ART BLAKEY
ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - SAPPHIRE EDITION®
SAPPHIRE EDITION®
ART BLAKEY
LIVE IN SCHEVENINGEN 1958
94,00€
RECORD 1
- Introduction by Art Blakey
- Moanin'
- Announcement by Art Blakey
- Along Came Betty
- Announcement by Art Blakey
- Evidence/Justice
RECORD 2
- Just by Myself
- Announcement by Art Blakey
- I Remember Clifford
- Announcement by Art Blakey
- Now Is the Time
- Announcement by Art Blakey
- Whisper Not
- Night in Tunisia
4000 Exemplaires
Sapphire Edition® pushes the boundaries of audio media.
It is the pinnacle of our latest innovations in restoration and manufacturing processes, without any constraints or compromises, thus delivering an unprecedented musical experience.
On the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say "I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic "Moanin'" and saxophonist Benny Golson the famous "Along Came Betty", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.
Art Blakey, Drums
Lee Morgan, Trumpet
Benny Golson, Tenor Saxophone
Bobby Timmons, Piano
Jymie Merritt, Bass
Recorded at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958
MONO ℗ 1958 VARA
Restored by ℗ & © 2025 THE LOST RECORDINGS from the original analog tapes
33rpm Lacquer-cuts: Kevin Gray
200g Double Ultimate Record®
Limited edition : 4,000 copies
Box and Tip-on Gatefold printed in Italy
Pressed and assembled in France
*A 16-bit album download card is included with the vinyl.
ULTIMATE RECORD®
DELIVERY & WARRANTY
"Art was an original. He’s the only drummer whose time I recognize immediately. And his signature style was amazing; we used to call him ‘Thunder.’ When I first met him on 52d Street in 1944, he already had the polyrhythmic thing down. Art was perhaps the best at maintaining independence with all four limbs. He was doing it before anybody was." Max Roach
OUR HAPPY MUSIC LOVERS