Berlin

May 2021

Berlin,
Stan Getz, Astrud Gilberto, Karl Böhm, Lorin Maazel et bien d'autres...

Nouveau voyage au centre de Berlin pour écouter des merveilles tant en Jazz qu'en Classique

Tape No. 1

STAN GETZ

LIVE AT THE BERLIN JAZZ FESTIVAL 1966

The Lost Recordings found the analogue master tapes of this extraordinary concert in the Berlin radio archives. How can one not be captivated by this performance, which delivers a previously unreleased version of some tracks from the legendary 1964 Verve album? From now on, these 19 unforgettable titles are added to our collection with, as always, an unequalled sound quality, thanks to our Phoenix Mastering® process and Kevin Gray's cuts, proving the evocative power and timeless freshness of their music.

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Delivered from 02/10/26

STAN GETZ & ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - SAPPHIRE EDITION®

SAPPHIRE EDITION® STAN GETZ & ASTRUD GILBERTO LIVE AT THE BERLIN JAZZ FESTIVAL 1966 118€

STAN GETZ & ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE VINYL

DOUBLE VINYL STAN GETZ & ASTRUD GILBERTO LIVE AT THE BERLIN JAZZ FESTIVAL 1966 68€

STAN GETZ & ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - DOUBLE CD

DOUBLE CD STAN GETZ & ASTRUD GILBERTO LIVE AT THE BERLIN JAZZ FESTIVAL 1966 18€

STAN GETZ & ASTRUD GILBERTO - LIVE AT THE BERLIN JAZZ FESTIVAL 1966 - HD DOWNLOAD

HD DOWNLOAD STAN GETZ & ASTRUD GILBERTO LIVE AT THE BERLIN JAZZ FESTIVAL 1966 18€

Tape No. 2

HENRYK SZERYNG

THE UNRELEASED BERLIN STUDIO RECORDINGS

April 1962 and April 1963, a year apart, Berlin acousticians, among the most experienced in the world, adjusted the removable panels of the walls of studio No. 3 of the Berlin Radio House. A technical marvel based on revolutionary, though totally traditional methods, this hall was designed in 1929 by Hans Poelzig with a reverberation that can be modulated at will. Henryk Szeryng has the reputation of a scrupulous, uncompromising and authentic master who ranks alongside a Milstein or a Grumiaux. In April 1963, he was 44 years old. At the peak of his art, he meticulously took out of his box his Guarnerius del Gesu, known as "the Duke", with which he would make violin history that day.

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