OSCAR PETERSON

The Will to Swing

OUR DISCOVERIES

Tape No. 1

Tape No. 1

OSCAR PETERSON TRIO

LIVE IN BREMEN 1961

On that April evening in 1961, in front of nearly 1,400 spectators gathered at the Glocke - one of Herbert von Karajan's favorite concert halls - the "mountain" Oscar Peterson sat down at his piano, accompanied by his two acolytes, Ray Brown, the "handsome bassist", as his admirers nicknamed him, and Ed Thigpen, one of the most sought-after drummers on the New York scene. Oscar Peterson was a brilliant alchemist, a sort of Pygmalion of himself, who was going to the end of his transformations. He knew how to magnify his mastery of swing, deepen his repertoire, renew himself without denying his nature, and thus award jazz its most magical letters of nobility.

OSCAR PETERSON TRIO

LIVE IN BREMEN 1961

OSCAR PETERSON TRIO

LIVE IN BREMEN 1961

The story of this discovery

"It is thanks to the help of Ulf Drechsel, our correspondent in Germany - that we managed, after more than a year of effort, to access the archives of the Bremen radio. It was during our first trip that we identified more than eight original tapes including this miraculous recording of the Oscar Peterson Trio at the Glocke. This concert was given, just like the one at the Concertgebouw, in 1961. But it was a completely different trio that performs that evening! We were totally enchanted and My Funny Valentine is notably one of the most irresistible versions that we have heard to date".

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

THE FORMATS OF THIS DISCOVERY


Le Journal du Dimanche

“The restorations of The Lost Recordings are worthy of those devoted to master paintings”

Tape No. 2

Tape No. 2

OSCAR PETERSON TRIO

LIVE AT THE CONCERTGEBOUW 1961

It is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as "the Ineffable". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording.

OSCAR PETERSON TRIO

LIVE AT THE CONCERTGEBOUW 1961

OSCAR PETERSON TRIO

LIVE AT THE CONCERTGEBOUW 1961

The story of this discovery

“Oscar Peterson's supernatural virtuosity, his elegance and his sound, which is one of the most beautiful to have existed, place him in the firmament of the piano, all styles combined. What emotion did we feel during our first trip to the Dutch archives when we discovered this tape with his name on it! This previously unreleased recording is, for me, one of the most beautiful in his entire discography. I remember with emotion the sound of Ed Thigpen's cymbal at the very beginning of the tape, the first chords which revealed an exceptional sound recording and the first irresistible notes of the Softly, As in a Morning Sunrise…”

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

THE FORMATS OF THIS DISCOVERY


Jazz News

"the Oscar Peterson Trio was, once again this evening, a real war machine, master in standards and swing. A breathtaking restoration. An essential treat."

The discovery of an inescapable talent

Oscar Peterson was born in 1925 in Montreal. From an early age, he developed a strong musical confidence. With a perfect and natural pitch, he learned classical piano and the values and importance of music from his sister and father respectively. It is thanks to his family that Oscar Peterson is one of the most admired pianists in the world.

Certainly the most popular Canadian artist of the time and even today, he played and recorded with many jazz stars such as Louis Armstrong, Ella Fitzgerald and Duke Ellington. Oscar Peterson developed during his childhood and reached his maturity during the bepop and swing years of the 1940s. An unmatched brute force at the piano, Oscar Peterson seemed to play effortlessly and with total mastery of his instrument. According to some fans, Oscar Peterson was a genius and his longevity and accomplishments probably validated his importance in jazz history.

Oscar Peterson on piano


The beginning of a never ending story

His career began at the age of 14, when after winning a radio contest, Oscar Peterson began making regular public appearances. He then formed his own jazz trio and signed a recording contract with a Canadian label. He was already known for his technique, his fluid and masterful playing, and some of the great artists of the time, such as Ella Fitzgerald and Count Blasie, came to Montreal to see him play. One evening in 1949, Norman Granz was so surprised by Peterson that he asked the pianist to accompany him to New York as a surprise guest for his Jazz at the Philarmonic events. During this show, he shared the stage with Charlie Parker and Lester Young, which definitely launched his international career. Oscar Peterson began touring with the Philharmonic, visiting 41 cities in North America, as well as Japan, Hong Kong, Australia and the Philippines.

For all jazz fans, Oscar Peterson's classic is his trio formed in 193 with bassist Ray Brown and guitarist Herb Ellis. Even without a drummer, Peterson's percussive style left no room for a new member. In addition to recording with many trios as well as his own, Oscar Peterson recorded with duos such as Dizzy Gillespie. During this period, Peterson's popularity and standing continued to grow, and he became increasingly popular for his solo performances. Between 1970 and 1980, he recorded up to six albums a year.

Oscar Peterson on the microphone


Oscar Peterson has 12 honorary degrees, including Chancellor of York University from 1991 to 1994. He also founded the Advanced School of Contemporary Music in Toronto. Among his many awards, it is impossible not to mention his 7 Grammy Awards for only 12 nominations. In addition, in 2005, Peterson was honored by his home country with a commemorative stamp featuring his portrait. He became the first living person in Canada, other than a reigning monarch, to be featured on a stamp.

The end of a career but not of a reign

On December 23, 2007, due to health problems, Oscar Peterson died of kidney failure in his home in the suburbs of Toronto, at the age of 82.

"If you have something to say of any worth then people will listen to you."

OUR HAPPY MUSIC LOVERS