JOHANNA MARTZY

JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL

JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL
JOHANNA MARTZY - THE UNRELEASED & RARE RECORDINGS - DOUBLE VINYL

DOUBLE VINYL

JOHANNA MARTZY

THE UNRELEASED & RARE RECORDINGS

First edition limited to 2000 copies

68,00€

RECORD 1

  1. Händel: Sonata for violin and basso continuo in F major, HMV 370*
    1. Adagio
    2. Allegro
    3. Largo
    4. Allegro
  1. Mozart: Violin Sonata in F-flat major, KV 454*
    1. Largo - Allegro
    2. Andante
    3. Allegretto

RECORD 2

  1. Mozart: Violin Concerto in G major, No. 3, K. 216**
    1. Allegro
    2. Adagio
    3. Rondeau: Allegro
  1. Ravel: Violin Sonata in G major, No. 2, M. 77***
    1. Allegro
    2. Blues
    3. Perpetuum Mobile

2000 Copies

Johanna Martzy - A Sparkling Meteor

"God has given you all that you need … You must play as one of the first ten, not as the first fifty violinists”. These were the words of Jenő Hubay, Johanna Martzy’s teacher at the Liszt Academy of Budapest, when she was thirteen years old. She could not guess that she was fated to lead the life of a comet traversing an unremitting succession of light and shadowThe professional career of the young girl took off to a meteoric start. In 1943, she made her first performance in Budapest, playing the Tchaikovsky concerto under the baton of the great Willem Mengelberg. But the Nazi occupation of Nazis of Hungary, still part of the Axis, put a halt to the career of the young Jewish artist. She and her husband were sent to an Austrian internment camp, where they remained until the end of the war.

Perhaps it was the recollection of her teacher’s prediction that made her take up her violin again. In October 1947, she won the first prize of the Geneva Competition. Success was close at hand, and touring commenced: Amsterdam in 1949, New York in 1957 and then 1958, with young Leonard Bernstein conducting. However, personal setbacks began: she had to face permanent machinations concerning alleged questionable political affinities with Regent Mikklos Horthy in Hungary during world war two. In Edinburgh, in 1959, the Czech Philharmonic Orchestra refused to perform with her. As a result of her stormy relationships with record companies, she made few recordings. Musical critics, too, did not spare their harsh words, with some saying that her talent was deceptive. Her career took on a chaotic path, as it alternated between resounding praise and ignorance. Johanna remained proud and steadfast through the turmoil, determined to maintain her authenticity. It was a line from which she never wavered.

The Lost Recordings has been fortunate to be able to revive hitherto unpublished studio and concert recordings from Berlin and Amsterdam, made between 1955 and 1965. They testify to the outstanding talent of Martzy, the comet of the musical world. Because these recordings are so old, they required significant restoration to bring the depth and brilliance of her playing back to life.

In 1955, in the Jesus-Christus church of Berlin, Martzy recorded Handel’s Sonata for Violin and Basso Continuo with pianist Jean Antonietti, as well as Mozart’s Sonata in B Major. Each tempo is rigorous and there are none of the mannerisms so common at the time, expressing her striving to achieve the most colourful musical sounds. Each phrase is a world that is rich in itself.

On 25 November 1961, she performed at the Concertgebouw in Amsterdam, where Willem van Otterloo was conducting the Radio Filharmonisch Orkest, the Dutch radio orchestra. Performing this concerto often exhausted Martzy, even though she was particularly fond of it. The recording here illustrates just how unfounded were the criticisms made of her. So uncompromising was she that no pretence was possible; she lived the work from its interior. Her limpid playing is in luminous harmony with the orchestra, which, at several points, she draws to the highest peaks of music. The emotion is all-encompassing. It was often believed that Martzy dared not play the works of twentieth century composers. But her interpretation of Ravel displays vivacity and a sense of rhythm that pay apposite tribute him. Her vision of his sonata for violin, recorded in January 1965 at the Hilversum studio with pianist Franz-Paul Decker, is both dynamic and intimate. But that same year, her career began to fade. She chose to gradually leave the stage and took refuge in Switzerland. There, she died, unknown to almost all, in 1979 aged fifty-five.

What injustice! The great Glenn Gould considered that she was the most underestimated of the major violinists of her time. Today, the error is remedied.

 

Johanna Martzy, violin
Jean Antonietti, piano
**Willem von Otterloo, conductor
**Radio Filharmonisch Orkest


*Registered at the Jesus-Christus Kirche, Berlin, 14.XI.1955
MONO ℗ 1955 RBB
Jean Antonietti, piano

**Registered at the  Concertgebouw, Amsterdam, 25.XI.1961
MONO ℗ 1961 VARA
William van Otterloo, conductor & the Radio Filharmonisch Orkest

*** Recorded at VARA studio, Hilversum, Netherland, 27.I.1965
MONO ℗ 1965 VARA
Jean Antonietti, piano

Remastered by © 2023 THE LOST RECORDINGS from the tapes original analogs
33rpm Lacquer-cuts: Kevin Gray
180g Double-vinyl album
Electroplating: United-Kingdom
1st edition, hand numbered: 2000 copies
New Tip-on gatefold printed in Italy
Pressed by Marciac Workshop Pressings, France



*A 16-BIT DOWNLOAD CARD FOR THE ALBUM IS INCLUDED WITH THE VINYL.

AN UNEQUALLED KNOW-HOW

- Phoenix Mastering™ restoration from original analog tapes
- Lacquer-Cuts by Kevin Gray
- 180g test-pressings approving in our studios
- New Stampers every 500 copies
- Slow pressing cycle
- Unequalled quality control in Europe
- New Tip-on gatefold printed in Italy
- Pressed by Simon Garcia, in France 🇫🇷

DELIVERY & WARRANTY

We ship our products worldwide with the utmost care. In the event of any damage during transport, we undertake to replace, at our exclusive expense, any products.

Returns are accepted within 14 days of receipt of your order, however return costs are the responsibility of the customer.

DOUBLE VINYLE

JOHANNA MARTZY

THE UNRELEASED & RARE RECORDINGS

JOHANNA MARTZY

THE UNRELEASED & RARE RECORDINGS

An epic between Berlin and Amsterdam

“It was Rémi Vimard, a collector and friend who told to me for the first time about Johanna Martzy and her Brahms Concerto with Paul Kletzki. I'm skeptical: I grew up with the Oistrakh and Neveu versions. But listening to the copy he brought me, I was struck by the purity of Martzy's sound. In April 2021, when we had access to the RBB database for the first time, I read her name and decided to look for the original tapes. Haendel sonata transported me... Later, we found her Mozart recordings and such a unique Ravel sonata in Amsterdam!

Frédéric D'ORIA-NICOLAS
Musical treasure seeker

Le Journal du Dimanche

“The restorations of The Lost Recordings are worthy of those devoted to master paintings”

“Martzy is an artist who has always seemed to me, at least in North America, the most underrated of the great violinists of our age” Glenn Gould

An unequalled sonic know-how.

2 year warranty by The Lost Recordings

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