SARAH VAUGHAN
Nobody's as classy as "Sassy"
Tape No. 1
Tape No. 1
SARAH VAUGHAN
LIVE AT THE BERLIN PHILHARMONIE 1969
This double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.
To everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up.
SARAH VAUGHAN
LIVE AT THE BERLIN PHILHARMONIE 1969
SARAH VAUGHAN
LIVE AT THE BERLIN PHILHARMONIE 1969
The story of this discovery
"I thought I knew about this concert of the Divine during the Berlin Jazztage - through video. I remember being totally captivated by her performance but regretted the rather disappointing sound quality. During our first trip to the Berlin radio, this concert appears in the RBB archives lists. To our great surprise, four tapes of approximately 35 minutes each are listed. This is twice longer than we expected! We decide to listen to the original analog tapes. The sound is striking! And above all, 10 tracks are completely unreleased! When this album were released on vinyl, music critics and collectors around the world were fascinated by Vaughan's incredible vocal performance and by the quality of our work. Our label took on another dimension and other archives invited us to collaborate..."
Frédéric D'ORIA-NICOLAS
Musical treasure seeker
THE FORMATS OF THIS DISCOVERY
Het Parool
“The titles of this lost Sarah Vaughan recording simply go straight to the heart”
Tape No. 2
Tape No. 2
SARAH VAUGHAN
LIVE AT LAREN JAZZ FESTIVAL 1975
First publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the "Divine" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him.
SARAH VAUGHAN
LIVE AT LAREN JAZZ FESTIVAL 1975
SARAH VAUGHAN
LIVE AT LAREN JAZZ FESTIVAL 1975
The story of this discovery
“This discovery has a special place for us since it is the first tape of a previously unreleased concert that we have found! It was Piet Tullenaar, a researcher who had been working in the Dutch archives for several decades who managed to identify this tape exceptional. We were in the studio, amazed by Sarah's voice. Everything Must Change brought us a few tears that we were all trying to hide..."
Frédéric D'ORIA-NICOLAS
Musical treasure seeker
THE FORMATS OF THIS DISCOVERY
Jazz Magazine
"CHOC. Sassy, at 51, is at the top of his art. Sublime both in her most mind-blowing vocal acrobatics and in her ballads, thus offering us incomparable versions of "Lover Man" and "'Round Midnight". "The Divine" is in a state of grace."
The birth of a nascent voice
Sarah Vaughan was born on March 27, 1924 in New Jersey. From the age of 7, she learned to play the piano with the encouragement of her father. She also sang in the church choir that her mother attended. Driven by a great passion for music in all its forms, Sarah Vaughan soon demonstrated an exceptional natural talent for singing. As a teenager, Sarah Vaughan began singing the popular numbers of the day at local nightclubs, sometimes accompanying herself on the piano.
A Dantean career
Sarah Vaughan's professional debut was a direct success when she formed her own big band after a meeting with Billy Eckstine, which included Charlie Parket and Dizzy Gillespie, two revolutionary young musicians who introduced Sarah Vaughan to the bold rhythms and harmonies of the then emerging bebop. Brimming with new ideas and gifted with an exceptional vocal technique that allowed her to tackle any musical genre, she launched her solo career in 1946. At the age of 22, Sarah Vaughan had her first successes recorded on the Continental and Musicraft labels.
During the 1950s, she recorded a series of albums for Columbia and then Mercury, which brought her wide recognition. Sarah Vaughan's career then took a turn and leaned on several tables: commercial pieces of the popular repertoire, prestigious recordings, more intimate numbers with smaller formations including the top jazzmen of the time like Miles Davis or Clifford Brown. Sarah Vaughan was then recognized as one of the best singers in the history of jazz with Billie Holiday and Ella Fitzgerald, Sarah Vaughan sang with Billy Eckstine, Count Basie and Quincy Jones. She never stopped traveling around the world to perform her art. The entire audience is conquered and amazed by her virtuosity, her sophistication and her sincerity.
A departure through the front door
After a hiatus and a determined younger generation, Sarah Vaughan seems to be reborn after a return to the fundamentals of her art, she links up with new artists and a new label and starts touring the world again. Sarah Vaughan began the last decade of her career with a contract with the producer Norman Granz. She recorded no less than 7 albums, bringing her official recognition: A star on the Hollywood Walk of Fame in 1985 and 3 years later, an induction into the American Jazz Hall of Fame.
Sarah Vaughan died on April 3, 1990, at the age of 66 years of cancer.
Sarah Vaughan's awards
The Lost Recordings had the honor of being awarded by Choc Jazz and France Musique for Sarah Vaughan's 1975 album Live At Laren.
For the album Live At Berlin Philarmonie 1969, Sarah Vaughan received the Choc Jazz, Choc de Classica and fff de Télérama awards.
"It sure is a nice felling to know that people will remember you after you're gone, that you'll manage to be a little bit of history"
OUR HAPPY MUSIC LOVERS