THELONIOUS MONK

THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL

THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL

DOUBLE VINYL

THELONIOUS MONK

LIVE IN ROTTERDAM 1967

SAPPHIRE EDITION® - Limitée à 4000 exemplaires

94,00€

RECORD 1

  1. RUby, My Dear
  2. Hackensack
  3. We See
  4. Epistrophy

RECORD 2

  1. Evidence/Epistrophy
  2. Don't Blame Me
  3. Oska T./Epistrophy
  4. Blue Monk

4000 Exemplaires



Sapphire Edition® pushes the boundaries of audio media.
It is the pinnacle of our latest innovations in restoration and manufacturing processes, without any constraints or compromises, thus delivering an unprecedented musical experience.



When he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two "classics" "Ruby, My Dear" and "Blue Monk", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of "Hackensack", the brass gets carried away in the middle of "We See"; they answer each other by swirling in the dizzying "Oska". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: "Blue Monk", all classical restraint.


Thelonius Monk, Piano
Charlie Rouse, Tenor Sax
Larry Gales, Bass
Ben Riley, Drums

Guests :
Clark Terry, Trumpet
Ray Copeland, Trumpet
Jimmy Cleveland, Trombone
Phil Woods, Alto Sax
Johnny Griffin, Tenor Sax




Recorded at De Doelen, Rotterdam, 28.X.1967
STEREO ℗ 1967 NOS

Remastered by ℗ & © 2025 THE LOST RECORDINGS
from the original analog tapes

33rpm Lacquer-cuts: Kevin Gray
200g Double Ultimate Record®
Limited hand-numbered edition: 4,000 copies
Box and Tip-on Gatefold printed in Italy
Pressed and Manufactured in France



*A 16-bit album download card is included with the vinyl.

ULTIMATE RECORD®
  • New Master

Achieved with our latest equipment and expertise

  • 200g Ultimate Record®

Greater record inertia eliminates unwanted resonances

  • New cuts by Kevin Gray

The world's finest specialist

  • New Electroplating

New mirror-polished stamper. Each presses no more than 500 copies

  • New 100% virgin Ultra-clear compound

Ensures the highest possible purity

  • New pressing cycle

Allows perfect record flatness

  • Absolute quality control

Each copy is carefully selected and guaranteed pristine

DELIVERY & WARRANTY

We ship our products worldwide with the utmost care. In the event of any damage during transport, we undertake to replace, at our exclusive expense, any products.

Returns are accepted within 14 days of receipt of your order, however return costs are the responsibility of the customer.

DOUBLE VINYLE

THELONIOUS MONK

LIVE IN ROTTERDAM 1967

THELONIOUS MONK

LIVE IN ROTTERDAM 1967

The story of this discovery

“My first memory of Monk was as a teenager. His language and this way of understanding the piano, so far from what I appreciated at the time, seemed then totally foreign to me. Just like Bartok's music was to me. Years later, it was a revelation: the music seemed to me totally innovative. The harmonies and melodies that overlap and collide can be listened as the way to look at a Kandinsky or a Pollock. This previously unreleased concert, discovered in the Dutch archives, is a true Master painting that no one had ever had the chance to contemplate.”

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

Jazz Mania

“This 1967 recording sounds as if it had been recorded yesterday and gives us a great Monk surrounded by real stars such as Clark Terry and Johnny Griffin”

“There are no wrong notes. Some are just more right than others”

An unequalled sonic know-how.

2 year warranty by The Lost Recordings

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Worldwide delivery with home tracking

OUR HAPPY MUSIC LOVERS

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