PHILIP CATHERINE

A lyricism that rips the unconscious

OUR DISCOVERIES

Bande No. 1

Bande No. 1

PHILIP CATHERINE/NICOLAS FISZMAN

LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982

On that gloomy afternoon, the two guitarists, alone on stage, decided to brighten up the morosity that reigned. The pieces they played bore titles such as “Janet”, “Babel” and “Petit Nicolas”. It is hard to believe that this varied, well-constructed, polyphonic music was not entirely written down on paper. Philip says, “Nothing is written from beginning to end. I compose the themes and some harmonic bridges. Then we have a chord chart … and that’s it.” The foundations are written; inspiration, taste, fantasy and friendship do the rest. We feel as though we are taking a nonchalant walk through Rio or Miami. The concert is punctuated by thunderous applause.

PHILIP CATHERINE/NICOLAS FISZMAN

LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982

PHILIP CATHERINE/NICOLAS FISZMAN

LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982

The story of this discovery

"It was during our research at the RBB that we were suggested to go to Potsdam where the recordings made in East Berlin, during the time of the Democratic Republic of Germany, had been stored. Later, we would also find there one of the tapes of the now famous Ella Fitzgerald concert of 1967 but also this exceptional concert by guitarist Philip Catherine and his then disciple, Nicolas Fiszman. This concert literally amazed us with its beauty of the themes, the harmonic colors, the creativity in the rhythm. The sound recording quality, for its part, is simply fabulous."

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

THE FORMATS OF THIS DISCOVERY


Le Journal du Dimanche

“The restorations of The Lost Recordings are worthy of those devoted to master paintings”

Philip Catherine: A European Jazz Virtuoso

Born in London in 1942 and raised in Belgium, Philip Catherine has established himself as a leading figure in European jazz. His love of the guitar began in childhood, and quickly developed into a deep passion that led to an illustrious career in the world of jazz.

Over the years, Catherine has collaborated with jazz giants such as Charles Mingus, Chet Baker, Stéphane Grappelli and Dexter Gordon, leaving her indelible mark on every project. Her sophisticated yet intuitive guitar playing has helped take jazz to new heights.

A remarkable career

In a career spanning more than half a century, Philip Catherine has continually pushed the boundaries of what's possible on jazz guitar. His unique sense of melody and prodigious technique have made him a leading figure on the international jazz scene. From festivals to concert halls, Catherine has captivated audiences the world over with his virtuosity and innovative approach to jazz.

Despite his success and worldwide recognition, Catherine remained an artist dedicated to music, constantly avoiding complacency and always seeking to evolve as a musician. He continued to compose, record and perform new music, capturing the spirit of jazz in every note.

A Lasting Legacy

Even after decades of playing, Philip Catherine continues to inspire jazz musicians the world over. His musical legacy has not only shaped contemporary jazz, but continues to guide future musicians. His unique style, combining finesse and daring, passion and precision, continues to inspire all those who seek to understand and master the art of jazz.

“Philip Catherine doesn’t play music. He is the music!” Le Monde

OUR HAPPY MUSIC LOVERS