THELONIOUS MONK

THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL

THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL
THELONIOUS MONK - LIVE IN ROTTERDAM 1967 - DOUBLE VINYL

DOUBLE VINYLE

THELONIOUS MONK

LIVE IN ROTTERDAM 1967

58,00€

RECORD 1

  1. RUby, My Dear
  2. Hackensack
  3. We See
  4. Epistrophy

RECORD 2

  1. Evidence/Epistrophy
  2. Don't Blame Me
  3. Oska T./Epistrophy
  4. Blue Monk
When he took the stage at the Club Doelen in Rotterdam on 28 October 1967, Thelonious Monk had just turned 50. Fifteen years later he would disappear from the music scene, taking refuge for the last six years of his life in New York at Pannonica de Koenigswater, never to touch the piano again. Flanked by the two "classics" "Ruby, My Dear" and "Blue Monk", he leads the quartet of his three accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests, for more than an hour and 20 minutes. Larry Gales' bass pops out of a box at the end of "Hackensack", the brass gets carried away in the middle of "We See"; they answer each other by swirling in the dizzying "Oska". And in the middle of the concert, a solo moment on 'Don't Blame Me': everything appears contrasting, twisted, oblique, each note seeming to be surprised by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: "Blue Monk", all classical restraint.

Record 1

  • Ruby, My Dear
  • Hackensack
  • We See
  • Epistrophy

  • Record 2

  • Evidence/Epistrophy
  • Don't Blame Me
  • Oska T./Epistrophy
  • Blue Monk

    • Thelonius Monk, Piano
    • Charlie Rouse, Tenor Sax
    • Larry Gales, Bass
    • Ben Riley, Drums

      • Guests:

    • Clark Terry, Trumpet
    • Ray Copeland, Trumpet
    • Jimmy Cleveland, Trombone
    • Phil Woods, Alto Sax
    • Johnny Griffin, Tenor Sax


    Recorded at De Doelen, Rotterdam, 28.X.1967
    STEREO ℗ 1967 NOS

    Remastered by ℗ & © 2017 FONDAMENTA
    Made and printed in Germany

    Remastered from the original analog tapes
    Lacquer-cuts: André Perriat
    180g 2-vinyl album
    Limited number of copies : 999
    Printed and pressed in Germany



    AN UNEQUALLED KNOW-HOW

    - Phoenix Mastering™ restoration from original analog tapes
    - Lacquer-Cuts by Kevin Gray
    - 180g test-pressings approving in our studios
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    - New Tip-on gatefold printed in Italy
    - Pressed by Simon Garcia, in France 🇫🇷

    DELIVERY & WARRANTY

    We ship our products worldwide with the utmost care. In the event of any damage during transport, we undertake to replace, at our exclusive expense, any products.

    Returns are accepted within 14 days of receipt of your order, however return costs are the responsibility of the customer.

    DOUBLE VINYLE

    THELONIOUS MONK

    LIVE IN ROTTERDAM 1967

    THELONIOUS MONK

    LIVE IN ROTTERDAM 1967

    The story of this discovery

    “My first memory of Monk was as a teenager. His language and this way of understanding the piano, so far from what I appreciated at the time, seemed then totally foreign to me. Just like Bartok's music was to me. Years later, it was a revelation: the music seemed to me totally innovative. The harmonies and melodies that overlap and collide can be listened as the way to look at a Kandinsky or a Pollock. This previously unreleased concert, discovered in the Dutch archives, is a true Master painting that no one had ever had the chance to contemplate.”

    Frédéric D'ORIA-NICOLAS
    Musical treasure seeker

    Jazz Mania

    “This 1967 recording sounds as if it had been recorded yesterday and gives us a great Monk surrounded by real stars such as Clark Terry and Johnny Griffin”

    “There are no wrong notes. Some are just more right than others”

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