ERROLL GARNER

The Self-taught Genius

OUR DISCOVERIES

Tape No. 1

Tape No. 1

ERROLL GARNER

THE UNRELEASED BERLIN STUDIO RECORDINGS 1967

Only a few weeks before this innovative album was recorded, Garner was in a Berlin recording studio at the helm of his new group comprising Ike Isaaks on bass, Jimmy Smith on drums and Jose Mangual on bongos for a brief, inspired session that somehow remained unpublished until today. In a laid-back atmosphere, they play an entrancing yet familiar repertoire of both timeless standards (Autumn Leaves, The Shadow of Your Smile, Blue Moon and These Foolish Things) and two original themes, including his favourite composition, Misty. The pianist is superbly accompanied by a rhythmic section that is elegant, minimalist and effervescent, and delivers the simple quintessence of his poetry almost as if by accident.

ERROLL GARNER

THE UNRELEASED BERLIN STUDIO RECORDING 1967

ERROLL GARNER

THE UNRELEASED BERLIN STUDIO RECORDING 1967

Memory of this discovery

“This tape of just 27 minutes is a unique discovery in our catalog: it is a studio recording and not a live one. The sound recording is carried out in the first modular acoustic room in the world (studio 3 of the Berlin radio). Finally, it is about Erroll Garner whom I consider to be one of the greatest geniuses in musical history: how can one understand all the aspects of what constitutes the very essence of music while being perfectly self-taught ? I remember we were dancing in the studio and the director of the RBB joined us to listen to it!”

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

THE FORMATS OF THIS DISCOVERY


Jazz Halo

“Erroll Garner's tracks captured during this studio session express all the talent and the extraordinary virtuosity of the pianist”

Erroll Garner: A Musical Genius Beyond Time

Erroll Garner, born in 1921 in Pittsburgh, Pennsylvania, is a veritable enigma in the history of 20th-century American popular music. Self-taught, gifted with a prodigious ear, he developed a dazzlingly unique style of piano playing that broke away from any pre-established trends. Not surprisingly, he is adulated by his peers, placed in the pantheon of the purest and most spontaneous jazz geniuses, and loved by the general public. His style, a perfect blend of big-band swing energy and piano orchestration, has influenced many musicians, yet remains unmistakable and utterly unique.

From an early age, Garner was able to synthesize the contributions of the great masters of stride piano, such as James P. Johnson and Fats Waller, and of the swing era, such as Earl Hines and Art Tatum. Although invited to New York by Charlie Parker in 1947, he always kept his distance from the intellectualism and formalism of bebop, preferring to concentrate on a timeless "art of the trio", which reached its apogee in 1955 with the international success of the live album "Concert by the Sea".

Always true to his style, Garner continued to innovate, transforming his trio into a quartet by integrating a percussionist adept at Afro-Cuban rhythms and experimenting with ambitious orchestral formulas. Among his most striking experiments is the album "Up in Erroll's Room", recorded in November 1967, which features the pianist's orchestra accompanied by a brilliant, perfectly "modernist" brass section.

An unpublished work: Magic from Heaven

A few weeks before recording this atypical album, Erroll Garner found himself in the studio in Berlin at the head of his brand-new band. This brief but inspired moment of musical creation has remained unpublished to this day, but is now accessible thanks to The Lost Recordings. Erroll Garner, accompanied by Ike Isaaks on double bass, Jimmy Smith on drums and Jose Mangual on bongos, offers the quintessence of his poetics in this session.

The Erroll Garner pieces captured during this studio session express the pianist's talent and virtuosity.

"I get ideas from everything. A big color, the sound of water and wind, or a flash of something cool. Playing is like life. Either you feel it or you don't."

OUR HAPPY MUSIC LOVERS