the common man grappling with his confused feelings, doubts and existential wanderings, transcending with his creative genius the contingencies and limits of his aleatoric condition in order to aim at the sublime and\u003c\/span\u003e monumental. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Claudio Arrau, piano|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 12.III.1959, Berlin Hochschule für Musik \u003cbr data-mce-fragment=\"1\"\u003eMONO ℗ \u0026amp; ©1959 RBB\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225381376162,"sku":"TLRE-ARRA59-39CD","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_d151e27e-40cb-4fbd-a3a7-32a097cc6fa1.jpg?v=1715949047"},{"product_id":"claudio-arrau-the-unreleased-beethoven-recital-1959-telechargement-hd","title":"CLAUDIO ARRAU - THE UNRELEASED BEETHOVEN RECITAL 1959 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Lost Recordings has rediscovered the master tapes of this double recital in the Berlin radio archives. The label thus offers the world premiere of this Beethoven recital by the great Claudio Arrau, recorded on 12 March 1959 at the Hochschule für Muzik in Berlin. An exceptional document.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the prestigious Hochschule für Musik in Berlin on 12 March 1959, Claudio Arrau, at the age of 56, was an artist at the height of his fame and in the fullness of his pianistic and intellectual qualities.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRarely better than in these solitary piano pieces, inextricably intertwining sentimental confession, wandering mystical reverie and constant concern for form, has Beethoven put \"on stage and in sound\" the common man grappling with his confused feelings, doubts and existential wanderings, transcending with his creative genius the contingencies and limits of his aleatoric condition in order to aim at the sublime and\u003c\/span\u003e monumental.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Claudio Arrau, piano|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 12.III.1959, Berlin Hochschule für Musik\u003cbr data-mce-fragment=\"1\"\u003e MONO ℗ \u0026amp; © 1959 RBB\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225387733154,"sku":"TLR-2103039-HD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-ARRAU.jpg?v=1715949014"},{"product_id":"dave-brubeck-quartet-live-at-the-kurhaus-1967-double-vinyle","title":"DAVE BRUBECK QUARTET - LIVE AT THE KURHAUS 1967 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eAt the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in\u003c\/span\u003e Europe. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at Kurhaus, Scheveningen, 24.X.1967\u003cbr\u003e STEREO ℗ 1967 KRO\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Second pressing without numbering\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225394614434,"sku":"TLRE-BRUB67-25LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_44be3f56-bee0-4121-a407-576159a0a58d.jpg?v=1715927508"},{"product_id":"dave-brubeck-quartet-live-at-the-kurhaus-1967-cd","title":"DAVE BRUBECK QUARTET - LIVE AT THE KURHAUS 1967 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eAt the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in\u003c\/span\u003e Europe.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRe\u003cspan data-mce-fragment=\"1\"\u003ecorded\u003c\/span\u003e at Kurhaus, Scheveningen, 24.X.1967\u003cbr\u003e STEREO ℗ 1967 KRO\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Second pressing without numbering\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225399005346,"sku":"FON-1704025","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_bde788aa-f325-40eb-84c6-e8fabea5c2fe.jpg?v=1715927556"},{"product_id":"dave-brubeck-quartet-live-at-the-kurhaus-1967-telechargement-hd","title":"DAVE BRUBECK QUARTET - LIVE AT THE KURHAUS 1967 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eAt the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in\u003c\/span\u003e Europe.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eR\u003cspan data-mce-fragment=\"1\"\u003eecorded\u003c\/span\u003e at Kurhaus, Scheveningen, 24.X.1967\u003cbr\u003e STEREO ℗ 1967 KRO\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225406804130,"sku":"TLRE-BR67-32DI","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-BRUBECK-2.jpg?v=1715927602"},{"product_id":"dizzy-gillespie-live-at-singer-concert-hall-1973-double-vinyle","title":"DIZZY GILLESPIE - LIVE AT SINGER CONCERT HALL 1973 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eFor Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates \"Brother K\" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: \"The Blues\", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty:\u003c\/span\u003e “Yes Dizzy, you made it”.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Dizzie Gillespie, Trumpet and Vocals\u003cbr\u003e\nMike Longo, Piano\u003cbr\u003e\nAlexander Gafa, Guitar\u003cbr\u003e\nEarl May, Bass\u003cbr\u003e\nMickey Roker, Drums\u003cbr\u003e\nGuest Artist : Jon Faddis, Trumpet on tracks 9 and 10|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Singer Concert Hall\u003cbr\u003e Laren Jazz Festival, 25.VIII.1973\u003cbr\u003e STEREO ℗ 1973 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225416863906,"sku":"TLR-1704028V","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1a890342-fae8-4e6c-a4ad-0a48df2df6df.jpg?v=1715926956"},{"product_id":"dizzy-gillespie-live-at-singer-concert-hall-1973-cd","title":"DIZZY GILLESPIE - LIVE AT SINGER CONCERT HALL 1973 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFor Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates \"Brother K\" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: \"The Blues\", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty:\u003c\/span\u003e “Yes Dizzy, you made it”.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Dizzie Gillespie, Trumpet and Vocals\u003cbr\u003e\nMike Longo, Piano\u003cbr\u003e\nAlexander Gafa, Guitar\u003cbr\u003e\nEarl May, Bass\u003cbr\u003e\nMickey Roker, Drums\u003cbr\u003e\nGuest Artist : Jon Faddis, Trumpet on tracks 9 and 10|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Singer Concert Hall\u003cbr\u003e Laren Jazz Festival, 25.VIII.1973\u003cbr\u003e STEREO ℗ 1973 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e \u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225425711266,"sku":"FON-1704038","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_22224d61-0d37-478f-9894-8fde7992fd44.jpg?v=1715927020"},{"product_id":"dizzy-gillespie-live-at-singer-concert-hall-1973-telechargement-h","title":"DIZZY GILLESPIE - LIVE AT SINGER CONCERT HALL 1973 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFor Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates \"Brother K\" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: \"The Blues\", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty:\u003c\/span\u003e “Yes Dizzy, you made it”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Dizzie Gillespie, Trumpet and Vocals\u003cbr\u003e\nMike Longo, Piano\u003cbr\u003e\nAlexander Gafa, Guitar\u003cbr\u003e\nEarl May, Bass\u003cbr\u003e\nMickey Roker, Drums\u003cbr\u003e\nGuest Artist : Jon Faddis, Trumpet on tracks 9 and 10|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Singer Concert Hall\u003cbr\u003e Laren Jazz Festival, 25.VIII.1973\u003cbr\u003e STEREO ℗ 1973 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225429643426,"sku":"TLRE-DI73-32DI","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GILLESPIE.jpg?v=1715927075"},{"product_id":"duke-ellington-live-at-the-berlin-jazz-festival-1969-1973-cd","title":"DUKE ELLINGTON - LIVE AT THE BERLIN JAZZ FESTIVAL 1969•1973 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn 8 November 1969, on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra is at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sort of rattle, the Duke launched 'La plus Belle Africaine'. A baroque but perfectly mastered mixture of sunny colours captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launches into a furious \"El Gato\" which shakes the audience with its creaking, deliberate deconstruction and evokes the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of \"I Can't Get Started\", just before the 43-second parenthesis of \"Caravan\", which is a mischievous link to the flamboyant \"Satin Doll\" that masterfully punctuates this concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten \"Rocky\" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney - and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the Blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in \"Tap Dance\". The magic works. The success is total.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: \"there are only two kinds of music: good and bad\". We have had the extreme privilege of resurrecting the better one\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nDuke Ellington, Piano\u003cbr\u003e\nJoe Benjamin, Bass\u003cbr\u003e\nQuinten \"Rocky\" White Jr., Drums\u003cbr\u003e\nHarold \"Money\" Johnson, Trumpet\u003cbr\u003e\nPaul Gonsalves, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\n\u003cbr\u003e\n*Duke Ellington, Piano, Leader\u003cbr\u003e\nAnd his Orchestra, Featuring:\u003cbr\u003e\nCat Anderson, Cootie Williams, Mercer Ellington, Trumpet\u003cbr\u003e\nHarold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\nRufus Jones, Drums|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Berlin Philharmonic\u003cbr\u003e Berliner Jazztage, 2.XI.1973\u003cbr\u003e STEREO ℗ 1973 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded at the Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 8.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 The Lost Recordings from the original analog tapes\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225469620386,"sku":"TLR-2204041","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_3e03cf3f-4e9d-4fca-95fb-ea4eb20b5a88.jpg?v=1715927389"},{"product_id":"duke-ellington-live-at-the-berlin-jazz-festival-1969-1973-vinyle","title":"DUKE ELLINGTON - LIVE AT THE BERLIN JAZZ FESTIVAL 1969•1973 - VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn November 8, 1969, on the stage of the great hall of the Berlin Philharmonic, the Duke, whose portrait is the poster of the Jazztage Festival which celebrates his 70th birthday, slowly joined his piano. His orchestra is at the orders, adorned with a gleaming section of which some have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. The legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a kind of rattle, the Duke launches \"La plus Belle Africaine\". A baroque but perfectly mastered mixture of sunny colors captured during a tour in Dakar, launched on the solo saxophone and then taken up with flashes of inventiveness by all or part of the orchestra. The tone is set. Cat Anderson launches into a furious \"El Gato\" that shakes the audience with its squeaks, its voluntary deconstructions and evokes the revolutionary, fragmentary and unfinished gestures of a Thelonious Monk or a Cecil Taylor. A studied contrast with the gentle continuation of \"I Can't Get Started\", just before the 43-second parenthesis of \"Caravan\", set as a mischievous link to the flamboyant \"Satin Doll\" which masterfully punctuates this concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1973, a few months before his death, Duke returned to Berlin in a formation organized on the basis of his trio (Joe Benjamin on double bass and Quinten \"Rocky\" White Jr. on drums), joined by Harold Johnson on trumpet, clarinetist and baritone saxophonist Harry Carney - and by his long-time sidekick, tenor saxophonist Paul Gonsalves. Duke Ellington gives a central place to his piano, making it both the driving force of the ensemble and its harmonic and rhythmic framework.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this Blues that opens the concert, we hear some Debussy. This is followed by \"Take the A train\". The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how much the Duke knew how to draw with sagacity from the audacious harmonies of his contemporaries. And then he dares everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in \"Tap Dance\". The magic works. The success is total.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, in the harmonic sources of all the musics and which make so relevant the formula which he liked: \"there are only two kinds of music: the good and the bad\". We have had the extreme privilege of resurrecting the best\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nDuke Ellington, Piano\u003cbr\u003e\nJoe Benjamin, Bass\u003cbr\u003e\nQuinten \"Rocky\" White Jr., Drums\u003cbr\u003e\nHarold \"Money\" Johnson, Trumpet\u003cbr\u003e\nPaul Gonsalves, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\n\u003cbr\u003e\n*Duke Ellington, Piano, Leader\u003cbr\u003e\nAnd his Orchestra, Featuring:\u003cbr\u003e\nCat Anderson, Cootie Williams, Mercer Ellington, Trumpet\u003cbr\u003e\nHarold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\nRufus Jones, Drums|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Berlin Philharmonic\u003cbr\u003e Berliner Jazztage, 2.XI.1973\u003cbr\u003e STEREO ℗ 1973 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded at the Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 8.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e 180g Single 33rpm vinyl album\u003cbr\u003e 2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225469882530,"sku":"TLR-2204041V","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_67e3c1f3-b14c-405a-ad71-d481f2895747.jpg?v=1715927352"},{"product_id":"duke-ellington-live-at-the-berlin-jazz-festival-1969-1973-telechargement","title":"DUKE ELLINGTON - LIVE AT THE BERLIN JAZZ FESTIVAL 1969•1973 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn 8 November 1969, on the stage of the Berlin Philharmonic's main hall, the Duke, whose portrait is the poster of the Jazztage Festival celebrating his 70th birthday, slowly joined his piano. His orchestra is at the helm, adorned with a gleaming section, some of whom have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. Legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn a sort of rattle, the Duke launched 'La plus Belle Africaine'. A baroque but perfectly mastered mixture of sunny colours captured during a tour in Dakar, launched by the solo saxophone and then taken up with flashes of inventiveness by all or part of the band. The tone is set. Cat Anderson launches into a furious \"El Gato\" which shakes the audience with its creaking, deliberate deconstruction and evokes the revolutionary, fragmentary and unfinished gestures of Thelonious Monk or Cecil Taylor. A studied contrast with the gentle continuation of \"I Can't Get Started\", just before the 43-second parenthesis of \"Caravan\", which is a mischievous link to the flamboyant \"Satin Doll\" that masterfully punctuates this concert.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1973, a few months before his death, Duke returned to Berlin in a formation based on his trio (Joe Benjamin on double bass and Quinten \"Rocky\" White Jr. on drums), joined by Harold Johnson on trumpet, the clarinettist and baritone saxophonist Harry Carney - and by his long-time sidekick, the tenor saxophonist Paul Gonsalves. Duke Ellington gives his piano a central place here, making it both the driving force of the ensemble and its harmonic and rhythmic backbone.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the Blues that opens the concert, we hear Debussy. Take the A train' follows. The Duke likes changes of mood. Only, here and there, touches of discontinuous speech remind us how sagaciously the Duke was able to draw on the audacious harmonies of his contemporaries. And then he dares to do everything. Like offering his band the rhythmic virtuosity of Baby Laurence on tap dance in \"Tap Dance\". The magic works. The success is total.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo concerts in Berlin, two facets of a poetic universe, two visions of an alchemist who knew how to draw with lightness but also with a mixture of jubilation and authority, from the harmonic sources of all music and which make so relevant the formula he loved: \"there are only two kinds of music: good and bad\". We have had the extreme privilege of resurrecting the better one\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nDuke Ellington, Piano\u003cbr\u003e\nJoe Benjamin, Bass\u003cbr\u003e\nQuinten \"Rocky\" White Jr., Drums\u003cbr\u003e\nHarold \"Money\" Johnson, Trumpet\u003cbr\u003e\nPaul Gonsalves, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\n\u003cbr\u003e\n*Duke Ellington, Piano, Leader\u003cbr\u003e\nAnd his Orchestra, Featuring:\u003cbr\u003e\nCat Anderson, Cootie Williams, Mercer Ellington, Trumpet\u003cbr\u003e\nHarold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone\u003cbr\u003e\nHarry Carney, Baritone Saxophone, Clarinet\u003cbr\u003e\nRufus Jones, Drums|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Berlin Philharmonic\u003cbr\u003e Berliner Jazztage, 2.XI.1973\u003cbr\u003e STEREO ℗ 1973 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded at the Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 8.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225470046370,"sku":"TLR-2204041-HD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-ELLINGTON.jpg?v=1715927428"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-cd","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them al\u003c\/span\u003el”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e \u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225470996642,"sku":"FON-1704027","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_03ad73ad-48c8-4548-887f-d93504fb612e.jpg?v=1715948236"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961-double-vinyle","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them al\u003c\/span\u003el”. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnnumbered second edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eDOWNLOAD OF THE DOUBLE ALBUM AVAILABLE IN 24BIT FORMAT.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225471586466,"sku":"TLR-1704027V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_f547a8c0-84f7-43fd-82f0-43a69b14c977.jpg?v=1715948179"},{"product_id":"ella-fitzgerald-live-at-the-concertgebouw-1961","title":"ELLA FITZGERALD - LIVE AT THE CONCERTGEBOUW 1961 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn February 10,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1961 at the\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Amsterdam\u0026nbsp;\u003c\/span\u003e\u003cstrong data-wg-splitted=\"\" data-mce-fragment=\"1\"\u003eConcertgebouw\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, just one year after her famous Berlin concert,\u0026nbsp;\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElla Fitzgerald\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;once again found herself in front of a packed house. Following a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took to the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of \"Too Close for Comfort\". Her voice settles, she holds her audience by the hand, gently, surely. Ella takes to the stage as if in her own living room. She welcomes each spectator like a privileged guest. Each song is a glass of champagne that she offers with grace. At times melancholy, at times playful, most of the time laughing, dynamic and catchy. \"Hilariously inventive Ella! As Bing Crosby once said: \"Man, woman or child, Ella is the greatest of them\u003c\/span\u003e\u0026nbsp;all”.\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Ella Fitzgerald, Vocals\u003cbr\u003e\nLou Levy, Piano\u003cbr\u003e\nHerb Ellis, Guitar\u003cbr\u003e\nWilfred Middlebrooks, Bass\u003cbr\u003e\nGus Johnson, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225472340130,"sku":"TLRE-FI61-32DI","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-FITZGERALD-2.jpg?v=1715948386"},{"product_id":"emil-gilels-the-unreleased-recital-at-the-concertgebouw-1976-double-vinyle","title":"EMIL GILELS - THE UNRELEASED RECITAL AT THE CONCERTGEBOUW 1976 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 2000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn October 26, 1976, he was on stage, alone, in a repertoire of rare complexity in front of \"people who are passionate about music\", says Kirill. Enthusiastic but demanding. We can imagine Emil both serene and tense, on the lookout for the slightest whisper, in harmony, as soon as the silence sets in, with these composers he reveres: Beethoven, Brahms, Schumann, Prokofiev. Gilels knows how to lead us with elegance towards the delicious final surprise. There are interpretations so profound, so sincere and so right that they leave a lasting impression. There is no doubt that Emil Gilels' performance on that winter evening in 1976 in the prestigious Concertgebouw in Amsterdam is one of them\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Emil Gilels, piano|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, 26.X.1976\u003cbr\u003e *Recorded at the Concertgebouw, 30.I.1979\u003cbr\u003e STEREO ℗ 1976 NOS\u003cbr\u003e *STEREO ℗ 1979 NOS\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e : 2000\u003cbr\u003e Printed \u0026amp; Pressed in Germany\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225472602274,"sku":"TLRE-GILE76-32LP","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_849fe3b6-3ffd-4df6-9cbf-9aaffef9ec42.jpg?v=1715946890"},{"product_id":"emil-gilels-the-unreleased-recitals-at-the-concertgebouw-coffret-5-cd","title":"EMIL GILELS - THE UNRELEASED RECITALS AT THE CONCERTGEBOUW - 5 CD BOX SET","description":"\"\u003cspan data-mce-fragment=\"1\"\u003eIn June 2017, when I have to perform in Moscow, I meet Kirill Gilels, grandson of the famous pianist Emil Gilels. He has listened to what our Phoenix Mastering restoration process can accomplish and gives us a list of the years and locations of his grandfather's unpublished recordings. In Berlin, Moscow, St. Petersburg, we discover a heritage that amazes us with the quality and consistency of Emil Gilels' piano playing. We are undoubtedly facing one of the greatest musicians of the 20th century. It is finally in Amsterdam, thanks to the determination of Piet Tullenaar, that we manage to extract five recitals that the pianist gave between 1975 and 1980 at the Concertgebouw and which everyone had forgotten existed. As we audition the tapes one by one in the studio allocated to us, neither Piet Tullenaar, nor Michel Navarra, nor myself exchange a word. What a beauty!\" F. D'Oria-\u003c\/span\u003eNicolas \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Emil Gilels, piano|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Netherlands\u003cbr\u003e 19.I.1975\u003cbr\u003e 26.X.1976\u003cbr\u003e 29.III.1978\u003cbr\u003e 30.I.1979\u003cbr\u003e 15.IV.1980\u003cbr\u003e STEREO ℗ 1975 TROS\u003cbr\u003e STEREO ℗ 1976 NOS \u003cbr\u003eSTEREO ℗ 1978 KRO\u003cbr\u003e STEREO ℗ 1979 NOS\u003cbr\u003e STEREO ℗ 1980 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e 5CD boxset\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225473323170,"sku":"FON-1803032","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_7e0f0fac-8a91-4f78-bd08-d6f67eaba0c1.jpg?v=1715947269"},{"product_id":"emil-gilels-the-unreleased-recitals-at-the-concertgebouw-coffret-7-vinyles","title":"EMIL GILELS - THE UNRELEASED RECITALS AT THE CONCERTGEBOUW - 7 VINYL BOX SET","description":"\u003cp\u003e|STARTTITLEGOLD| 999 Copies |ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003eIn June 2017, when I have to perform in Moscow, I meet Kirill Gilels, grandson of the famous pianist Emil Gilels. He has listened to what our Phoenix Mastering restoration process can accomplish and gives us a list of the years and locations of his grandfather's unpublished recordings. In Berlin, Moscow, St. Petersburg, we discover a heritage that amazes us with the quality and consistency of Emil Gilels' piano playing. We are undoubtedly facing one of the greatest musicians of the 20th century. It is finally in Amsterdam, thanks to the determination of Piet Tullenaar, that we manage to extract five recitals that the pianist gave between 1975 and 1980 at the Concertgebouw and which everyone had forgotten existed. As we audition the tapes one by one in the studio allocated to us, neither Piet Tullenaar, nor Michel Navarra, nor myself exchange a word. What a beauty!\" F. D'Oria-\u003c\/span\u003eNicolas\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Emil Gilels, piano|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Netherlands\u003cbr\u003e 19.I.1975\u003cbr\u003e 26.X.1976\u003cbr\u003e 29.III.1978\u003cbr\u003e 30.I.1979\u003cbr\u003e 15.IV.1980\u003cbr\u003e STEREO ℗ 1975 TROS\u003cbr\u003e STEREO ℗ 1976 NOS \u003cbr\u003eSTEREO ℗ 1978 KRO\u003cbr\u003e STEREO ℗ 1979 NOS\u003cbr\u003e STEREO ℗ 1980 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 7-vinyls boxset\u003cbr\u003e Limited number of copies: 999\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225474240674,"sku":"FON-1803032-7LP","price":189.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_a29ce918-7c18-4868-959a-9947c329d334.jpg?v=1715947156"},{"product_id":"emil-gilels-the-unreleased-recitals-at-the-concertgebouw","title":"EMIL GILELS - THE UNRELEASED RECITALS AT THE CONCERTGEBOUW - HD DOWNLOAD","description":"\"\u003cspan data-mce-fragment=\"1\"\u003eIn June 2017, when I have to perform in Moscow, I meet Kirill Gilels, grandson of the famous pianist Emil Gilels. He has listened to what our Phoenix Mastering restoration process can accomplish and gives us a list of the years and locations of his grandfather's unpublished recordings. In Berlin, Moscow, St. Petersburg, we discover a heritage that amazes us with the quality and consistency of Emil Gilels' piano playing. We are undoubtedly facing one of the greatest musicians of the 20th century. It is finally in Amsterdam, thanks to the determination of Piet Tullenaar, that we manage to extract five recitals that the pianist gave between 1975 and 1980 at the Concertgebouw and which everyone had forgotten existed. As we audition the tapes one by one in the studio allocated to us, neither Piet Tullenaar, nor Michel Navarra, nor myself exchange a word. What a beauty!\" F. D'Oria\u003c\/span\u003e-Nicolas \u003cp\u003e|STARTTITLEGOLD| 999 Exemplaires |ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Netherlands\u003cbr\u003e 19.I.1975\u003cbr\u003e 26.X.1976\u003cbr\u003e 29.III.1978\u003cbr\u003e 30.I.1979\u003cbr\u003e 15.IV.1980\u003cbr\u003e STEREO ℗ 1975 TROS\u003cbr\u003e STEREO ℗ 1976 NOS\u003cbr\u003e STEREO ℗ 1978 KRO\u003cbr\u003e STEREO ℗ 1979 NOS\u003cbr\u003e STEREO ℗ 1980 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225474994338,"sku":"TLRE-GILEBX-32DI","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GILELS-2.jpg?v=1715947235"},{"product_id":"henryk-szeryng-the-unreleased-berlin-studio-recordings-double-cd","title":"HENRYK SZERYNG - THE UNRELEASED BERLIN STUDIO RECORDINGS - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis production is exceptional in more ways than one. It is the first time that we have found recordings not of a concert, but made in a studio. And it is more than likely that the studios intended to release them. The RBB engineers have achieved a true miracle in terms of acoustics: never before,\u0026nbsp;at any time,\u0026nbsp;has the sound of a violin been restored to us with so much detail and authenticity.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo bring you the artistic and technological prowess of the engineers, we were determined to render all the dynamics and details of this landmark interpretation of Bach’s Partita No. 2 and Franck’s Sonata. A challenge indeed, because the tracks of the movements were divided over the four sides of a double album in 45-rpm format! This exploit marks another first in the history of The Lost Recordings label.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the other versions (CD, HD download, and the download card of the vinyl edition) include the entirety of the recordings we found.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHenryk Szeryng - in majesty in Berlin\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApril 1962 and April 1963, a year apart, Berlin acousticians, among the most experienced in the world, adjusted the removable panels of the walls of studio No. 3 of the Berlin Radio House. A technical marvel based on revolutionary, though totally traditional, methods, this hall was designed in 1929 by the architect Hans Poelzig with a unique and rarely equalled concern: to allow for high fidelity acoustics whatever the frequencies emitted, with a reverberation that can be modulated at will. Henryk Szeryng has the reputation of a scrupulous, uncompromising and authentic master who ranks alongside a Milstein or a Grumiaux. In April 1963, he was 44 years old. At the peak of his art, he meticulously took out of his box his Guarnerius del Gesu, known as \"the Duke\", with which he would make violin history that day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"The work of Johann Sebastian Bach is a Bible. Bach is the ultimate goal, where everything begins and everything ends. His music brings you closer to your soul.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Henryk Szeryng.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Partita No. 2 is a monumental work in terms of the richness and variety of its writing, employing an unusual polyphony for solo violin. Bach seems to want a single theme that 'haunts' the first four movements, culminating in the majestic chaconne, which is constructed as a work in itself. At 15 minutes long, it presents a theme that will be varied sixty-three times in order to evoke, within a highly constructed whole, a universe of infinitely rich emotions, from anguish and sorrow to joy and hope. To capture the growing strength of this progression, Henryk Szeryng wanted to perform the entire partita in one go. Only two takes are needed to produce a performance of unique density, emotion and purity, the subtlety of which we were lucky enough to be able to capture.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust a year earlier, Szeryng was in the same Studio 3 recording the Franck sonata. There is an obvious relationship between Bach and César Franck: the sense of construction, the desire for unity, the control of time. The violin sonata, composed in 1886, is based on the same intense writing as Bach's Partita. After the triumph of its first performance, its aura quickly extended beyond the musical realm. It is said to have inspired Marcel Proust to write the love story of Charles Swann and Odette de Crécy in 'Du côté de chez Swann'. As with the Partita No. 2, Henryk Szeryng and the pianist Günther Ludwig have achieved a real alchemy here and have delivered one of the most unforgettable interpretations of this work\u003c\/span\u003e.\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Henryk Szering, violin\u003cbr\u003e*Marinus Flipse, piano\u003cbr\u003e**Günther Ludwig, piano|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded\u0026nbsp;in Studio III, RBB, Berlin, 19.IV.1963\u003cbr\u003e MONO ℗ 1963 RBB\u003cbr\u003e Marinus Flipse, piano\u003cbr\u003e **Recorded at Studio III, RBB, Berlin, 27.IV.1962\u003cbr\u003e MONO ℗ 1962 RBB\u003cbr\u003e Günther Ludwig, piano\u003cbr\u003e ***Recorded in concert at Studio I, RBB, Berlin, 08.II.1982\u003cbr\u003e STEREO ℗ 1982 RBB\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225476042914,"sku":"TLRE-SZER62-40CD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_f56e92c7-106a-4d06-9725-7459b9fd3535.jpg?v=1715947952"},{"product_id":"henryk-szeryng-the-unreleased-berlin-studio-recordings-double-vinyle","title":"HENRYK SZERYNG - THE UNRELEASED BERLIN STUDIO RECORDINGS - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD|1000 Copies|ENDTITLEGOLD|\u003c\/p\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis production is exceptional in more ways than one. It is the first time that we have found recordings not of a concert, but made in a studio. And it is more than likely that the studios intended to release them. The RBB engineers have achieved a true miracle in terms of acoustics: never before,\u0026nbsp;at any time,\u0026nbsp;has the sound of a violin been restored to us with so much detail and authenticity.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo bring you the artistic and technological prowess of the engineers, we were determined to render all the dynamics and details of this landmark interpretation of Bach’s Partita No. 2 and Franck’s Sonata. A challenge indeed, because the tracks of the movements were divided over the four sides of a double album in 45-rpm format! This exploit marks another first in the history of The Lost Recordings label.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the other versions (CD, HD download, and the download card of the vinyl edition) include the entirety of the recordings we found.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHenryk Szeryng - in majesty in Berlin\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApril 1962 and April 1963, a year apart, Berlin acousticians, among the most experienced in the world, adjusted the removable panels of the walls of studio No. 3 of the Berlin Radio House. A technical marvel based on revolutionary, though totally traditional, methods, this hall was designed in 1929 by the architect Hans Poelzig with a unique and rarely equalled concern: to allow for high fidelity acoustics whatever the frequencies emitted, with a reverberation that can be modulated at will. Henryk Szeryng has the reputation of a scrupulous, uncompromising and authentic master who ranks alongside a Milstein or a Grumiaux. In April 1963, he was 44 years old. At the peak of his art, he meticulously took out of his box his Guarnerius del Gesu, known as \"the Duke\", with which he would make violin history that day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"The work of Johann Sebastian Bach is a Bible. Bach is the ultimate goal, where everything begins and everything ends. His music brings you closer to your soul.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Henryk Szeryng.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Partita No. 2 is a monumental work in terms of the richness and variety of its writing, employing an unusual polyphony for solo violin. Bach seems to want a single theme that 'haunts' the first four movements, culminating in the majestic chaconne, which is constructed as a work in itself. At 15 minutes long, it presents a theme that will be varied sixty-three times in order to evoke, within a highly constructed whole, a universe of infinitely rich emotions, from anguish and sorrow to joy and hope. To capture the growing strength of this progression, Henryk Szeryng wanted to perform the entire partita in one go. Only two takes are needed to produce a performance of unique density, emotion and purity, the subtlety of which we were lucky enough to be able to capture.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust a year earlier, Szeryng was in the same Studio 3 recording the Franck sonata. There is an obvious relationship between Bach and César Franck: the sense of construction, the desire for unity, the control of time. The violin sonata, composed in 1886, is based on the same intense writing as Bach's Partita. After the triumph of its first performance, its aura quickly extended beyond the musical realm. It is said to have inspired Marcel Proust to write the love story of Charles Swann and Odette de Crécy in 'Du côté de chez Swann'. As with the Partita No. 2, Henryk Szeryng and the pianist Günther Ludwig have achieved a real alchemy here and have delivered one of the most unforgettable interpretations of this work\u003c\/span\u003e. \n\u003cp class=\"subdescription\"\u003e*Recorded\u0026nbsp;in Studio III, RBB, Berlin, 19.IV.1963\u003cbr\u003e MONO ℗ 1963 RBB\u003cbr\u003e Marinus Flipse, piano\u003cbr\u003e **Recorded at Studio III, RBB, Berlin, 27.IV.1962\u003cbr\u003e MONO ℗ 1962 RBB\u003cbr\u003e Günther Ludwig, piano\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Henryk Szering, violin\u003cbr\u003e**Günther Ludwig, piano|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1st edition, numbered to\u003c\/span\u003e 1000 copies\u003cbr\u003e Printed \u0026amp; Pressed in Germany\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225476370594,"sku":"TLR-2203040V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_2a43c30a-d7a8-4882-ab89-4c8efd7094e3.jpg?v=1715947917"},{"product_id":"henryk-szeryng-the-unreleased-berlin-studio-recordings","title":"HENRYK SZERYNG - THE UNRELEASED BERLIN STUDIO RECORDINGS - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis production is exceptional in more ways than one. It is the first time that we have found recordings not of a concert, but made in a studio. And it is more than likely that the studios intended to release them. The RBB engineers have achieved a true miracle in terms of acoustics: never before,\u0026nbsp;at any time,\u0026nbsp;has the sound of a violin been restored to us with so much detail and authenticity.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo bring you the artistic and technological prowess of the engineers, we were determined to render all the dynamics and details of this landmark interpretation of Bach’s Partita No. 2 and Franck’s Sonata. A challenge indeed, because the tracks of the movements were divided over the four sides of a double album in 45-rpm format! This exploit marks another first in the history of The Lost Recordings label.\u0026nbsp;\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the other versions (CD, HD download, and the download card of the vinyl edition) include the entirety of the recordings we found.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHenryk Szeryng - in majesty in Berlin\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApril 1962 and April 1963, a year apart, Berlin acousticians, among the most experienced in the world, adjusted the removable panels of the walls of studio No. 3 of the Berlin Radio House. A technical marvel based on revolutionary, though totally traditional, methods, this hall was designed in 1929 by the architect Hans Poelzig with a unique and rarely equalled concern: to allow for high fidelity acoustics whatever the frequencies emitted, with a reverberation that can be modulated at will. Henryk Szeryng has the reputation of a scrupulous, uncompromising and authentic master who ranks alongside a Milstein or a Grumiaux. In April 1963, he was 44 years old. At the peak of his art, he meticulously took out of his box his Guarnerius del Gesu, known as \"the Duke\", with which he would make violin history that day.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"The work of Johann Sebastian Bach is a Bible. Bach is the ultimate goal, where everything begins and everything ends. His music brings you closer to your soul.\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;Henryk Szeryng.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Partita No. 2 is a monumental work in terms of the richness and variety of its writing, employing an unusual polyphony for solo violin. Bach seems to want a single theme that 'haunts' the first four movements, culminating in the majestic chaconne, which is constructed as a work in itself. At 15 minutes long, it presents a theme that will be varied sixty-three times in order to evoke, within a highly constructed whole, a universe of infinitely rich emotions, from anguish and sorrow to joy and hope. To capture the growing strength of this progression, Henryk Szeryng wanted to perform the entire partita in one go. Only two takes are needed to produce a performance of unique density, emotion and purity, the subtlety of which we were lucky enough to be able to capture.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJust a year earlier, Szeryng was in the same Studio 3 recording the Franck sonata. There is an obvious relationship between Bach and César Franck: the sense of construction, the desire for unity, the control of time. The violin sonata, composed in 1886, is based on the same intense writing as Bach's Partita. After the triumph of its first performance, its aura quickly extended beyond the musical realm. It is said to have inspired Marcel Proust to write the love story of Charles Swann and Odette de Crécy in 'Du côté de chez Swann'. As with the Partita No. 2, Henryk Szeryng and the pianist Günther Ludwig have achieved a real alchemy here and have delivered one of the most unforgettable interpretations of this work\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Henryk Szering, violin\u003cbr\u003e*Marinus Flipse, piano\u003cbr\u003e**Günther Ludwig, piano|ENDGOLD|\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e*Recorded\u0026nbsp;in Studio III, RBB, Berlin, 19.IV.1963\u003cbr\u003e MONO ℗ 1963 RBB\u003cbr\u003e Marinus Flipse, piano\u003cbr\u003e **Recorded at Studio III, RBB, Berlin, 27.IV.1962\u003cbr\u003e MONO ℗ 1962 RBB\u003cbr\u003e Günther Ludwig, piano\u003cbr\u003e ***Recorded in concert at Studio I, RBB, Berlin, 08.II.1982\u003cbr\u003e STEREO ℗ 1982 RBB\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225476599970,"sku":"TLRE-HZ62-40DI","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-SZERYNG.jpg?v=1715947987"},{"product_id":"oscar-peterson-trio-live-at-the-concertgebouw-1961-cd","title":"OSCAR PETERSON TRIO - LIVE AT THE CONCERTGEBOUW 1961 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as \"the Ineffable\". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Oscar Peterson, Piano\u003cbr\u003e\nRay Brown, Bass\u003cbr\u003e\nEd Thigpen, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam\u003cbr\u003e 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e Remastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225477288098,"sku":"FON-1604023","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_c782ccc6-af18-4592-987e-0619c27a548f.jpg?v=1715927776"},{"product_id":"oscar-peterson-trio-live-at-the-concertgebouw-1961-double-vinyle","title":"OSCAR PETERSON TRIO - LIVE AT THE CONCERTGEBOUW 1961 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as \"the Ineffable\". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Oscar Peterson, Piano\u003cbr\u003e\nRay Brown, Bass\u003cbr\u003e\nEd Thigpen, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam\u003cbr\u003e 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e Remastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225477779618,"sku":"TLR-1604023V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_991af648-b95f-4af3-9419-1fcac1a12d21.jpg?v=1715927749"},{"product_id":"oscar-peterson-trio-live-at-the-concertgebouw-1961","title":"OSCAR PETERSON TRIO - LIVE AT THE CONCERTGEBOUW 1961 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eIt is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as \"the Ineffable\". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Oscar Peterson, Piano\u003cbr\u003e\nRay Brown, Bass\u003cbr\u003e\nEd Thigpen, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam\u003cbr\u003e 18.II.1961\u003cbr\u003e MONO ℗ 1961 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225477976226,"sku":"TLRE-PE61-32DI","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-PETERSON.jpg?v=1715927811"},{"product_id":"sarah-vaughan-live-at-laren-1975-cd","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFirst publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nCarl Schroeder, Piano\u003cbr\u003e\nBob Magnusson, Bass\u003cbr\u003e\nJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003e STEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225479581858,"sku":"FON-1604022","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/CD-2_52d74d65-42ca-402f-a4d5-0150774978cf.jpg?v=1715947390"},{"product_id":"sarah-vaughan-live-at-laren-1975-double-vinyle","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eFirst publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nCarl Schroeder, Piano\u003cbr\u003e\nBob Magnusson, Bass\u003cbr\u003e\nJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003e STEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e2nd Edition\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225479811234,"sku":"FON-1604022V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/LP---Vaughan-75.jpg?v=1715958892"},{"product_id":"sarah-vaughan-live-at-laren-1975","title":"SARAH VAUGHAN - LIVE AT LAREN 1975 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eFirst publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the \"Divine\" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nCarl Schroeder, Piano\u003cbr\u003e\nBob Magnusson, Bass\u003cbr\u003e\nJimmy Cobb, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Singer Concert Hall, Laren, Netherlands, 5.VIII.1975\u003cbr\u003e STEREO ℗ 1975 VARA\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2016 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225480204450,"sku":"TLRE-SV75-32DI","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-VAUGHAN.jpg?v=1715947431"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-double-cd","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings..\u003c\/span\u003e. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e |STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e Johnny Veith, Piano\u003cbr\u003e Gus Mancuso, Bass\u003cbr\u003e Eddy Pucci, Drums|ENDGOLD|\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225480499362,"sku":"TLRE-VAUG69-38CD","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_84639675-4ae2-419f-b23e-947f1cd05e98.jpg?v=1715947556"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969-double-vinyle","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings\u003c\/span\u003e... \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e\nJohnny Veith, Piano\u003cbr\u003e\nGus Mancuso, Bass\u003cbr\u003e\nEddy Pucci, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e 2nd edition\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225481416866,"sku":"TLRE-VAUG69-38LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/Vaughan69-MockupFront.jpg?v=1715899573"},{"product_id":"sarah-vaughan-live-at-the-berlin-philharmonie-1969","title":"SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eThis double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feeling\u003c\/span\u003es... \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e |STARTGOLD|Sarah Vaughan, Vocals\u003cbr\u003e Johnny Veith, Piano\u003cbr\u003e Gus Mancuso, Bass\u003cbr\u003e Eddy Pucci, Drums|ENDGOLD|\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at Berlin Philharmonie\u003cbr\u003e Berliner Jazztage, 9.XI.1969\u003cbr\u003e MONO ℗ 1969 RBB\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2020 The Lost Recordings from the original analog tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225481744546,"sku":"TLRE-VAUG69-38DI","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-VAUGHAN-2.jpg?v=1715947587"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966-double-cd","title":"STAN GETZ \u0026 ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE CD","description":"\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Gary Burton, vibraphone|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Chuck Israels, bass|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Roy Haynes, drums|ENDGOLD|\u003c\/p\u003e\n\u003cp\u003e|STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage STEREO ℗ 1966 RBB\u003c\/p\u003e\n\u003cp\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225483251874,"sku":"TLRE-GETZ66-38CD","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_1948b849-f184-4886-b4e6-548df92657cb.jpg?v=1715880377"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966-double-vinyle","title":"STAN GETZ \u0026amp; ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 3000 Copies\u0026nbsp;|ENDTITLEGOLD|\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr\u003e\u003cbr\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Gary Burton, vibraphone|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Chuck Israels, bass|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Roy Haynes, drums|ENDGOLD|\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e|STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tracklist_single_product\"\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage\u003cbr\u003e STEREO ℗ 1966 RBB\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e33 rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e Electroplating: United-Kingdom\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e1st Limited-Edition\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e 3000 copies\u003cbr\u003eNew Tip-on Gatefold printed in Italy\u003cbr\u003ePressed by Simon Garcia, Marciac, France\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225483808930,"sku":"TLRE-GETZ66-38LP","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront.jpg?v=1715875011"},{"product_id":"stan-getz-astrud-gilberto-live-at-the-berlin-jazz-festival-1966","title":"STAN GETZ \u0026 ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - HD DOWNLOAD","description":"\u003cp\u003e\u003cstrong\u003eAn ethereal duo of legend\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen the concert started that 4 November 1966 at the famous Berliner Jazzfest, four musicians took the stage. Close-knit to the point of telepathy, they were about to give one of their last concerts. The mythical partnership of Stan Getz on saxophone and Gary Burton on the vibraphone was coming to an end, but were they even aware that this was one of their last acts? Accompanying them was an exceptional rhythm section with Chuck Israels on bass and the great Roy Hayne on drums.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e|STARTGOLD|Stan Getz, tenor saxophone|ENDGOLD||STARTGOLD|Gary Burton, vibraphone|ENDGOLD||STARTGOLD|Chuck Israels, bass|ENDGOLD||STARTGOLD|Roy Haynes, drums|ENDGOLD||STARTGOLD|Astrud Gilberto, vocals*|ENDGOLD|\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on 4.XI.1966, Berlin Philharmonie, Berliner Jazztage\u003c\/p\u003e\n\u003cp\u003eSTEREO ℗ 1966 RBB\u003c\/p\u003e\n\u003cp\u003eRemastered by ℗ \u0026amp; © 2021 THE LOST RECORDINGS from the original master tapes\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484038306,"sku":"TLR-2104038-HD","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GETZ.jpg?v=1715949146"},{"product_id":"thelonious-monk-live-in-rotterdam-1967-double-cd","title":"THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE CD","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two \"classics\" \"Ruby, My Dear\" and \"Blue Monk\", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of \"Hackensack\", the brass gets carried away in the middle of \"We See\"; they answer each other by swirling in the dizzying \"Oska\". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: \"Blue Monk\", all classical restraint\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Thelonius Monk, Piano\u003cbr\u003e\nCharlie Rouse, Tenor Sax\u003cbr\u003e\nLarry Gales, Bass\u003cbr\u003e\nBen Riley, Drums\u003cbr\u003e\n\u003cbr\u003e\nGuests :\u003cbr\u003e\nClark Terry, Trumpet\u003cbr\u003e\nRay Copeland, Trumpet\u003cbr\u003e\nJimmy Cleveland, Trombone\u003cbr\u003e\nPhil Woods, Alto Sax\u003cbr\u003e\nJohnny Griffin, Tenor Sax|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e R\u003cspan data-mce-fragment=\"1\"\u003eecorded at\u003c\/span\u003e\u0026nbsp;De Doelen, Rotterdam, 28.X.1967\u003cbr\u003e STEREO ℗ 1967 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e : 999\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484497058,"sku":"FON-1704029","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_c3271f35-290a-46f5-a9b1-07611ec2dbca.jpg?v=1715948769"},{"product_id":"thelonious-monk-live-in-rotterdam-1967-double-vinyle","title":"THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two \"classics\" \"Ruby, My Dear\" and \"Blue Monk\", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of \"Hackensack\", the brass gets carried away in the middle of \"We See\"; they answer each other by swirling in the dizzying \"Oska\". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: \"Blue Monk\", all classical restraint\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Thelonius Monk, Piano\u003cbr\u003e\nCharlie Rouse, Tenor Sax\u003cbr\u003e\nLarry Gales, Bass\u003cbr\u003e\nBen Riley, Drums\u003cbr\u003e\n\u003cbr\u003e\nGuests :\u003cbr\u003e\nClark Terry, Trumpet\u003cbr\u003e\nRay Copeland, Trumpet\u003cbr\u003e\nJimmy Cleveland, Trombone\u003cbr\u003e\nPhil Woods, Alto Sax\u003cbr\u003e\nJohnny Griffin, Tenor Sax|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e R\u003cspan data-mce-fragment=\"1\"\u003eecorded at\u003c\/span\u003e De Doelen, Rotterdam, 28.X.1967\u003cbr\u003e STEREO ℗ 1967 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: André Perriat\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLimited number of copies\u003c\/span\u003e : 999\u003cbr\u003e Printed and pressed in Germany\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225484988578,"sku":"FON-1704029","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_0e071872-da4b-4764-bcf0-f332b0793006.jpg?v=1759776601"},{"product_id":"thelonious-monk-live-in-rotterdam-1967-telechargement","title":"THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eWhen he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two \"classics\" \"Ruby, My Dear\" and \"Blue Monk\", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of \"Hackensack\", the brass gets carried away in the middle of \"We See\"; they answer each other by swirling in the dizzying \"Oska\". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: \"Blue Monk\", all classical restraint\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Thelonius Monk, Piano\u003cbr\u003e\nCharlie Rouse, Tenor Sax\u003cbr\u003e\nLarry Gales, Bass\u003cbr\u003e\nBen Riley, Drums\u003cbr\u003e\n\u003cbr\u003e\nGuests :\u003cbr\u003e\nClark Terry, Trumpet\u003cbr\u003e\nRay Copeland, Trumpet\u003cbr\u003e\nJimmy Cleveland, Trombone\u003cbr\u003e\nPhil Woods, Alto Sax\u003cbr\u003e\nJohnny Griffin, Tenor Sax|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003e\u003cbr\u003e R\u003cspan data-mce-fragment=\"1\"\u003eecorded at\u003c\/span\u003e De Doelen, Rotterdam, 28.X.1967\u003cbr\u003e STEREO ℗ 1967 NOS\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2017 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225485611170,"sku":"TLRE-MO67-32LP","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-MONK.jpg?v=1715948824"},{"product_id":"emil-gilels-the-unreleased-recital-at-the-concertgebouw-1976-telechargement-hd","title":"EMIL GILELS - THE UNRELEASED RECITAL AT THE CONCERTGEBOUW 1976 - HD DOWNLOAD","description":"\u003cspan data-mce-fragment=\"1\"\u003eOn October 26, 1976, he was on stage, alone, in a repertoire of rare complexity in front of \"people who are passionate about music\", says Kirill. Enthusiastic but demanding. We can imagine Emil both serene and tense, on the lookout for the slightest whisper, in harmony, as soon as the silence sets in, with these composers he reveres: Beethoven, Brahms, Schumann, Prokofiev. Gilels knows how to lead us with elegance towards the delicious final surprise. There are interpretations so profound, so sincere and so right that they leave a lasting impression. There is no doubt that Emil Gilels' performance on that winter evening in 1976 in the prestigious Concertgebouw in Amsterdam is one of them\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e|STARTGOLD|Emil Gilels, piano|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, 26.X.1976\u003cbr\u003e *Recorded at the Concertgebouw, 30.I.1979\u003cbr\u003e STEREO ℗ 1976 NOS\u003cbr\u003e *STEREO ℗ 1979 NOS\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2018 FONDAMENTA from the original analog tapes\u003c\/span\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42225761779874,"sku":"TLRE-GILE76-32DI","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/HD-GILELS.jpg?v=1715946965"},{"product_id":"ravel-concerto-for-piano-and-orchestra-in-g-major-m-83","title":"ARTURO BENEDETTI MICHELANGELI - RAVEL: PIANO CONCERTO IN G MAJOR, M. 83 - VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 2000 Copies |ENDTITLEGOLD|\u003c\/p\u003eFor decades now pianists and other musicians have acclaimed the recording of this concert, only available on video. It was of utmost importance to us to publish it as a record. While we were looking for the video recording in the BBC archives, we stumbled upon the analog stereo tape that had fallen into oblivion. We used it to bring this emotion-filled, historical evening back to life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLondon, 11 April 1982. The expectant audience in front of the Royal Festival Hall was hoping that the extraordinary Arturo Benedetti Michelangeli – the pianist who would cancel his concerts at the last minute if he considered that neither of the two pianos he travelled with could render the colours that his mind and fingers would paint – would play that evening. The BBC sound engineers were wondering if they would be allowed to set up their microphones and cameras. Conductor Sergiu Celibidache intensely disliked any recording, maintaining that music is an art of the moment. In his opinion, microphones could not render all the harmonic richness, nor enable listeners to understand his choice of tempi, which he determined according to the acoustic parameters of any given moment.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt would take not one, but several miracles for the concert to come off. They all took place that evening. The utmost rigour, the vision of the music, and the mutual confidence and understanding between these two legendary figures since late in the 1960s all played a part.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe pianist walked regally onto the stage. In his hands, he was clutching a small black handkerchief. Maestro Celibidache followed him. That evening, they were performing Maurice Ravel’s last work for orchestra – the Concerto in G that the composer had planned to perform himself on “the five continents” until his delicate health meant he had to renounce the project.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Adagio assai, as Ravel wrote, is a tribute to scholasticism. “How I worked over it bar by bar. It nearly killed me.” In this section, he literally suspends time. And is this not the essential function of Art: to allow man to triumph over passing time and to grasp at the constellations to seize an alternative to his sad fate?\u003c\/span\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n|STARTGOLD|\nArturo Benedetti Michelangeli, piano\u003cbr\u003e\nSergiu Celibidache, direction\u003cbr\u003e\nLondon Symphony Orchestra|ENDGOLD|\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Royal Festival Hall, London, 8.IV.1982\u003cbr\u003e STEREO ℗ 1982 BBC\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 The Lost Recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e Lacquer-cuts: Kevin Gray\u003cbr\u003e Masters \u0026amp; Mothers: Quality Record Pressings\u003cbr\u003e 180g Single 45rpm vinyl album\u003cbr\u003e 1st Edition\u003cbr\u003e Limited number of copies, \u003cspan data-mce-fragment=\"1\"\u003ehand-numbered\u0026nbsp;\u003c\/span\u003e: 2000\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"tracklist_indications_single_product\"\u003e*\u003cspan data-mce-fragment=\"1\"\u003eA 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL\u003c\/span\u003e.\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42433345388706,"sku":"TLR-2203042V","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_4e0d6470-4dfe-43a9-8326-095e2b3abb9b.jpg?v=1715900778"},{"product_id":"dave-brubeck-quartet-debut-in-the-netherlands-1958","title":"DAVE BRUBECK QUARTET - DEBUT IN THE NETHERLANDS 1958 - DOUBLE VINYL","description":"\u003cp\u003e|STARTTITLEGOLD| 2000 Copies |ENDTITLEGOLD|\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDave Brubeck Quartet - Europe, here we come!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePicture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of “Two Part Contention”. The piano came in, sounding out a counter-melody that revealed Brubeck’s classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, “Someday, My Prince Will Come” introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, “These Foolish Things”, by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving – if proof were needed – his consummate skills in harmonic phrasing. The saxophone then announced the theme of “One Moment Worth Years”. Eugene, who liked to be called “the Senator”, seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with “For All We Know” –\u0026nbsp;to thunderous applause. It was now Joe’s turn to take the limelight. When he played “Watusi Drums”, the audience discovered an exceptional drummer who had started out as a virtuoso violinist: fifteen years previously, he had been playing Mendelssohn’s Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro’s heights and switched to drums. The band went on to play “The Wright Groove”, a short piece written by Eugene. The concert concluded with “The Duke”, a tribute to Ellington, and then a superb rendition of “Take the A-Train”, a 1940s classic and the hallmark piece of Ellington’s orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album “Time Out” a year later.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in\u0026nbsp;this exceptional quartet’s timeless art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e Paul Desmond, Saxophone\u003cbr\u003e Eugene Wright, Bass\u003cbr\u003e Joe Morello, Drums|ENDGOLD|\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, The Netherlands on 26.II.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMade and printed in Germany\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003eRemastered from the original analog tapes\u003cbr\u003e 33 rpm Lacquer-cuts: Kevin Gray\u003cbr\u003e 180g 2-vinyl album\u003cbr\u003e 1st \u003cspan data-mce-fragment=\"1\"\u003eedition hand-numbered\u003c\/span\u003e, 2000 copies\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42779530068130,"sku":"TLR-2204043V","price":68.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_ee617bd3-e2c8-4b68-932e-969a21c03ee8.jpg?v=1715899146"},{"product_id":"dave-brubeck-quartet-debut-in-the-netherlands-1958-cd","title":"DAVE BRUBECK QUARTET - DEBUT IN THE NETHERLANDS 1958 - CD","description":"\u003cp\u003e\u003cstrong\u003eDave Brubeck Quartet - Europe, here we come!\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThat winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePicture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of “Two Part Contention”. The piano came in, sounding out a counter-melody that revealed Brubeck’s classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, “Someday, My Prince Will Come” introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, “These Foolish Things”, by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving – if proof were needed – his consummate skills in harmonic phrasing. The saxophone then announced the theme of “One Moment Worth Years”. Eugene, who liked to be called “the Senator”, seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with “For All We Know” –\u0026nbsp;to thunderous applause. It was now Joe’s turn to take the limelight. When he played “Watusi Drums”, the audience discovered an exceptional drummer who had started out as a virtuoso violinist: fifteen years previously, he had been playing Mendelssohn’s Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro’s heights and switched to drums. The band went on to play “The Wright Groove”, a short piece written by Eugene. The concert concluded with “The Duke”, a tribute to Ellington, and then a superb rendition of “Take the A-Train”, a 1940s classic and the hallmark piece of Ellington’s orchestra, played here in a whirlwind of energy and innovative rhythms.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in\u0026nbsp;this exceptional quartet’s timeless art.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n|STARTGOLD|Dave Brubeck, Piano\u003cbr\u003e\nPaul Desmond, Saxophone\u003cbr\u003e\nEugene Wright, Bass\u003cbr\u003e\nJoe Morello, Drums|ENDGOLD|\u003cbr\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp class=\"subdescription\"\u003eRecorded at the Concertgebouw, Amsterdam, The Netherlands on 26.II.1958\u003cbr\u003e MONO ℗ 1958 VARA\u003c\/p\u003e\n\u003cp class=\"subdescription\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRemastered by ℗ \u0026amp; © 2022 THE LOST RECORDINGS from the original analog tapes\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e 1st publication\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"The Lost Recordings","offers":[{"title":"Default Title","offer_id":42780282028194,"sku":"TLR-2204043","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0422\/4211\/3698\/files\/MockupFront_b1973592-ab83-459f-b084-f4fc6a8dc56c.jpg?v=1715899252"}],"url":"https:\/\/thelostrecordings.store\/en\/collections\/store.oembed?page=6","provider":"The Lost Recordings","version":"1.0","type":"link"}