JÁNOS STARKER
La flamme intérieure
Tape No. 1
Tape No. 1
JÁNOS STARKER & GYÖRGY SEBŐK
THE UNRELEASED BERLIN STUDIO RECORDINGS 1963
János Starker, cellist, and György Sebők, pianist, were both born in Hungary early in the twentieth century. They were welcomed into the formidable Franz Liszt Academy of Music in Budapest, and emigrated to the USA, where they both held the title of Distinguished Professor at the Indiana University School of Music in Bloomington. Both heavy smokers and sometimes reputed – unjustly – to be harsh, austere and insensitive to trends, they were drawn to music in all its varieties and fascinated by its many colours. They had one aim only, one noble objective: to showcase the works all composers, as evidenced by this recording made in the legendary Studio 3 of Berlin Radio on 24 October 1963.
JÁNOS STARKER & GYÖRGY SEBŐK
THE UNRELEASED BERLIN STUDIO RECORDINGS 1963
JÁNOS STARKER & GYÖRGY SEBŐK
THE UNRELEASED BERLIN STUDIO RECORDINGS 1963
The History of this discovery
"We discovered these previously unpublished tapes in the archives of the RBB - the Berlin radio. This discovery is absolutely major because these two incredible musicians had recorded too little together and because this recording offers us the possibility to listen to them in works that were unpublished so far in their discography - notably an extraordinary sonata by Prokofiev! And what can we say about this Bach sonata, with an Andante that brought tears to the eyes of everyone present in the studio at the time"
Frédéric D'ORIA-NICOLAS
Musical treasure seeker
THE FORMATS OF THIS DISCOVERY
Le Journal du Dimanche
“The restorations of The Lost Recordings are worthy of those devoted to master paintings”
Beginning at the cello
Born in Budapest, Hungary, on July 5, 1924, into a family of Polish and Russian descent, János Starker became acquainted with the cello at the age of six. Student of Professor Adolf Schiffer at the Franz Liszt Academy, he joined the Budapest Philharmonic Orchestra and the Budapest Opera Orchestra after his studies, where he held the position of first cello.
Holocaust survivor
A musical prodigy and teacher, János Starker himself taught the instrument to a dozen students at a very early age before being caught up in events. Although he escaped forced labor and death due to his young age when the Second World War broke out, the musician of Jewish origin was deported to a concentration camp where he was imprisoned for three months. Two of his brothers, violinists, did not survive. The cellist who survived the Holocaust left Europe in 1948 to settle in the United States. A member of the Dallas Symphony Orchestra under the direction of his compatriot Antal Doráti, he then collaborated regularly with the Metropolitan Opera Orchestra in New York and the Chicago Symphony Orchestra conducted by Fritz Reiner.
A life dedicated to teaching
In 1958, János Starker opened the position of professor of cello at the School of Music of Jacobs University in Bloomington, Indiana, where his friend, partner and compatriot György Sebök officiated. The musician known for his recordings of Kodaly (Cello Sonata Opus 8), Dvorak (Cello Concertos) and JS Bach divided his time between his teaching position, the masterclasses he gave around the world, tours and studio sessions. Until 1965, he owned the Lord Aylesford Stradivarius cello, considered the largest in the world, and then played on an instrument developed by the luthier Matteo Goffriller.
The Legacy
Considered the greatest performer of his generation, along with Mstislav Rostropovich, János Starker was rewarded late in 1998 with a Grammy Award for his last recording of JS Bach's Six Suites for Solo Cello. The composer to whom composers David Baker, Antal Doráti, Jean Martinon, Miklos Rozsa and Robert Starer dedicated works, made over one hundred and sixty recordings, constituting one of the largest repertoires for the cello. In 2004, his autobiography The World of Music According to Starker was published. After several days in hospital, János Starker died on April 28, 2013 at the age of 88, leaving behind an exemplary catalogue of works.
"I've considered always that teaching is a far more important aspect of my life than performing...I've always said that after a standing ovation, people sit down. Teaching may affect generations"
OUR HAPPY MUSIC LOVERS