JULIUS KATCHEN
JULIUS KATCHEN - THE UNRELEASED STUDIO RECORDINGS - DOUBLE VINYL
DOUBLE VINYL
JULIUS KATCHEN
THE UNRELEASED STUDIO RECORDINGS
68,00€
Delivered from 03/04/26
RECORD 1 - 45RPM
- Brahms: Ten Hungarian Dances for piano solo
- No. 1 in G Minor - Allegro molto
- No. 2 in D Minor - Allegro non assai
- No. 3 in F Major - Allegretto
- No. 4 in F-Sharp Minor - Pocco sostenuto
- No. 5 in F-Sharp Minor - Allegro
- No. 6 in D-Flat Major - Vivace
- No. 7 in F Major - Allegretto
- No. 8 in A Minor - Presto
- No. 9 in E Minor - Allegro non troppo
- No. 10 in E Major - Presto
RECORD 2 - 45RPM
- Mendelssohn: Prelude and Fugue in E Minor, Op. 35, No. 1
- Prelude
- Fugue
- Mendelssohn: Rondo capriccioso, Op. 14
- Liszt: Hungarian Rhapsody No. 12 in C-Sharp Minor, S. 244
3000 Copies
Julius Katchen’s reputation for his interpretation of the work of Johannes Brahms is universally acknowledged. On 13 December 1965, in the German radio station’s renowned Studio 3, Katchen sat down at the piano to play a version of ten of Brahms’ Hungarian Dances for Solo Piano, until today never published.
Of course, his repertoire extends beyond the works of Brahms. As this edition of concerts for Berlin Radio attests, he approaches both Mendelssohn and Liszt with equal power.
Brahms’s Hungarian Dances comprise a series of twenty-one compositions and arrangements, written between 1867 and 1880 and inspired by popular Roma and Slav folk tunes. The first
series of ten dances for piano solo displays the fervor of the composer in his youth; Katchen clearly perceives their great vivacity. Katchen is no mere performer of Brahms among many. He truly lives the music, as if he were the composer’s close friend, his confidant. The dances take the form of a bucolic painting that Brahms and Katchen paint together – a painting filled with joy, despair, unruliness, fear and tenderness.
The first of Felix Mendelssohn’s Six Preludes and Fugues, Opus 35, reveals a different vision of German romanticism. With greater austerity, heightened spirituality, it is inspired by the baroque form of chorale and fugue to which Johann Sebastian Bach brought such dignity. Mendelssohn had rediscovered Bach’s music, fallen into oblivion.
Mendelssohn completed the Rondo Capriccioso in 1830 after reworking it several times over the course of two years to finally offer it to pianist Delphine von Schauroth, whom he had been courting perseveringly, but ultimately, unsuccessfully. Perhaps this is why the andante conveys overtones of despair that contrast with the inordinate gaiety of the Presto.
With the works of Franz Liszt, who all his life had soaked up the sounds and melodies of his native Hungary, we return to folklore. Katchen gives a majestic rendition of the Twelfth Rhapsody with a delectable version, playing on a musical palette that includes, in turn, melancholy, pianistic virtuosity, grave themes and wild dances.
In barely more than twenty years of a musical career, Julius Katchen proved that he had unique artistic talents. But the life of this prodigy was cut short too early. This edition attests to his dazzling trajectory at the piano as an interpreter of the romantic tradition.
Julius Katchen, piano
Registered on 13 December 1965, *8 January 1960, Room 3, RBB, Berlin, Germany
STEREO ℗ 1965, MONO ℗ 1960 RBB
Restored by © 2026 THE LOST RECORDINGS from the original analog tapes
Ref.: TLR-2503066V
45rpm engraving: Kevin Gray
New tip-on pouch printed in Italy
Double Vinyl Album 180g
Phoenix Pressings
*A download card for the 16-bit album is included with the vinyl.
AN UNEQUALLED KNOW-HOW
DELIVERY & WARRANTY
"There is such an intimate relationship between Brahms and his later piano works that anyone who knows how to listen to them almost feels like an intruder."
OUR HAPPY MUSIC LOVERS
