SARAH VAUGHAN - LIVE AT THE BERLIN PHILHARMONIE 1969 - DOUBLE VINYL

Photo de Sarah Vaughan Live at the Berlin Philharmonie 1969

DOUBLE VINYLE

SARAH VAUGHAN

LIVE AT THE BERLIN PHILHARMONIE 1969

68,00€

RECORD 1

A Lot of Livin' to Do

And I Love Him

Alfie
On a Clear Day
Passing Strangers
Misty
I Cried for You
My Funny Valentine
All of Me
Tenderly

RECORD 2

Fly Me to the Moon

Time After Time
The Trolley Song
By the Time I Get to Phoenix
The Sweetest Sounds
Polka Dots and Moonbeams
Day In, Day Out

What Now, My Love

I Had a Ball
Didn't We?

This double recital, recorded on 9 November 1969 at the Berlin Philharmonic, takes place at a very special time in Sarah Vaughan's life.
To everyone's astonishment, the small, awkward 45-year-old gave one of the most masterful stage performances of her career that could be captured on tape. In almost two hours she silenced all misgivings by proving how her approach to music remained eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to its highest degree throughout her incredible tessitura, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan shakes things up. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings...

Record 1

A Lot of Livin' to Do

And I Love Him

Alfie

We have Clear Day

Passing Strangers

Misty

I Cried for You

My Funny Valentine

All of Me

Tenderly

Record 2

Fly Me to the Moon

Time After Time

The Trolley Song

By the Time I Get to Phoenix

The Sweetest Sounds

Polka Dots and Moonbeams

Day In, Day Out

What Now, My Love

I Had a Ball

Didn't We?

Sarah Vaughan, Vocals
Johnny Veith, Piano
Gus Mancuso, Bass
Eddy Pucci, Drums

Recorded at Berlin Philharmonie
Berliner Jazztage, 9.XI.1969
MONO ℗ 1969 RBB

Remastered by ℗ & © 2020 The Lost Recordings
Made and printed in Germany

Remastered from the original analog tapes
Lacquer-cuts: Kevin Gray
Masters & Mothers: Quality Record Pressings
180g 2-vinyl album
2nd edition

*A 16-BIT ALBUM DOWNLOAD CARD IS INCLUDED WITH THE VINYL.

AN UNEQUALLED KNOW-HOW

- Phoenix Mastering™ restoration from original analog tapes
- Lacquer-Cuts by Kevin Gray
- 180g test-pressings approving in our studios
- New Stampers every 500 copies
- Slow pressing cycle
- Unequalled quality control in Europe
- New Tip-on gatefold printed in Italy
- Pressed by Simon Garcia, in France 🇫🇷

DELIVERY & WARRANTY

We ship our products worldwide with the utmost care. In the event of any damage during transport, we undertake to replace, at our exclusive expense, any products.

Returns are accepted within 14 days of receipt of your order, however return costs are the responsibility of the customer.

DOUBLE VINYLE

SARAH VAUGHAN

LIVE AT THE BERLIN PHILHARMONIE 1969

The story of this discovery

"I thought I knew about this concert of the Divine during the Berlin Jazztage - through video. I remember being totally captivated by her performance but regretted the rather disappointing sound quality. During our first trip to the Berlin radio, this concert appears in the RBB archives lists. To our great surprise, four tapes of approximately 35 minutes each are listed. This is twice longer than we expected! We decide to listen to the original analog tapes. The sound is striking! And above all, 10 tracks are completely unreleased! When this album were released on vinyl, music critics and collectors around the world were fascinated by Vaughan's incredible vocal performance and by the quality of our work. Our label took on another dimension and other archives invited us to collaborate..."

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

Jazz Halo

“The care put into this edition and the quality of the musical material proposed, in this double album, is one of the major testimonies of the Divine”

"It sure is a nice felling to know that people will remember you after you're gone, that you'll manage to be a little bit of history"